Imagine seeing your loving husband on a dating app. Now imagine that’s the best thing that happens to you all week … When Charlie sees a man who is the spitting image of her husband Oliver on a dating app, her heart stops. Her first desperate instinct is to tell herself she must be mistaken – after all, she only caught a glimpse from a distance as her friends laughingly swiped through the men on offer. But no matter how much she tries to push her fears aside, she can’t let it go. Because she took that photo. On their honeymoon. Suddenly other signs of betrayal start to add up and so Charlie does the only thing she can think of to defend her position – she signs up to the app to catch Oliver in the act. But Charlie soon discovers that infidelity is the least of her problems. Nothing is as it seems and nobody is who she thinks they are ... ‘…a fast-paced page-turner which I couldn’t get enough of’ The Book Cosy ‘…clever and well-paced… I’d definitely recommend this!’ Tilly Loves Books
Malcolm Gladwell, host of the podcast Revisionist History and author of the #1 New York Times bestseller Outliers, offers a powerful examination of our interactions with strangers and why they often go wrong—now with a new afterword by the author. A Best Book of the Year: The Financial Times, Bloomberg, Chicago Tribune, and Detroit Free Press How did Fidel Castro fool the CIA for a generation? Why did Neville Chamberlain think he could trust Adolf Hitler? Why are campus sexual assaults on the rise? Do television sitcoms teach us something about the way we relate to one another that isn’t true? Talking to Strangers is a classically Gladwellian intellectual adventure, a challenging and controversial excursion through history, psychology, and scandals taken straight from the news. He revisits the deceptions of Bernie Madoff, the trial of Amanda Knox, the suicide of Sylvia Plath, the Jerry Sandusky pedophilia scandal at Penn State University, and the death of Sandra Bland—throwing our understanding of these and other stories into doubt. Something is very wrong, Gladwell argues, with the tools and strategies we use to make sense of people we don’t know. And because we don’t know how to talk to strangers, we are inviting conflict and misunderstanding in ways that have a profound effect on our lives and our world. In his first book since his #1 bestseller David and Goliath, Malcolm Gladwell has written a gripping guidebook for troubled times.
The search for a serial killer leads a woman into the twisted tangle of her own family tree in a chilling novel by the #1 Amazon Charts bestselling author of The Missing Sister and Lies We Bury. Adopted when she was only days old, Ivy Hon knows little about her lineage. But when she's stricken with a mystery illness, the results of a genetic test to identify the cause attract the FBI. According to Ivy's DNA, she's related to the Full Moon Killer, who has terrorized the Pacific Northwest for decades. Ivy is the FBI's hope to stop the enigmatic predator from killing again. When an online search connects Ivy with her younger cousin, she heads to rural Rock Island, Washington, to meet the woman. Motivated by a secret desire to unmask a murderous relative, Ivy reaches out to what's left of a family of strangers. Discovering her mother's tragic fate and her father's disappearance is just the beginning. As Ivy ventures into a serial killer's home territory, she realizes that she may be the next victim of poisonous blood ties.
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M
"A gripping psychological thriller."—Daily Telegraph "A fascinating and addicting read."—Suspense Magazine The Sunday Girl delivers a dramatic thriller for any woman who's ever been involved with a bad, bad man and who knows how it feels to be broken, broken-hearted, and bent on revenge. Taylor Bishop is hurt, angry, and wants to destroy Angus Hollingsworth in the way he destroyed her. She's got nothing left to lose, so why not shatter his property, his reputation, and his life. So Taylor consults The Art of War and makes a plan. Then she takes the next thrilling, irrevocable step—one that will change her life forever. Things quickly spiral into a dangerous game of cat-and-mouse, and caught up in the suspense, Taylor isn't sure who's winning. The Sunday Girl is impossible to put down—fans of Liane Moriarty and Greer Hendricks will devour this twisty psychological thriller of love gone wrong...and revenge done right.
After something crucial goes missing from the strange old house on Linden Street, 11-year-old Olive and her friends must decide how to get it backNput their faith in a strange and dangerous magic, their odd new neighbors, or someone more uncertain and terrifying than both.
Argues for the practice of talking to strangers as a way of widening one's experience of the world, addressing the transformative possibilities as well as the political and practical considerations of engaging with strangers in public.
A “meticulously researched and buoyantly written” (Esquire) look at what happens when we talk to strangers, and why it affects everything from our own health and well-being to the rise and fall of nations in the tradition of Susan Cain’s Quiet and Yuval Noah Harari’s Sapiens “This lively, searching work makes the case that welcoming ‘others’ isn’t just the bedrock of civilization, it’s the surest path to the best of what life has to offer.”—Ayad Akhtar, Pulitzer Prize–winning author of Homeland Elegies In our cities, we stand in silence at the pharmacy and in check-out lines at the grocery store, distracted by our phones, barely acknowledging one another, even as rates of loneliness skyrocket. Online, we retreat into ideological silos reinforced by algorithms designed to serve us only familiar ideas and like-minded users. In our politics, we are increasingly consumed by a fear of people we’ve never met. But what if strangers—so often blamed for our most pressing political, social, and personal problems—are actually the solution? In The Power of Strangers, Joe Keohane sets out on a journey to discover what happens when we bridge the distance between us and people we don’t know. He learns that while we’re wired to sometimes fear, distrust, and even hate strangers, people and societies that have learned to connect with strangers benefit immensely. Digging into a growing body of cutting-edge research on the surprising social and psychological benefits that come from talking to strangers, Keohane finds that even passing interactions can enhance empathy, happiness, and cognitive development, ease loneliness and isolation, and root us in the world, deepening our sense of belonging. And all the while, Keohane gathers practical tips from experts on how to talk to strangers, and tries them out himself in the wild, to awkward, entertaining, and frequently poignant effect. Warm, witty, erudite, and profound, equal parts sweeping history and self-help journey, this deeply researched book will inspire readers to see everything—from major geopolitical shifts to trips to the corner store—in an entirely new light, showing them that talking to strangers isn’t just a way to live; it’s a way to survive.
“A luminous, moving and visual record of fleeting moments of connection.” —New York Times Book Review, Editors’ Choice A visionary work of radical empathy. Known for immersion journalism that is more immersed than most people are willing to go, and for a prose style that is somehow both fierce and soulful, Jeff Sharlet dives deep into the darkness around us and awaiting us. This work began when his father had a heart attack; two years later, Jeff, still in his forties, had a heart attack of his own. In the grip of writerly self-doubt, Jeff turned to images, taking snapshots and posting them on Instagram, writing short, true stories that bloomed into documentary. During those two years, he spent a lot of time on the road: meeting strangers working night shifts as he drove through the mountains to see his father; exploring the life and death of Charley Keunang, a once-aspiring actor shot by the police on LA’s Skid Row; documenting gay pride amidst the violent homophobia of Putin’s Russia; passing time with homeless teen addicts in Dublin; and accompanying a lonely woman, whose only friend was a houseplant, on shopping trips. Early readers have called this book “incantatory,” the voice “prophetic,” in “James Agee’s tradition of looking at the reality of American lives.” Defined by insomnia and late-night driving and the companionship of other darkness-dwellers—night bakers and last-call drinkers, frightened people and frightening people, the homeless, the lost (or merely disoriented), and other people on the margins—This Brilliant Darkness erases the boundaries between author, subject, and reader to ask: how do people live with suffering?
