The Italian Communist Party
Author: Grant Amyot
Publisher: Routledge
Published: 1981
Total Pages: 252
ISBN-13: 9780709901907
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Author: Grant Amyot
Publisher: Routledge
Published: 1981
Total Pages: 252
ISBN-13: 9780709901907
DOWNLOAD EBOOKAuthor: Donald L. M. Blackmer
Publisher:
Published: 2016-04-19
Total Pages: 0
ISBN-13: 9780691636221
DOWNLOAD EBOOKThe contributors to this volume address themselves to the growth, behavior, and prospects of the two largest Communist parties in Western Europe. The book deals in particular with the adaptation of the French and Italian Communist parties to the secular changes in their advanced societies. It emphasizes the different attempts made by each party's leaders to participate actively and fruitfully in parliamentary political systems. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Juan José Gómez Gutiérrez
Publisher: Cambridge Scholars Publishing
Published: 2015-09-04
Total Pages: 255
ISBN-13: 1443882143
DOWNLOAD EBOOKThis book examines the artistic policies of the Italian Communist Party (PCI) during the early post-war years (1944–1951), after the defeat of Fascism in Europe and the outbreak of the Cold War. It brings together theoretical debates on artists’ political engagement and an extensive critical apparatus, providing the reader with an historical framework for wider reflections on the relationship between art and politics. After 1944, the PCI became the biggest Communist organisation in the West, placing Italy in an ambiguous position regarding the other European countries. Nevertheless, the immediate strategy of the Communists was not revolution, but liberation from Fascism and the establishment of a democratic system from which a genuine Italian path to Socialism could be found. Taking Antonio Gramsci’s notion of hegemony as a theoretical basis, the Communists intended to generate a progressive social bloc capable of achieving wide consensus within civil society before taking power. In order to accomplish this goal, the collaboration from intellectuals was necessary. The artistic policy of the Italian Communist Party was tailored to this end, counting on representatives from all groups and tendencies of the time, particularly those artists who rejected the imperialistic, autarchic pseudo-classicism that characterised most of Italian art throughout the Fascist years. In the 1930s, international, Modernist and cosmopolitan European culture became an escape route to artists seeking a way out of the oppressive cultural atmosphere of inter-war Italy. However, in the 1940s and 1950s, many of these artists experienced a deep transformation in their work after they became politically involved with the PCI, and were exposed to international Communist culture – and Socialist Realism in particular. This was conveyed not only by conscious changes in their subjects, their style and their material means of expression, but also in the public they addressed and in their own conception of themselves as artistic authors. Hence, at a time when the world was divided into two opposed camps, each heavily inflected by ideological allegiance and supported by powerful propaganda apparatuses, Italian Communist artists became the protagonists of a novel intellectual-political project which pursued the synthesis between antagonistic cultural blocs.
Author: Francesca Gori
Publisher: Springer
Published: 1997-08-12
Total Pages: 468
ISBN-13: 1349251062
DOWNLOAD EBOOKAfter the Cold War, its history must be reassessed as the opening of Soviet archives allows a much fuller understanding of the Russian dimension. These essays on the classic period of the Cold War (1945-53) use Soviet and Western sources to shed new light on Stalin's aims, objectives and actions; on Moscow's relations with both the Soviet Bloc and the West European Communist Parties; and on the diplomatic relations of Britain, France and Italy with the USSR. The contributors are prominent European, Russian and American specialists.
Author: Donald Sassoon
Publisher: Burns & Oates
Published: 1981
Total Pages: 278
ISBN-13:
DOWNLOAD EBOOKAuthor: Norman Naimark
Publisher: Cambridge University Press
Published: 2017-09-21
Total Pages: 700
ISBN-13: 9781107133549
DOWNLOAD EBOOKThe second volume of The Cambridge History of Communism explores the rise of Communist states and movements after World War II. Leading experts analyze archival sources from formerly Communist states to re-examine the limits to Moscow's control of its satellites; the de-Stalinization of 1956; Communist reform movements; the rise and fall of the Sino-Soviet alliance; the growth of Communism in Asia, Africa and Latin America; and the effects of the Sino-Soviet split on world Communism. Chapters explore the cultures of Communism in the United States, Western Europe and China, and the conflicts engendered by nationalism and the continued need for support from Moscow. With the danger of a new Cold War developing between former and current Communist states and the West, this account of the roots, development and dissolution of the socialist bloc is essential reading.
Author: Lucio Magri
Publisher: Verso Books
Published: 2019-08-13
Total Pages: 449
ISBN-13: 1786635569
DOWNLOAD EBOOKTwenty years have passed since the Italian Communists’ last Congress in 1991, in which the death of their party was decreed. It was a deliberate death, accelerated by the desire for a “new beginning.” That new beginning never came, and the world lost an invaluable, complex political, organizational and theoretical heritage. In this detailed and probing work, Lucio Magri, one of the towering intellectual figures of the Italian Left, assesses the causes for the demise of what was once one of the most powerful and vibrant communist parties of the West. The PCI marked almost a century of Italian history, from its founding in 1921 to the partisan resistance, the turning point of Salerno in 1944 to the de-Stalinization of 1956, the long ’68 to the “historic compromise,” and to the opportunity—missed forever—of democratic transformation. With rigor and passion, The Tailor of Ulm merges an original and enlightening interpretation of Italian communism with the experience of a militant “heretic” into a riveting read—capable of broadening our insights into contemporary Italy, and the twentieth-century communist experience.
Author: Gianluca Fantoni
Publisher: Springer Nature
Published: 2021-04-08
Total Pages: 292
ISBN-13: 3030691977
DOWNLOAD EBOOKThis book offers the first comprehensive analysis of the role of cinema in the communication strategy of the Italian Communist party (the PCI). It examines the entire period during which the party had a systematic and organized approach to cinematographic production, starting with the early experiments in 1946 and concluding with the closure of PCI film company Unitelefilm at the end of the 1970s. Its analysis sheds light on a range of issues, such as the relationship between the party and Italian intellectuals, the Stalinist imprint of the Italian Communist Party and the historical significance of the Salerno turn, the PCI’s relationship with the student movements in 1968 and 1977, and the PCI’s response to the rise in political violence in the 1970s. Ultimately, the book demonstrates that cinema was essential to the PCI’s propaganda effort.
Author: Stephen Gundle
Publisher: Duke University Press
Published: 2000-12-04
Total Pages: 284
ISBN-13: 9780822325635
DOWNLOAD EBOOKDIVA study of the cultural policies of the Italian communist party following the collapse of fascismand the struggle with popular consumer culture that led to its demise in 1991./div