The Guarded Heights is the story of George Morton as he struggles to make it big and rise from his humble background. The Straight Path narrates the story of Freddy as he struggles to accommodate the demands of his visiting but overbearing mother. Excerpt: "George Morton never could be certain when he first conceived the preposterous idea that Sylvia Planter ought to belong to him. The full realization, at any rate, came all at once, unexpectedly, destroying his dreary outlook, urging him to fantastic heights, and, for that matter, to rather curious depths. It was, altogether, a year of violent change. After a precarious survival of a rural education he had done his best to save his father's livery business which cheap automobiles had persistently undermined. He liked that, for he had spent his vacations, all his spare hours, indeed, at the stable or on the road, so that by the time the crash came he knew more of horses and rode better than any hunting, polo-playing gentleman he had ever seen about that rich countryside." (The Guarded Heights)
Our actions define us as heroes or cowards, not intentions. Such is the nature of war, Arsenc. Men march beside their comrades into walls of spears and under rains of arrows, refusing to relent so as not to shame themselves before their brothers. For every man who shirks his duty and abandons his post, a hundred stand their ground. What more can a hero be than a man who risks his life for country and friend in spite of the obvious fear that strikes at us all? The paths of war and heroes are forever intertwined.... War does not create heroes. It merely reveals them. They are not measured by the greatest of deeds but by the simple willingness to do their part. I am marching north in their company. --King Lore, before the battle of Kregmarin Gargoyles had plagued mankind since the dawn of creation. Once servants of the Most High, they betrayed their creator, who cast them down upon Arax in mortal form, contesting mankind for dominion of the world. From this chaos, Yah, the creator, rose up a champion, Kal, to guide mankind in following his will and vanquishing the gargoyle curse. Kal found favor with the creator, unifying mankind into one kingdom, heralding a golden age of prosperity, justice, and equality before the law, while driving the gargoyles to the brink of extinction. Alas, all fell to ruin, his reign betrayed by the greed of treacherous lords, who slew their rightful king, establishing their own fated kingdoms, each falling in kind once the gargoyles rose again. And so mankind suffered, enduring endless war with their mortal foe for two and a half millennia, each unable to destroy the other, until one human, Tyro, arose, aligning his people with the gargoyles to war against the rest of mankind, destroying the balance that had kept the gargoyles in check since the days of King Kal. Bringing all of northern Arax under his dominion, Tyro threatened to sweep south, bringing all of Arax under his sway. With the drums of war sounding, Terin Caleph, the only son of a Torry farmer, embarks on a journey to the city of Rego to serve as a scribe and apprentice to the Torry ambassador, an old friend of his father's. To protect him on his journey, his father gifts him an ancient sword, which holds mysterious powers that he soon discovers. Are the powers inherent in the sword or in himself? Terin's journey draws him into a growing conflict between his native Torry realm and Tyro's Benotrist-Gargoyle Empire, in which he takes an ever larger and unforeseen role. Joined by a Torry warrior and a motley band of strangers from a place called Earth, he becomes caught up in the great war to decide the fate of all the sentient peoples of Arax. As in any war, there are heroes found in places one would rarely look.
The International Symposium on Experimental Robotics (ISER) is a series of bi-annual meetings which are organized in a rotating fashion around North America, Europe and Asia/Oceania. The goal of ISER is to provide a forum for research in robotics that focuses on novelty of theoretical contributions validated by experimental results. The meetings are conceived to bring together, in a small group setting, researchers from around the world who are in the forefront of experimental robotics research. This unique reference presents the latest advances across the various fields of robotics, with ideas that are not only conceived conceptually but also verified experimentally. It collects contributions on the current developments and new directions in the field of experimental robotics, which are based on the papers presented at the Ninth ISER held in Singapore.
In the tradition of In Cold Blood and The Executioner’s Song, this haunting, insightful, and surprisingly intimate portrait of Saddam Hussein provides “a brief, but powerful, meditation on the meaning of evil and power” (USA TODAY). The “captivating” (Military Times) The Prisoner in His Palace invites us to take a journey with twelve young American soldiers in the summer of 2006. Shortly after being deployed to Iraq, they learn their assignment: guarding Saddam Hussein in the months before his execution. Living alongside, and caring for, their “high value detainee and regularly transporting him to his raucous trial, many of the men begin questioning some of their most basic assumptions—about the judicial process, Saddam’s character, and the morality of modern war. Although the young soldiers’ increasingly intimate conversations with the once-feared dictator never lead them to doubt his responsibility for unspeakable crimes, the men do discover surprising new layers to his psyche that run counter to the media’s portrayal of him. Woven from firsthand accounts provided by many of the American guards, government officials, interrogators, scholars, spies, lawyers, family members, and victims, The Prisoner in His Palace shows two Saddams coexisting in one person: the defiant tyrant who uses torture and murder as tools, and a shrewd but contemplative prisoner who exhibits surprising affection, dignity, and courage in the face of looming death. In this thought-provoking narrative, Saddam, known as the “man without a conscience,” gets many of those around him to examine theirs. “A singular study exhibiting both military duty and human compassion” (Kirkus Reviews), The Prisoner in His Palace grants us “a behind-the-scenes look at history that’s nearly impossible to put down…a mesmerizing glimpse into the final moments of a brutal tyrant’s life” (BookPage).
