In 14th century France, Aida is accused of being a witch when the Black Death wipes through her village. Abandoned by her family, she is surrounded by death and disease, but when a woman who may actually be a witch tells her how to cure the plague, it may mean uncovering a dark magic.
“Nwoka’s debut feels like a dream, or a fable, or something in between . . . Recommended for fans of Nnedi Okorafor’s Remote Control or Nghi Vo’s The Empress of Salt and Fortune.” —Ashley Rayner, Booklist "[God of Mercy] owes a debt to Chinua Achebe’s Things Fall Apart, revising that novel's message for the recent past . . . A well-turned dramatization of spiritual and social culture clashes." —Kirkus Reviews Homegoing meets Black Leopard, Red Wolf, Okezie Nwọka’s debut novel is a powerful reimagining of a history erased. God of Mercy is set in Ichulu, an Igbo village where the people’s worship of their gods is absolute. Their adherence to tradition has allowed them to evade the influences of colonialism and globalization. But the village is reckoning with changes, including a war between gods signaled by Ijeoma, a girl who can fly. As tensions grow between Ichulu and its neighboring colonized villages, Ijeoma is forced into exile. Reckoning with her powers and exposed to the world beyond Ichulu, she is imprisoned by a Christian church under the accusation of being a witch. Suffering through isolation, she comes to understand the truth of merciful love. Reimagining the nature of tradition and cultural heritage and establishing a folklore of the uncolonized, God of Mercy is a novel about wrestling with gods, confronting demons, and understanding one's true purpose.
Having returned to Chicago, young socialite Anna Nicholson can't seem to focus on her upcoming marriage. The new information she's learned about her birth mother continues to pull at her, and she hires Pinkerton detectives to help her find the truth. But as she meets people who once knew her mother and hears stories about the past, Anna soon discovers that some secrets are better left hidden. At the same time, unflattering stories about Anna are leaked by someone who would love to see her disgraced and her engagement broken. And as Anna tries to share her faith with her society friends, she understands that her choice to seek God's purpose for her life isn't as simple as she had hoped. When things are at their darkest, Anna knows she can turn to her grandmother, Geesje de Jonge, back in Holland, Michigan. Geesje's been helping new Dutch immigrants, including a teen with a haunted past, adjust to America. She only hopes that her wisdom can help all these young people through the turmoil they face.
A powerful tragedy distilled into a small masterpiece by the Nobel Prize-winning author of Beloved and, almost like a prelude to that story, set two centuries earlier. Jacob is an Anglo-Dutch trader in 1680s United States, when the slave trade is still in its infancy. Reluctantly he takes a small slave girl in part payment from a plantation owner for a bad debt. Feeling rejected by her slave mother, 14-year-old Florens can read and write and might be useful on his farm. Florens looks for love, first from Lina, an older servant woman at her new master's house, but later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives . . . At the novel's heart, like Beloved, it is the ambivalent, disturbing story of a mother and a daughter – a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.
Sister Joan Chittister is a bestselling author for a very good reason. She takes difficult and even mysterious concepts and "breaks them open" for us. Here she tackles the virture of mercy and its connection to forgiveness. She challenges us to stop judging, accusing, and criticizing those we label "sinners" and to see ourselves in their number. She invites us to be realistic about our own actions before we "throw that first stone" at another. This is spiritual reading at its very best.
Jane, a shapeshifting vampire-hunter-for-hire, crosses paths with a stranger who has arrived in New Orleans, enlisted to hunt vampires who have gone insane-or so he says...
“A cool and compelling” (Flavorwire) debut of a new postapocalyptic world for fans of The Hunger Games On the screen and on the page, dystopian fantasies have captivated the public imagination. In The Office of Mercy, debut novelist Ariel Djanikian has conceived a chilling, post-apocalyptic page-turner that has earned her glowing comparisons to George Orwell and Suzanne Collins. In America-Five, there is no suffering, hunger, or inequality. Its citizens inhabit a high-tech Utopia established after a global catastrophe known as the Storm radically altered the planet. Twenty-four-year-old Natasha Wiley works in the Office of Mercy, tasked with humanely terminating—or “sweeping”—the nomadic Storm survivors who live Outside. But after she joins a select team and ventures Outside for the first time, Natasha slowly unravels the mysteries surrounding the Storm—and the secretive elders who run America-Five.
In The Grief of Stones, Katherine Addison returns to the world of The Goblin Emperor with a direct sequel to The Witness for the Dead... Locus Award Finalist! Book of the Month picks for BUZZFEED | LITHUB | GIZMODO | TRANSFER ORBIT | Amazon | Locus Magazine | and more As a Witness for the Dead, Thara Celehar can speak to the recently departed: see the last thing they saw, know the last thought they had, experience the last thing they felt. It is his duty to use that ability to ascertain the intent of the dead and to find the killers of the murdered. Celehar’s time in the city of Amalo has brought him both friends and enemies—and no little notoriety. Now, when solving the murder of a marquise raises more questions than it answers, he finds himself exploring Amalo’s dark underside. His investigations lead him to the Cemchelarna School for Foundling Girls, where all is not as it seems. Discovering the truth about its headmistress will lead Celehar deep into the city’s history—and into the shattering depths of the loss he fears the most. Within THE CHRONICLES OF OSRETH The Goblin Emperor The Cemeteries of Amalo trilogy The Witness for the Dead The Grief of Stones The Tomb of Dragons At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.