The Sons of Charlie Russell commemorates the fiftieth anniversary of the formation of the Cowboy Artists of America. The history of these artists comes alive in this book's essays and photographs and in beautiful images of their works. --cover flap.
This first comprehensive biography of Charles M. Russell examines the colorful life and times of Montana’s famed Cowboy Artist. Born to an affluent St. Louis family in 1864, young Russell read thrilling tales of the West and filled sketchbooks with imagined frontier scenes. At sixteen he left home and headed west to become a cowboy. In Montana Territory he consorted with cowpunchers, Indians, preachers, saloon keepers, and prostitutes, while celebrating the waning American frontier’s glory days in some 4,000 paintings, watercolors, drawings, and sculptures. Before his death in 1926, Russell saw the world change dramatically, and the West he loved passed into legend. By then he was revered as one of the country’s ranking Western artist with works displayed in the finest galleries, his romantic vision of the Old West forever shaping our own. Taliaferro reveals the man behind the myth in his multifaceted complexity: extraordinarily gifted, self-effacing, charming, mischievous, and playful, a friend to rough frontier denizens and Hollywood stars alike. The author also explores Russell’s controversial partnership with his fiery young wife, Nancy, whose ambition and business savvy helped establish Russell as one of America’s most popular artists.
"Russell writes easily, and in the vernacular. He tells of Indians and Indian fighters, buffalo hunts, bad men, wolves, wild horses, tough hotels, drinking customs, and hard-riding cowboys. . . . [He] lived long enough in the West to acquire a vast amount of information and lore, and he has left enough from his brush to prove his place as a sound interpreter of a stirring period and a fascinating country".-New York Times. "Russell was the greatest painter who ever painted a range man, a range cow, a range horse, or a Plains Indian. He savvied the cow, the grass, the blizzard, the drought, the wolf, the young puncher in love with his own shadow, the old waddie remembering rides and thirsts of far away and long ago. He was a wonderful storyteller. . . . His subjects were warm with life, whether awake or asleep, at a particular instant, under particular conditions. Trails Plowed Under, prodigally illustrated, is a collection of yarns and ancedotes saturated with humor and humanity".-J. Frank Dobie, Guide to Life and Literature of the Southwest. Brian W. Dippie is a professor of history at the University of Victoria, British Columbia, and the author of Catlin and His Contemporaries: The Politics of Patronage (Nebraska 1990).
Charles M. Russell has long been recognized for his action-packed paintings, drawings, and sculpture of cowboys, fur trappers, Native American buffalo hunters and warriors, and other heroes of the Old West. Russell's best-known works capture the excitement and deadly risk of men battling nature and one another in a majestic landscape of mountains and plains. Less well known are Russell's hundreds of depictions of western women. As renowned author and art historian Ginger K. Renner observed thirty-five years ago, no other artist of the West devoted more of his time and talent to the portrayal of women. But few have followed Renner's lead--until now. Lavishly illustrated with full-color illustrations, Charles M. Russell: The Women in His Life and Art presents groundbreaking essays essential to understanding the role of western women in Russell's art. This volume is both a tribute to the women who nurtured Russell's artistic development and a landmark in the study of the role of women in a genre all too often identified almost exclusively with a masculine world. The catalogue essays examine the exhibition's theme from four unique perspectives. Joan Carpenter Troccoli provides an overview of the works in the exhibition and the social, cultural, and personal values that influenced them. Emily Crawford Wilson explores Russell's interest in the feminine ideal, tying it to wider artistic trends of the late nineteenth and early twentieth centuries. Jennifer Bottomly-O'looney describes Russell's friendship with Ben and Lela Roberts, who introduced the artist to Nancy Cooper, the woman who would become his wife and indispensable business partner. Thomas A. Petrie employs extended excerpts from Nancy's unpublished biographical memoir to illuminate the Russells' marriage, a relationship sustained by affection and mutual respect, as well as shrewd creative and marketing decisions.
In the decades bracketing the turn of the twentieth century, Charles M. Russell depicted the American West in a fresh, personal, and deeply moving way. This handsome book--a companion volume to the acclaimed Charles M. Russell: A Catalogue Raisonné, edited by B. Byron Price--showcases many of the artist's best-known works and chronicles the sources and evolution of his style.
Two Nez Perce historians offer a detailed examination of the relationship between Corps of Discovery explorers and a single tribe, investigating what Lewis and Clark knew or misunderstood regarding the Nez Perce (Nimiipuu), searching for clues about the hosts¿ reactions to the bearded strangers, and presenting rich Nez Perce oral tradition. Their careful re-evaluation reverses the historical lens to shed extraordinary new light on expedition events. Originally published by The Dakota Institute in 2015.
This is an intimate portrait of Charlie Russell's philosophy of nature. Accompanied by stunning photography, the book is written in narrative form, the way Charlie spoke and shared his stories and knowledge with others. Each of the chapters describes some facet of Charlie's philosophy and experiences through the stories of individual bears and what they taught him: the meaning of trust, respect, attention, love, and much more.
It seemed that Charlie Russell could draw or paint anything. Wherever he went, his pencils and paints went with him-sometimes stuffed inside his socks. His cowboy friends recognized their faces in his pictures, which he dashed off on scraps of paper, bits of wood, and the linings of hats. This habit of sketching life on the Montana range earned Charlie the nickname "The Cowboy Artist," and he became famous throughout the world. But as good a friend as he was an artist, fame wasn't important to Charlie. In fact, notoriety was nowhere near as precious as the life he lived and the people loved. In this book, you'll read about the one-and-only Charlie Russell and how he lived his dream and honored the Old West through his renowned art.