The Space-frame Experience in Art

The Space-frame Experience in Art

Author: Tarmo Pasto

Publisher:

Published: 1964

Total Pages: 450

ISBN-13:

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Using examples of the work of some of the world's great artists, the author supports his theories of how great masterpieces were created.


Theoretical Perspectives in Environment-Behavior Research

Theoretical Perspectives in Environment-Behavior Research

Author: Seymour Wapner

Publisher: Springer Science & Business Media

Published: 2012-12-06

Total Pages: 348

ISBN-13: 1461547016

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Following upon the Handbook of Japan-United States Environment-Behavior Research, published by Plenum in 1997, leading experts review the interrelationships among theory, problem, and method in environment-behavior research. The chapters focus on the philosophical and theoretical assumptions underlying current research and practice in the area and link those assumptions to specific substantive questions and methodologies


Beyond the Cube

Beyond the Cube

Author: Jean-François Gabriel

Publisher: John Wiley & Sons

Published: 1997-08-12

Total Pages: 554

ISBN-13: 9780471122616

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Diese Sammlung von Beitragen anerkannter Autoren zur Architektur, die uber den Quader hinausgeht, ist das einzige derzeit am Markt befindliche Referenzwerk auf diesem Gebiet. Theoretische und praktische Aspekte der Konstruktion von Vielflachnern und raumlichen Gebilden werden anhand von uber 480 Zeichnungen und zahlreichen Fotographien anschaulich erlautert. (02/98)


Inside the White Cube

Inside the White Cube

Author: Brian O'Doherty

Publisher: Univ of California Press

Published: 1999

Total Pages: 128

ISBN-13: 9780520220409

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These essays explicitly confront a particular crisis in postwar art, seeking to examine the assumptions on which the modern commercial and museum gallery was based.


A History of Experimental Film and Video

A History of Experimental Film and Video

Author: A.L. Rees

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 208

ISBN-13: 1838714197

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Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.


Experimental Arts in Postwar Japan

Experimental Arts in Postwar Japan

Author: Miryam Sas

Publisher: BRILL

Published: 2020-03-17

Total Pages: 310

ISBN-13: 168417502X

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"In the years of rapid economic growth following the protest movements of the 1960s, artists and intellectuals in Japan searched for a means of direct impact on the whirlwind of historical and cultural transformations of their time. Yet while the artists often called for such “direct” encounter, their works complicate this ideal with practices of interruption, self-reflexive mimesis, and temporal discontinuity. In an era known for idealism and activism, some of the most cherished ideals—intimacy between subjects, authenticity, a sense of home—are limitlessly desired yet always just out of reach. In this book, Miryam Sas explores the theoretical and cultural implications of experimental arts in a range of media. Casting light on important moments in the arts from the 1960s to the early 1980s, this study focuses first on underground (post-shingeki) theater and then on related works of experimental film and video, buto dance and photography. Emphasizing the complex and sophisticated theoretical grounding of these artists through their works, practices, and writings, this book also locates Japanese experimental arts in an extensive, sustained dialogue with key issues of contemporary critical theory."


The Art of Art Therapy

The Art of Art Therapy

Author: Judith Aron - Rubin

Publisher: Routledge

Published: 2013-10-28

Total Pages: 286

ISBN-13: 1135470901

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First published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.


A Cinematic Artist

A Cinematic Artist

Author: Kim Knowles

Publisher: Peter Lang

Published: 2009

Total Pages: 350

ISBN-13: 9783039118847

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The American artist Man Ray was one of the most influential figures of the historical avant-garde, contributing significantly to the development of both Dadaism and Surrealism. Whilst his pioneering work in photography assured him international acclaim, his activity in other areas, notably film, is to this day both unknown and undervalued. During the 1920s Man Ray made four short experimental films and collaborated on a host of other projects with people such as Marcel Duchamp, Fernand Léger, René Clair and Hans Richter. These works, along with a series of cinematic essays and home movies made during the 1920s and 1930s, represent the most important contribution to the development of an alternative mode of filmmaking in the early twentieth century. This book explores Man Ray's cinematic interactions from the perspective of his interdisciplinary artistic sensibility, creating links between film, photography, painting, poetry, music, architecture, dance and sculpture. By exposing his preoccupation with form, and his ambiguous relationship with the politics and aesthetics of the Dada and Surrealist movements, the author paints an intimate and complex portrait of Man Ray the filmmaker.