Cool, clear-eyed, and bluntly cynical, the young narrator of The Society of Others embarks on a journey without a destination. He hitchhikes through Europe only to find himself in a mystifying country where terrorists are inexplicably after him, and so is a sinister government. In a surreal landscape where people are shot to death without reason and social control runs deep, he must learn who to trust–and what to stand for. Fast paced and provocative, a gripping philosophical thriller, The Society of Others is an ingenious meditation on the nature of contemporary innocence and identity.
"In this timely commentary on the ideas of difference, strangeness, and Western contact, Stasch weaves ethnographic materials together with theoretical framing in an exceptionally clear and compelling way. A highly original, important and, in fact, astonishing piece of scholarship."--Bambi Schieffelin, author of The Give and Take of Everyday Life "In this remarkable ethnography, Rupert Stasch takes us to the lowlands of West Papua and into the lives of people who have built a social world out of their relationships with strange and potentially dangerous others. The Korowai are classic inhabitants of the "savage slot," still dogged by their designation as Stone Age primitives. Instead of flipping the script and arguing that the Korowai are just like everyone else, Stasch draws far-reaching lessons from the particularities of Korowai life. Stasch writes with grace and clarity on the ambivalent ways in which the Korowai confront, evade, and embrace an otherness that resides not just in words, food, places, and human bodies, but also in the pasts and futures brought to mind by these material signs. Analyzing Korowai sign use as a concrete, historical process, he charts the passage between intimacy and alterity that Korowai undergo in their encounters not only with spirits and Indonesian soldiers, but also with children, husbands, and wives. Some of what Stasch describes may seem strange and even disturbing. But in pondering Stasch's findings, one gradually comes to see the making of persons and relationships in an entirely new light. Gone is the old debate between biological determination and cultural freedom; in its place is an approach that affirms the multiple histories that converge in and flow from a life. Erudite, empathetic, and unremittingly smart, Society of Others recasts the very meaning of kinship--and makes a case for the power of what anthropologists do."--Danilyn Rutherford, author of Raiding the Land of the Foreigners: The Limits of the Nation on an Indonesian Frontier
“He has nowhere to go. So he goes there.” T o escape the pressures of family life and alienation from his contemporaries, the unnamed narrator of this existential novel heads out from home to hitchhike without destination. But his journey soon turns into an orgy of violence. A truck picks him up and soon we are at a checkpoint in some totalitarian European state riddled with terrorists. The driver hands the narrator a slip of paper and then tells him to jump — he does, just before the driver is shot and the truck is blown up, revealing its cargo of books. Thus begins a novel that is part spy story, part philosophical treatise — one that sweeps the reader along. Hypnotic, intellectually challenging, with all the pace and thrust of a thriller, The Society of Others introduces an important novelist with a long career ahead.
From one of the leading policy experts of our time, an urgent rethinking of how we can better support each other to thrive Whether we realize it or not, all of us participate in the social contract every day through mutual obligations among our family, community, place of work, and fellow citizens. Caring for others, paying taxes, and benefiting from public services define the social contract that supports and binds us together as a society. Today, however, our social contract has been broken by changing gender roles, technology, new models of work, aging, and the perils of climate change. Minouche Shafik takes us through stages of life we all experience—raising children, getting educated, falling ill, working, growing old—and shows how a reordering of our societies is possible. Drawing on evidence and examples from around the world, she shows how every country can provide citizens with the basics to have a decent life and be able to contribute to society. But we owe each other more than this. A more generous and inclusive society would also share more risks collectively and ask everyone to contribute for as long as they can so that everyone can fulfill their potential. What We Owe Each Other identifies the key elements of a better social contract that recognizes our interdependencies, supports and invests more in each other, and expects more of individuals in return. Powerful, hopeful, and thought-provoking, What We Owe Each Other provides practical solutions to current challenges and demonstrates how we can build a better society—together.
Do judges use the power of the state for the good of the nation? Or do they create new laws in line with their personal views? When newspapers reported a court ruling on Brexit, senior judges were shocked to see themselves condemned as enemies of the people. But that did not stop them ruling that an order made by the Queen on the advice of her prime minister was just ‘a blank piece of paper’. Joshua Rozenberg, Britain’s best-known commentator on the law, asks how judges can maintain public confidence while making hard choices.
The Book in Society: An Introduction to Print Culture examines the origins and development of one of the most important inventions in human history. Books can inform, entertain, inspire, irritate, liberate, or challenge readers, and their forms can be tangible and traditional, like a printed, casebound volume, or virtual and transitory, like a screen-page of a cell-phone novel. Written in clear, non-specialist prose, The Book in Society first provides an overview of the rise of the book and of the modern publishing and bookselling industries. It explores the evolution of written texts from early forms to contemporary formats, the interrelationship between literacy and technology, and the prospects for the book in the twenty-first century. The second half of the book is based on historian Robert Darnton’s concept of a book publishing “communication circuit.” It examines how books migrate from the minds of authors to the minds of readers, exploring such topics as the rise of the modern notion of the author, the role of states and others in promoting or restricting the circulation of books, various modes of reproducing and circulating texts, and how readers’ responses help shape the form and content of the books available to them. Feature boxes highlighting key texts, individuals, and developments in the history of the book, carefully selected illustrations, and a glossary all help bring the history of the book to life.
First in the mystery series from the New York Times-bestselling author: “Anyone who loves novels that revolve around books will savor this tasty treat.”—Library Journal (starred review) A quirky club in small-town North Carolina holds the keys to health, happiness, friendship—and even solving a murder—all to be found within the pages of the right book… Strangers flock to Miracle Springs hoping the natural hot springs, five-star cuisine, and renowned spa can cure their ills. If none of that works, they often find their way to Miracle Books, where, over a fresh-baked “comfort” scone, they exchange their stories with owner Nora Pennington in return for a carefully chosen book. That’s Nora’s special talent—prescribing the perfect novel to ease a person’s deepest pain. So when a visiting businessman reaches out for guidance, Nora knows exactly how to help. But before he can keep their appointment, he’s found dead on the train tracks. Stunned, Nora forms the Secret, Book, and Scone Society, a group of damaged souls yearning to earn redemption by helping others. To join, members must divulge their darkest secret—the terrible truth that brought each of them to Miracle Springs in the first place. Now, determined to uncover the truth behind the businessman’s demise, the women meet in Nora’s cozy bookstore. And as they untangle a web of corruption, they also discover their own courage, purpose, and a sisterhood that will carry them through every challenge—proving it’s never too late to turn the page and start over… “Adams kicks off a new series featuring strong women, a touch of romance and mysticism, and both the cunning present-day mystery and the slowly revealed secrets of the intriguing heroines’ pasts.”—Kirkus Reviews
Heiress Missing: The Untold Story. Clemmie Colshannon, a London art appraiser framed (pun intended) by her boyfriend and subsequently fired, retreats to the bosom of her eccentric family in Cornwall to recover. But no sooner has she unpacked her bags than her sister, Holly, an energetic reporter who lives to scoop, enlists Clemmie’s derring-do on a juicy story. It seems that Emma McKellan, who writes the society pages for the Bristol Gazette, has disappeared days before her lavish wedding. As Holly and Clemmie search for clues on the missing bride (relishing the prospect of delicious scandal), they inadvertently steer themselves directly toward trouble. In times of crisis, the Colshannon clan is always in the thick of things–particularly Clemmie’s drama-queen mother, who has an affinity for saving wild animals, and her brother, who goes to outrageous extremes to impress a certain girl and succeeds only in terrifying her. Whether she likes it or not, Clemmie always seems to find herself in the throes of adventure. And sure enough, the whole family is soon fleeing to the south of France . . . with an ex-convict in hot pursuit.
