A compelling, terrifying story of a devastating virus. You catch it in conversation, and once it has you, it leads you into another world where the undead chase you down the streets
A new play from acclaimed writer Tony Burgess, author of the wildly successful novel, Pontypool Changes Everything. In the sleepy town of Pontypool, Ontario, no one is safe from an epidemic so devastating it will leave you literally speechless.
Three celebrated books - all of which harbour a twisted ambition to physically alter your imagination - together for the first time. The Hellmouths of Bewdley is a series of 16 stories hiding in a novel about a small town in Ontario's cottage country. Pontypool Changes Everything is the terrifying story of a devastating virus. In Caesarea, everybody's embarrassed and nobody is mentioning the mess. Caesarea, you see, is the town that can't get to sleep at night. The Bewdley Mayhem combines these three classic horror tales, each of which has its own twisted humour.
"About as close you can get to the perfect cerebral thriller: searingly smart, ridiculously funny, and fast as hell. Lexicon reads like Elmore Leonard high out of his mind on Snow Crash." —Lev Grossman, New York Times bestselling author of The Magicians and The Magician King “Best thing I've read in a long time . . . a masterpiece.” —Hugh Howey, New York Times bestselling author of Wool Stick and stones break bones. Words kill. They recruited Emily Ruff from the streets. They said it was because she's good with words. They'll live to regret it. They said Wil Parke survived something he shouldn't have. But he doesn't remember. Now they're after him and he doesn't know why. There's a word, they say. A word that kills. And they want it back . . .
Science fiction, fantasy, comics, romance, genre movies, games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art-media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers. This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.
Like 16 medieval B-movies, this collection offers compelling characters and obscure imagery, from insane doctors and supernatural dogs to dead men and a real ninja turtle. Believing that there is a shape that both fact and fiction seek, these intriguing tales are narratives occurring in defiance of the things they harbor.
The third and final installment of the trilogy, this novel reveals the what happens in a town that can't get to sleep at night, where everybody's embarrassed but nobody is mentioning the mess. The book asks questions the town doesn't want answered, such as Who's been sleeping in your bed? You're safe when you lock your front door, right? Not in this town, the story reveals.
In a nightmarish, post-holocaust world, an ancient evil roams a devastated America, gathering the forces of human greed and madness, searching for a child named Swan who possesses the gift of life.
Where is Lee Harvey Oswald’s body? The Kennedy assassination is a rat’s nest of conspiracy theories: mafia involvement, the second gunman, government cover-up... but the most important chapter of this sordid tale may just be the theory that the body buried at Oswald’s Rose Hill gravesite is not actually Lee Harvey himself. Meet the ragtag group of “useful idiots” who are unwittingly brought together to clean up the crime of the century – a wannabe cowboy from Wisconsin, a Buddy Holly-idolizing (former) car thief, a world-weary Civil Rights activist ready for revolution, and a failed G-Man who still acts the part – and specifically, regarding the matter of Oswald’s body.
“The world of Tony Burgess is savage and blackly funny . . . It’s a place where you shouldn’t trust anybody, not even your narrator” (Uptown). Idaho Winter is a boy who, through no fault of his own, is loathed by everyone in his town. His father feeds him roadkill for breakfast, the crossing guard steers cars toward him as he crosses the road, and parents encourage their children to plot against him. That is, until he meets a young girl named Madison who empathizes with his suffering. But when Madison is attacked by dogs meant to harm Idaho, Idaho gets up and runs home, changing the course of the entire story . . . Idaho soon learns that his suffering has been cruelly designed by a clumsy writer who has made his book meaner than all the others to make it stand out. With this information, Idaho has become armed with the knowledge that the entire world is invented, and that he now has the power to change things—in a novel that is both “one of the finest parodies ever penned of the stereotypically didactic young adult novel” (Macleans) and “the most brilliantly terrifying dream you’ve ever had” (The Globe and Mail, Toronto). “[Burgess] proves himself to be a witty, lightning-quick conjurer of misanthropy in this brief, kaleidoscopic novel,” a nominee for the Trillium Award (Publishers Weekly). “An incredibly rich and thought provoking read about the theory of storytelling.” —subTerrain