With colorful descriptions of each venom’s sensation and a story that leaves you tingling with awe, The Sting of the Wild’s one-of-a-kind style will fire your imagination.
Animal Planet star and Emmy Award-winning host of YouTube's Brave Wilderness Coyote Peterson is back, and this time he's being BITTEN by some of Earth's wildest beasts in this full-color adventure, perfect for fans of The King of Sting and all animal enthusiasts. In The Beast of Bites, Coyote chronicles his most memorable--and painful--bites from his wildest animal encounters seen on the Brave Wilderness YouTube channel. Coyote faces everything from snapping turtle chomps to the horrific, venomous grasp of a giant desert centipede. Featuring photographic stills from episodes, original full-color illustrations, and packed with facts about nature's most misunderstood creatures, this is a dream book for any kid that loves animals, the great outdoors, and daringly dangerous adventures!
This work takes a fresh, modern approach to investigate and explain the predator and prey relationships of insects and spiders, the major terrestrial fauna on earth. Devoted to broad and in-depth analysis of arthropod defenses against predators, the book's approach is both experimentally and theoretically based with major emphasis on evolution, predator strategies and tactics, and prey defensive adaptations and behaviors. The authors explain such topics as cryptic and aposematic coloration, the conflict between sexual and survival needs, web spider prey choice and evolution of prey counter defenses, predator-prey interactions and the origins of intelligence, bird predatory tactics, and caterpillar defense strategies. Also examined is the use of timing for fitness and survival, evolutionary gamesmanship in the predatory bat-moth relationship, colony defense by aper wasps, startle as a defense by moths, aggregation as a defense, chemicals as defenses, plant chemicals as defenses, and venoms as defenses. The authors illustrate each topic with numerous specific well-documented examples presented in a clear, readable style.
#1 Bookscan in Juvenile Non-fiction! ─ Be Brave… Stay Wild! Animal Stories for Kids: Coyote Peterson's Brave Adventures: Wild Animals in a Wild World chronicles some of the wildest encounters Coyote Peterson has had over the course of his travels. The stories begin with his first snapping turtle catch as a kid and lead down a trail of incredible moments he and his camera crew have had while filming their Brave Wilderness shows. From a giant alligator that nearly caught Coyote in its bone crushing jaws, to an 800 pound Grizzly Bear that helped him teach the audience what to do and NOT do if you ever encounter one of these enormous predators in the wild, every tale is laced with fast paced action and daring adventure. With the presence of danger often looming for Coyote, each story reminds the reader that animals rule the wild places of this planet, and if we respect them from a safe distance, even the most frightening creatures are more likely to be afraid of us than we should ever be of them. Exciting animal stories for kids of all ages: This collection of short stories aims to give the reader a first-person perspective into some of Coyote’s most harrowing and heartwarming adventures.
**SUNDAY TIMES BESTSELLER** One man's quest to save the bumblebee... Dave Goulson has always been obsessed with wildlife, from his childhood menagerie of exotic pets and dabbling in experimental taxidermy to his groundbreaking research into the mysterious ways of the bumblebee and his mission to protect our rarest bees. Once commonly found in the marshes of Kent, the short-haired bumblebee is now extinct in the UK, but still exists in the wilds of New Zealand, descended from a few queen bees shipped over in the nineteenth century. A Sting in the Tale tells the story of Goulson's passionate drive to reintroduce it to its native land and contains groundbreaking research into these curious creatures, history's relationship with the bumblebee, the disastrous effects intensive farming has had on our bee populations and the potential dangers if we are to continue down this path.
The eighth hotly anticipated book in the Elemental Assassin series by New York Times bestselling author Jennifer Estep: it’s Gin Blanco's party—and you’ll cry if she wants you to. Red is definitely my color. Good thing, because in my line of work, I end up wearing it a lot. Most people shy away from blood, but for an assassin like me— Gin Blanco, aka the Spider—it’s just part of the job. Still, it would be nice to get a night off, especially when I’m attending the biggest gala event of the summer at Briartop, Ashland’s fanciest art museum. But it’s just not meant to be. For this exhibition of my late nemesis’s priceless possessions is not only the place to be seen, but the place to be robbed and taken hostage at gunpoint as well. No sooner did I get my champagne than a bunch of the unluckiest thieves ever burst into the museum and started looting the place. Unlucky why? Because I brought along a couple of knives in addition to my killer dress. Add these to my Ice and Stone magic, and nothing makes me happier than showing the bad guys why red really is my color.
From the author of the New York Times–bestselling Guardians of Ga’hoole, when a filly from a wild herd is taken, the horses must rally to her rescue. After adopting an orphan human boy, the first herd of horses in the New World is finally ready to make the treacherous journey across the mountains to find the Sweet Grass that promises survival. But when their leader, Estrella, is captured by cruel men, it delivers a blow to the very heart of the herd. If the horses turn back, they’ll never make it across the mountains before winter. But if they leave Estrella in captivity, the wild-born filly will surely perish. The conclusion to Kathryn Lasky’s Horses of the Dawn trilogy will make your heart beat to the rhythm of thundering hooves, leaving you breathless as you join the herd’s final fight for freedom. Praise for Horses of the Dawn, book one: “As in works such as her Guardians of Ga’hoole series, Lasky uses animals to touch on very human issues. —Kirkus Reviews “Lasky successfully fuses fantasy and fact as she gives her equine characters credible emotional depth and underscores the tensions and disparity between Old and New World sensibilities. It’s a haunting story of loss, self-discovery, survival, and homecoming.” —Publishers Weekly
This is a story of the 1970s. Of a road trip in a wood-paneled station wagon, with the kids in the way-back, singing along to the Steve Miller Band. Of brothers waking up early on Saturday mornings for five consecutive hours of cartoons. Of growing up in a magical era populated by Bic pens, Mr. Clean and Scrubbing Bubbles, lightsabers and those oh-so-coveted Schwinn Sting-Ray bikes. And of a father -- one of 3M's greatest and last eight-track salesmen -- traveling across the country on the brand-new Boeing 747, providing for his family but wanting nothing more than to get home. In Sting-Ray Afternoons, Steve Rushin paints an utterly nostalgic, psychedelically vibrant portrait of a decade overflowing with technological evolution, cultural revolution, as well as brotherly, sisterly, and parental love. "Funny, elegiac... a remarkably sunny coming-of-age story about growing up in a Midwest world." -- NPR
An illustrated survey of artist hoaxes, including impersonations, fabula, cryptoscience, and forgeries, researched and written by an expert "fictive-art" practitioner. The shift from the early information age to our 'infocalypse' era of rampant misinformation has given rise to an art form that probes this confusion, foregrounding wild creativity as a way to reframe assumptions about both fiction and art in contemporary culture. At its center, this "fictive art" (LaFarge's term) is secured as fact by employing the language and display methods of history and science. Using typically evidentiary objects such as documentary photographs and videos, presumptively historical artifacts and relics, didactics, lectures, events, and expert opinions in technical language, artists create a constellation of manufactured evidence attesting to the artwork's central narrative. This dissimulation is temporary, with a clear "tell" often surprisingly revealed in a self-outing moment. With all its attendant consequences of mistrust, outrage, and rejection, this genre of art with a sting in its tale is a radical form whose time has come.