The fascinating story of the evolution of the country house in Britain, from its Roman precursors to the present The Story of the Country House is an authoritative and vivid account of the British country house, exploring how they have evolved with the changing political and economic landscape. Clive Aslet reveals the captivating stories behind individual houses, their architects, and occupants, and paints a vivid picture of the wider context in which the country house in Britain flourished and subsequently fell into decline before enjoying a renaissance in the twenty-first century. The genesis, style, and purpose of architectural masterpieces such as Hardwick Hall, Hatfield House, and Chatsworth are explored, alongside the numerous country houses lost to war and economic decline. We also meet a cavalcade of characters, owners with all their dynastic obsessions and diverse sources of wealth, and architects such as Inigo Jones, Sir John Vanbrugh, Robert Adam, Sir John Soane and A.W.N. Pugin, who dazzled or in some cases outraged their contemporaries. The Story of the Country House takes a fresh look at this enduringly popular building type, exploring why it continues to hold such fascination for us today.
This magnificent book describes the great country houses built with American industrial fortunes from the end of the Civil War until 1940. The American Country House draws on the rich and often amusing writings of contemporaries to evoke the lives the buildings served as well as architectural shapes they took. 275 illustrations.
A rollicking tour of the English country home after World War II, when swinging London collided with aristocratic values As the sun set slowly on the British Empire, its mansions fell and rose. Ancient families were reduced to demolishing the parts of their stately homes they could no longer afford, dukes and duchesses desperately clung to their ancestral seats, and a new class of homeowners bought their way into country life. A delicious romp, Noble Ambitions pulls us into these crumbling halls of power, leading us through the juiciest bits of postwar aristocratic history—from Mick Jagger dancing at deb balls to the scandals of Princess Margaret. Capturing the spirit of the age, historian Adrian Tinniswood proves that the country house is not only an iconic symbol, but a lens through which to understand the shifting fortunes of the British elite in an era of monumental social change.
From America to Scandinavia, the Mediterranean to Tuscany, this mammoth project is devoted exclusively to worldwide country style. More than 400 full-color photos provide inspiration, while the practical and intelligent text provides technical skill.
At the heart of this stirring tale and visual delight is a group of ten extraordinary houses and castles that have survived the vicissitudes of Scotland's history with almost all of the original families who built them still in residence today. Their histories are peopled with strongwilled men and women--from the notorious General Tam Dalyell of the House of the Binns, who served not only the Stuart kings but the czar of Russia, to the first Duke of Queensberry, who built one of the most sensational castles in Britain, to a love match worthy of the "auld alliance" between the Earl of Stair and his French-born countess. Each house also represents a landmark in Scotland's architectural history, ranging from the early seventeenth to the early twentieth century. The cutting-edge classicism of William Bruce at Balcaskie, the sensational French chateau-inspired Drumlanrig, the splendor of William Adam's baroque at Arniston, and the sublime Palladianism of his sons, the Adam brothers, at Dumfries House, are a roll call of architectural genius. The Victorian passion for all things Scottish is displayed in Lochinch Castle, a bravura example of the Baronial style, bristling with turrets, bartizans, and stepped roofs. And Robert Lorimer's beautifully crafted reconstruction at Monzie at the turn of the twentieth century reveals him as a major talent who synthesized European and purely Scottish styles, expressing, like his fellow architects in this book, a uniquely Scottish sensibility. The architectural revelation is matched by the houses' sensational settings, which merge the historically designed gardens and landscape with the unparalleled wildness and vistas of Scotland. But, as author James Knox writes in his lively, insightful text, "The glory of Scottish country houses is not just their architecture but their contents, which add layers of personality to the interiors." As Knox guides the reader on an intimate tour of the houses, he recounts their fascinating histories and profi les the colorful, often eccentric, lairds, lady lairds, clan chiefs, and nobles who have called them home. And James Fennell's masterly photographs, which rely solely on natural light for effect, capture the distinctive atmosphere of each residence. The Duchess of Buccleuch's boudoir at Bowhill is a frenzy of chinoiserie, needlepoint, and silk tassels. At Ballindalloch, the Macpherson-Grant tartan carpets the entrance hall and Victorian paintings of the family's prized Aberdeen Angus herd--the oldest in Scotland--adorn many a room. The motto of the Munro clan, "Dread God," is emblazoned throughout Foulis Castle--on china, wall plaques, not to mention the clan chief 's bonnet. All of these cherished houses are chockablock with memories of the past, from swagger portraits to sporrans, from vintage photographs to ancient weaponry, from curling stones to fading chintz. Some are also treasure houses, not least Dumfries House, saved from the auction block by a consortium headed by the Prince of Wales, which boasts an unrivaled collection of documented Chippendale and Scottish rococo furniture. "The Scottish Country House" will enthrall anyone with an interest in Scotland, history, architecture, or interior decoration--all wrapped in a compelling narrative of past lives and taste. Praise for "The Scottish Country House" "If you like historic homes, this book is for you. It's filled with beautiful photos of historic Scottish castles and grand estates." -"Design*Sponge" "Who can resist a beautiful chateau set in the lush green countryside of Scotland? I, for one, cannot. In James Knox's new book, he focuses on ten standout examples of Scottish country living. With each house, he details the history of the establishment, and follows through to how it stands today." --"Home Design with Kevin Sharkey" "This book, filled with lavish photography by James Fennell, profiles ten outstanding Scottish castles and mansions, from sprawling Walter Scott
Linore Burkard’s fans devoured her first two Regency novels Before the Season Ends and The House in Grosvenor Square. Now, as her third novel opens, the year is 1818 and Miss Beatrice Forsythe is determined to marry well. After all, her sister, Ariana, married The Paragon, Mr. Phillip Mornay, five years earlier--which all but guarantees that she, Beatrice, can also make a famous match to a wealthy man. But her sister and husband have disappeared from high society as they raise a family at their country estate. Can Beatrice persuade them to chaperone her in London? And what about Beatrice's business with the curate, Mr. O’Brien, whom she rashly promised to marry years earlier. At seventeen now, she has no wish to marry a mere clergyman—despite his agreeable countenance and gentle, understanding ways. When Mr. Tristan Barton becomes the tenant of the Manor House, Beatrice's hopes seem to have found their object. But when Ariana falls gravely ill, secrets come to light, motives are revealed, and the pretenses that are easy to keep up in the darkness begin to crumble. Hearts are bared, truths uncovered, and when all is said and done, a country house courtship like no other has occurred! As always, Linore Burkard delivers “spirited romance for the Jane Austen soul.”
Illustrated here are the Castle's Spanish ceilings and other architectural fragments, medieval tapestries, Renissance furniture, nineteenth-century sculpture, and wide-ranging examples of European decorative arts, including ceramics, metalworks, textiles, and more."--BOOK JACKET.
A vivid and charming account of Christmas in an Edwardian country house. Phyllis Sandeman, who was brought up at Lyme Park in Cheshire, recalls the celebrations, the theatricals, the relationships between family and servants, and her own childhood hopes and fears. Lyme Park is now in the care of the National Trust.
'A masterpiece of social history' Daily Mail There is nothing quite as beautiful as an English country house in summer. And there has never been a summer quite like that Indian summer between the two world wars, a period of gentle decline in which the sun set slowly on the British Empire and the shadows lengthened on the lawns of a thousand stately homes. Real life in the country house during the 1920s and 1930s was not always so sunny. By turns opulent and ordinary, noble and vicious, its shadows were darker. In The Long Weekend, Adrian Tinniswood uncovers the truth about a world half-forgotten, draped in myth and hidden behind stiff upper lips and film-star smiles. Drawing on hundreds of memoirs, on unpublished letters and diaries, on the eye-witness testimonies of belted earls and unhappy heiresses and bullying butlers, The Long Weekend gives a voice to the people who inhabited this world and shows how the image of the country house was carefully protected by its occupants above and below stairs, and how the reality was so much more interesting than the dream.
