In the first ecological reading of English literature, Jonathan Bate traces the distinctions among "nature," "culture," and "environment" and shows how their meanings have changed since their appearance in the literature of the eighteenth century.
The Book of Eador, Abjurations 12:14, is very clear: Suffer ye not the life of a witch. For a thousand years, the Church Knights have obeyed that commandment, sending to the stake anyone who can hear the songs of the earth. There are no exceptions, not even for one of their own. Novice Knight Gair can hear music no one else can, beautiful, terrible music: music with power. In the Holy City, that can mean only one thing: death by fire—until an unlikely intervention gives him a chance to flee the city and escape the flames. With the Church Knights and their witchfinder hot on his heels, Gair hasn't time to learn how to use the power growing inside him, but if he doesn't master it, that power will tear him apart. His only hope is the secretive Guardians of the Veil, though centuries of persecution have almost destroyed their Order, and the few Guardians left have troubles of their own. For the Veil between worlds is weakening, and behind it, the Hidden Kingdom, ever-hungry for dominion over the daylight realm, is stirring. Though he is far from ready, Gair will find himself fighting for his own life, for everyone within the Order of the Veil, and for the woman he has come to love. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A portrayal of our planet that offers easy-to-grasp discussions of scientific concepts and detailed examinations of Earth's tectonic, biological, and paleontological forces. From the esoteric science of minerals to the interactions between humans and their environment, our planet provides answers to every question we could ask about its history and what lies ahead. The book is illustrated with maps, diagrams, and pictures, explaining everything from how a roiling, molten planet cooled to how the first cyanobacteria began to oxygenate the atmosphere to how the atmosphere has changed over time. Ervin-Blankenheim also provides narratives about pioneering geologists and their groundbreaking discoveries. In viewing the planet as the integrated ecosystem it is, Ervin-Blankenheim showcases how land, water, life, and the atmosphere maintain an elegant yet delicate balance-one that, based on the author's evidence of current trends in the context of past planetary cataclysm, appears to be under imminent threat.
In John R. Dann's thrilling and romantic prehistoric saga, Song of the Axe, the tribe's chieftain was called Grae, after a famous ancestor. Now Dann returns to tell the saga of the wanderings of one prehistoric tribal family over several generations, always led by that famous, original Grae, and by his children. The powerful daughters of River Woman saved young Grae from a flooded river after a volcano erupted and destroyed their tribal home. Then they made him chief, but that's almost the last thing they agree on before the tribe splinters. Grae leads the main group out of Africa ever northward, into central and eastern Europe, always searching for safety and a better life. Challenged by truly monstrous evil tribes, but guided by spirits, they survive. It takes three generations, and three chieftains named Grae, before the tribe comes to rest. Their story is an adventure on the grandest scale, full of dangers, romance, and beguiling mystery in an exotic setting. A rich and complex story told with simplicity, authenticity, and vigor, Song of the Earth is a worthy companion to Song of the Axe.
The opening chapter, "Background: Mahler's symphonic worlds before 1908," sets the stage for a study of the work's genesis, a summary of the most important critiques of the premiere, and a careful reading of this six-movement symphony for voices and orchestra. An appendix provides an interlinear translation that makes Mahler's superb treatment of texts accessible to readers with little or no knowledge of German."--Jacket.
At once joyous and somber, this thoughtful gathering of new and selected essays spans Kathleen Dean Moore's distinguished career as a tireless advocate for environmental activism in the face of climate change. In this meditation on the music of the natural world, Moore celebrates the call of loons, howl of wolves, bellow of whales, laughter of children, and shriek of frogs, even as she warns of the threats against them. Each group of essays moves, as Moore herself has been moved, from celebration to lamentation to bewilderment and finally to the determination to act in defense of wild songs and the creatures who sing them. Music is the shivering urgency and exuberance of life ongoing. In a time of terrible silencing, Moore asks, who will forgive us if we do not save nature's songs?
Available for the first time in paperback, this is the pre-eminent critical study, and exploration, of how myth and legend played such a significant role in the works of J.R.R. Tolkien.
The Song of Power opened the gateway to the Realm of the Sidhe, allowing young Michael Perrin to slip through. Now Michael faces years of captivity and deadly struggles for the future of the Realm and of Earth--leading finally to a terrible confrontation on the streets of Los Angeles, with the soul of humanity at stake. Weaving the power of music, poetry, and myth into a headlong narrative of nearly overwhelming intensity, Song of Earth and Power is one of the most original fantasy epics of our time, a vast tapestry of relentless suspense, terrible beauty, and brilliant imagination. Originally published years ago in two parts, it now returns in a new edition rewritten by the author and published in a single volume as he originally intended. Wrote Analog on its original appearance: "A delight....A vision of Faery that may owe a bit to a wish to do it right. Read it."