His plan is merciless revenge His method is sizzling pleasure! Ruthless tycoon Basilio Perez, famed for his familial loyalty, has a new target in sight. Miranda Smith is poised to bring the Perez name into disrepute—she must be stopped! But when he meets Miranda, Basilio is captivated by her shy appeal. To uncover Randi’s secrets, his plan for revenge becomes one of lingering, passionate seduction...that tests his iron control to the limit! A classic tale of passion, revenge and redemption...
His vengeance was strictly business...until he discovers she’s carrying his heir! Antonio Herrera’s plan is simple: persuade innocent Amelia diSalvo to sell the shares in his rival’s business. But what the Spanish billionaire didn’t plan on was their intense connection. Now Antonio has only one aim...the ultimate seduction! So he’s stunned to discover their nine-month consequence. To secure his heir, he’ll do the unthinkable – and shockingly pleasurable – make Amelia his wife!
From destitute… …to wearing the Spaniard’s diamond! There’s something familiar about the penniless yet fiery woman Cristiano Velazquez saves from the Paris streets. Yes, the redheaded wildcat makes his blood run red-hot. But it’s not until he gives her a job cleaning his mansion that it hits him. She’s his nemesis’s long-lost daughter! Securing Leonie’s hand in marriage would allow him to take the one thing his enemy cares about—just as he once took everything that mattered from Cristiano. His first step? Convincing his newest—most defiant—employee to meet him at the altar!
Lisa Pennington will do anything to help her family--even if that means accepting an indecent proposal from the man who broke her heart! For five years Diego Raffacani has thought of nothing but Lisa--and revenge! He's sure that she will come to his bed, if only for her family's sake. But he soon realizes that he has underestimated her--and the strength of their passion. Now the only way to right the wrongs of the past is to make her his bride. But will Lisa yield to the Spaniard's seduction?
"You con artist. Someday I'll have my revenge!" Taz is dumped without explanation by her lover, Judeo, who suddenly turns on her. He believes that she and her father schemed to trick his family out of a fortune, and continues to despise her until they meet again, six years later - and Judeo is now Taz's stepmother's fiance. Is he using her to seek revenge? Taz tries to stand up to him to protect her stepmother and her late father, but finds that his appeal has only increased in the passing years, and that she is unable to resist his cruel but beautiful eyes...
In his Spanish castillo Marcos Ramirez has been planning his retribution for the Winter family…. And now it's time. Marcos will take Tamsin and destroy her family. But Tamsin isn't the hedonistic society girl he expected. She's beautiful and courageous—bedding her will be sweet. And it's then that Marcos realizes Tamsin's a virgin, and innocent of all she's been accused of!
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Entertainment Weekly • Kirkus Reviews • The Christian Science Monitor In the picturesque village of Guzmán, Spain, in a cave dug into a hillside on the edge of town, an ancient door leads to a cramped limestone chamber known as “the telling room.” Containing nothing but a wooden table and two benches, this is where villagers have gathered for centuries to share their stories and secrets—usually accompanied by copious amounts of wine. It was here, in the summer of 2000, that Michael Paterniti found himself listening to a larger-than-life Spanish cheesemaker named Ambrosio Molinos de las Heras as he spun an odd and compelling tale about a piece of cheese. An unusual piece of cheese. Made from an old family recipe, Ambrosio’s cheese was reputed to be among the finest in the world, and was said to hold mystical qualities. Eating it, some claimed, conjured long-lost memories. But then, Ambrosio said, things had gone horribly wrong. . . . By the time the two men exited the telling room that evening, Paterniti was hooked. Soon he was fully embroiled in village life, relocating his young family to Guzmán in order to chase the truth about this cheese and explore the fairy tale–like place where the villagers conversed with farm animals, lived by an ancient Castilian code of honor, and made their wine and food by hand, from the grapes growing on a nearby hill and the flocks of sheep floating over the Meseta. What Paterniti ultimately discovers there in the highlands of Castile is nothing like the idyllic slow-food fable he first imagined. Instead, he’s sucked into the heart of an unfolding mystery, a blood feud that includes accusations of betrayal and theft, death threats, and a murder plot. As the village begins to spill its long-held secrets, Paterniti finds himself implicated in the very story he is writing. Equal parts mystery and memoir, travelogue and history, The Telling Room is an astonishing work of literary nonfiction by one of our most accomplished storytellers. A moving exploration of happiness, friendship, and betrayal, The Telling Room introduces us to Ambrosio Molinos de las Heras, an unforgettable real-life literary hero, while also holding a mirror up to the world, fully alive to the power of stories that define and sustain us. Praise for The Telling Room “Captivating . . . Paterniti’s writing sings, whether he’s talking about how food activates memory, or the joys of watching his children grow.”—NPR
The first fully-fledged example of a revenge tragedy, the genre that became so influential in later Elizabethan and Jacobean drama, The Spanish Tragedy (1589) occupies a very special place in the history of English Renaissance drama. Hieronimo, Knight-Marshal of Spain during its war with Portugal, fails to obtain justice when his son is murdered for courting Bel-Imperia, the Duke of Castile's daughter, and decides to take justice into his own hands... This new student edition has been freshly revised by Professor Andrew Gurr to incorporate the latest stage history and critical interpretations of the play. It also appends the scenes that were added in 1602, discusses Elizabethan attitudes to revenge, the Senecan features of the play and the significance of the Anglo-Spanish conflict in the 1580s.