Foreigners in the Homeland analyzes the reception of the Latin American Boom novel in Spain. It argues in favor of an expanded concept of national literature that is not restricted to the native production of citizens but also takes into consideration the importance and nationalization of foreign cultural products. Charting the courses of interliterary relations between Spain and Spanish America, the book analyzes the conditions of the literary market during the 1960s and 1970s, follows the appropriation and canonization of Latin American authors and texts by readers and writers, and examines their impact on the resurgence of regional literatures within Spanish territory.
During the Chicano Movement in the 1960s and 1970s, the idea of Aztlán, homeland of the ancient Aztecs, served as a unifying force in an emerging cultural renaissance. Does the term remain useful? This expanded new edition of the classic 1989 collection of essays about Aztlán weighs its value. To encompass new developments in the discourse the editors have added six new essays.
The international bestseller, longlisted for the Dublin Literary Award 2021. Fernando Aramburu's Homeland is an epic and heartbreaking story of two best friends whose families are divided by the conflicting loyalties of terrorism. ‘It’s been a long time since I’ve read a book that was so persuasive and moving’ – Mario Vargas Llosa, author of Time of the Hero. The Basque Country, Spain, 2011. Miren and Bittori have lived side by side in a small Basque town all their lives. Their husbands play cards together, their children play and eventually go out drinking together. The terrorist threat posed by ETA seems to affect them little. When Bittori’s husband starts receiving threatening letters – demanding money, accusing him of being a police informant – she turns to her friend for help. But Miren’s loyalties are torn: her son has just been recruited as a terrorist and to denounce them would be to condemn her own flesh and blood. Tensions rise, relationships fracture, and events move towards a tragic conclusion . . . ‘Is Aramburu the Tolstoy of the Basque country, author of a Spanish language War and Peace?’ – Guardian
From 1895 to 1898, Cuban insurgents fought to free their homeland from Spanish rule. Though often overshadowed by the "Splendid Little War" of the Americans in 1898, according to John Tone, the longer Spanish-Cuban conflict was in fact more remarkable, foreshadowing the wars of decolonization in the twentieth century. Employing newly released evidence--including hospital records, intercepted Cuban letters, battle diaries from both sides, and Spanish administrative records--Tone offers new answers to old questions concerning the war. He examines the origin of Spain's genocidal policy of "reconcentration"; the causes of Spain's military difficulties; the condition, effectiveness, and popularity of the Cuban insurgency; the necessity of American intervention; and Spain's supposed foreknowledge of defeat. The Spanish-Cuban-American war proved pivotal in the histories of all three countries involved. Tone's fresh analysis will provoke new discussions and debates among historians and human rights scholars as they reexamine the war in which the concentration camp was invented, Cuba was born, Spain lost its empire, and America gained an overseas empire.
From the #1 New York Times–bestselling author of North and South: The first in a saga about a German immigrant and his family’s rise in 20th-century America. The tide of the twentieth century is rising upon the world, and on its crest rides the Crown family. Young Pauli Kroner, freshly arrived in America from the streets of Berlin, makes his way to the mansion of his millionaire uncle in Chicago, looking to fulfill his dreams. His uncle, Joe Crown, is a self-made brewery tycoon who rules his domain with an iron hand—especially when it comes to his own family of defiantly rebellious children and a wife yearning for her own liberation. In this new world, Pauli will rise as his own man and find his destiny in the early days of motion pictures. Surrounded by relations close and distant, proud and vengeful, each struggling to find themselves at the dawn of a new era, he will witness and experience the violence of the Pullman Strike, and find love in the arms of a woman who can never be his as he follows the march of history, intertwined with such figures as the audacious Theodore Roosevelt, the ruthless Thomas Edison, the fading western icon Buffalo Bill, and many more. Named a New York Times Notable Book, Homeland is a “first-rate historical . . . chock-full of fascinating period detail, [Jakes’s] captivating story brings to life the sounds, smells and tastes of turn-of-the-century America in a manner comparable to Michener’s Hawaii and Doctorow’s Ragtime” (Publishers Weekly). This ebook features an illustrated biography of John Jakes including rare images from the author’s personal collection.
What does it mean to be from somewhere? If most people in the United States are "from some place else" what is an American homeland? In answering these questions, the contributors to Homelands: A Geography of Culture and Place across America offer a geographical vision of territory and the formation of discrete communities in the U.S. today. Homelands discusses groups such as the Yankees in New England, Old Order Amish in Ohio, African Americans in the plantation South, Navajos in the Southwest, Russians in California, and several other peoples and places. Homelands explores the connection of people and place by showing how aspects of several different North American groups found their niche and created a homeland. A collection of fifteen essays, Homelands is an innovative look at geographical concepts in community settings. It is also an exploration of the academic work taking place about homelands and their people, of how factors such as culture, settlement, and cartographic concepts come together in American sociology. There is much not only to study but also to celebrate about American homelands. As the editors state, "Underlying today's pluralistic society are homelands—large and small, strong and weak—that endure in some way. The mosaic of homelands to which people bonded in greater or lesser degrees, affirms in a holistic way America's diversity, its pluralistic society." The authors depict the cultural effects of immigrant settlement. The conviction that people need to participate in the life of the homeland to achieve their own self realization, within the traditions and comforts of that community. Homelands gives us a new map of the United States, a map drawn with people's lives and the land that is their home.
The process of shaping cultural identity in colonial Spanish America has occurred as much through the medium of pictures as through the medium of writing. Focused on writing that references visual texts (ekphrasis), Visions of Empire in Colonial Spanish American Ekphrastic Writing examined the way words about pictures in the writing of three Spanish American Creoles negotiate the challenges that confronted the ruling elite in Spanish America during the contentious period between the Conquest and Independence.
The bestselling author of Overthrow and The Brothers brings to life the forgotten political debate that set America’s interventionist course in the world for the twentieth century and beyond. How should the United States act in the world? Americans cannot decide. Sometimes we burn with righteous anger, launching foreign wars and deposing governments. Then we retreat—until the cycle begins again. No matter how often we debate this question, none of what we say is original. Every argument is a pale shadow of the first and greatest debate, which erupted more than a century ago. Its themes resurface every time Americans argue whether to intervene in a foreign country. Revealing a piece of forgotten history, Stephen Kinzer transports us to the dawn of the twentieth century, when the United States first found itself with the chance to dominate faraway lands. That prospect thrilled some Americans. It horrified others. Their debate gripped the nation. The country’s best-known political and intellectual leaders took sides. Theodore Roosevelt, Henry Cabot Lodge, and William Randolph Hearst pushed for imperial expansion; Mark Twain, Booker T. Washington, and Andrew Carnegie preached restraint. Only once before—in the period when the United States was founded—have so many brilliant Americans so eloquently debated a question so fraught with meaning for all humanity. All Americans, regardless of political perspective, can take inspiration from the titans who faced off in this epic confrontation. Their words are amazingly current. Every argument over America’s role in the world grows from this one. It all starts here.
From the award–winning author of In Cuba I was a German Shepherd, short stories with a magical and modern take on the idea of migration and flight. Adios, Happy Homeland! is a collection of interlinked tales that challenge our preconceptions of storytelling. It examines the life of the Cuban writer, deconstructing and reassembling the myths that define her culture. It blends illusion with reality and explores themes of art, family, language, superstition, and the overwhelming need to escape—from the island, from memory, from stereotype, and, ultimately, from the self. We’re taken into a sick man’s fever dream as he waits for a train beneath a strange night sky, into a community of parachute makers facing the end in a windy town that no longer exists, and onto a Cuban beach where the body of a boy last seen on a boat bound for America turns out to be a giant jellyfish. With Adios, Happy Homeland!, Menéndez puts a contemporary twist on the troubled history of Cuba and offers a wry and poignant perspective on the conundrum of cultural displacement.
