The Story of the Original Dixieland Jazz Band

The Story of the Original Dixieland Jazz Band

Author: H. O. Brunn

Publisher: Pickle Partners Publishing

Published: 2019-01-13

Total Pages: 355

ISBN-13: 1789123704

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It was the five young men who called themselves The Original Dixieland Jazz Band who raised jazz from being a curious, local, and peculiarly Negro phenomenon into the greatest popular artform in history. In 1916 they swept Chicago off its feet. In 1917 they took New York by storm. For the first time jazz became fashionable. People crowded into Reisenwehr’s Restaurant where they played. They were in constant demand for shows and charity performances. They accompanied Sophie Tucker and appeared on the same bill as Caruso. In March 1917 they made the first jazz record and their fame flew across the whole continent. The record was the biggest seller in the R.C.A. catalogue, passing the magic million and easily outstripping the records of Caruso and Sousa’s Band which were the current popular idols. But, not content with America as their platform, they also became the first group to export the new music. And London, too, was caught up in the exciting rhythm and wild, savage, haunting gaiety of jazz. For more than a year they played to packed houses. They gave a command performance for King George V. They were the sensation of the Victory Ball to celebrate the signing of the Treaty of Versailles. When the band broke up for the first time in 1924, partly torn by inner dissension, partly frustrated by the wave of indignation against the frenzied enthusiasm of their supporters (in 1922 jazz was banned after midnight in New York City), they had firmly established themselves as the top entertainment group in the United States, and they had blazed a trail to success which all could follow. They had proved that jazz was not merely a folk-music which could only be appreciated by Negroes, but the expression, in a particularly exhilarating form, of something which was an essential part of human nature. “Here at last is the book that tells the truth about how jazz music really began.”—THE GRAMOPHONE -


The Story of the Original Dixieland Jazz Band (Classic Reprint)

The Story of the Original Dixieland Jazz Band (Classic Reprint)

Author: H. O. Brunn

Publisher: Forgotten Books

Published: 2017-11-22

Total Pages: 298

ISBN-13: 9780331719567

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Excerpt from The Story of the Original Dixieland Jazz Band No Beer - No Mu'sic, 1 Jack Laine and the Potato Men, 17 Chicago: The Cradle of J ass, 26 J ass and the Underworld, 39 New York and the J ass Revolution, 51 Tin Horns and Talking Machines, 63 The Strange Case of the Livery Stable Blues, 75 Hot Licks and Cold Wax, 88 J azzing the Draft, 108 The Silent Bandstand, 119 London: Spreading the Gospel, 124 At the Threshold of the Roaring Twenties, Polar Bears and Red Hot Mammas, 156 The March of the Moralists, 171 Fin de Siecle, 181 The Lean Years, 190 The Comeback, 201 larocca and the Nine Young Men, 214 The Last Days of the Dixieland Five, 226 Syncopated Echoes, 244 Appendix Table of Personnel, Original Dixieland Band, 256 Index, 259. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Exploring Early Jazz

Exploring Early Jazz

Author: Daniel Hardie

Publisher: Independently Published

Published: 2023-05-29

Total Pages: 0

ISBN-13:

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This book tells the story of the first Thirty Years of Jazz during which the basic jazz of Buddy Bolden developed into Classic Jazz and passed into history. It covers the first twenty years before recordings appeared and uncovers the Saga of the first Jazz Bands. - their struggle to adapt to the demands of their audiences and the impetus they gave to the Roaring Twenties when the Original Dixieland Jazz Band made the first jazz recordings in 1927 - and the age of hot Classic Jazz, of King Oliver and the transition to Swing.


Hear Me Talkin' to Ya

Hear Me Talkin' to Ya

Author: Nat Shapiro

Publisher: Courier Corporation

Published: 2012-08-16

Total Pages: 463

ISBN-13: 0486171361

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In this marvelous oral history, the words of such legends as Louis Armstrong, Fats Waller, Jelly Roll Morton, Duke Ellington, and Billy Holiday trace the birth, growth, and changes in jazz over the years.


The Original Tuxedo Jazz Band

The Original Tuxedo Jazz Band

Author: Sally Newhart

Publisher: Arcadia Publishing

Published: 2013-03-19

Total Pages: 164

ISBN-13: 1625840853

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A lively look at the long career of these legendary musicians, from a Storyville dance hall to the White House and beyond. In 1910, the Tuxedo Jazz Band played its first show at the Tuxedo Dance Hall in Storyville under Oscar Celestin. The popular ensemble would go on to play all over New Orleans, as well as across the South and the nation—and in 1953, it became the first jazz band to play the White House. The band has punctuated jazz history and produced some of the most memorable musicians of the past century: Bob French, Albert French, William Ridgley, Octave Crosby, Louis Armstrong, and more. Author Sally Newhart has written a definitive and captivating history of the band from inception to present, including oral histories, archival photos, a discography, and a previously unpublished complete list of members since 1910.


The Story of the Original Dixieland Jazz Band

The Story of the Original Dixieland Jazz Band

Author: H O (Harry O ) Brunn

Publisher: Hassell Street Press

Published: 2021-09-09

Total Pages: 304

ISBN-13: 9781014574510

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


The Blues: A Very Short Introduction

The Blues: A Very Short Introduction

Author: Elijah Wald

Publisher: Oxford University Press

Published: 2010-08-03

Total Pages: 153

ISBN-13: 0199750793

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Praised as "suave, soulful, ebullient" (Tom Waits) and "a meticulous researcher, a graceful writer, and a committed contrarian" (New York Times Book Review), Elijah Wald is one of the leading popular music critics of his generation. In The Blues, Wald surveys a genre at the heart of American culture. It is not an easy thing to pin down. As Howlin' Wolf once described it, "When you ain't got no money and can't pay your house rent and can't buy you no food, you've damn sure got the blues." It has been defined by lyrical structure, or as a progression of chords, or as a set of practices reflecting West African "tonal and rhythmic approaches," using a five-note "blues scale." Wald sees blues less as a style than as a broad musical tradition within a constantly evolving pop culture. He traces its roots in work and praise songs, and shows how it was transformed by such professional performers as W. C. Handy, who first popularized the blues a century ago. He follows its evolution from Ma Rainey and Bessie Smith through Bob Dylan and Jimi Hendrix; identifies the impact of rural field recordings of Blind Lemon Jefferson, Charley Patton and others; explores the role of blues in the development of both country music and jazz; and looks at the popular rhythm and blues trends of the 1940s and 1950s, from the uptown West Coast style of T-Bone Walker to the "down home" Chicago sound of Muddy Waters. Wald brings the story up to the present, touching on the effects of blues on American poetry, and its connection to modern styles such as rap. As with all of Oxford's Very Short Introductions, The Blues tells you--with insight, clarity, and wit--everything you need to know to understand this quintessentially American musical genre.


Resonances

Resonances

Author: Esther M. Morgan-Ellis

Publisher:

Published: 2020-06-02

Total Pages: 566

ISBN-13: 9781940771311

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Resonances: Engaging Music in Its Cultural Context offers a fresh curriculum for the college-level music appreciation course. The musical examples are drawn from classical, popular, and folk traditions from around the globe. These examples are organized into thematic chapters, each of which explores a particular way in which human beings use music. Topics include storytelling, political expression, spirituality, dance, domestic entertainment, and more. The chapters and examples can be taught in any order, making Resonances a flexible resource that can be adapted to your teaching or learning needs. This textbook is accompanied by a complete set of PowerPoint slides, a test bank, and learning objectives.