Gille Kilmarsson is a mastersmith and musician in a quiet northern town. But he yearns for something more. When he saves a Southern merchant ship from the savagery of the corsairs, he takes as his only reward an old musical instrument. And his life changes forever. For the instrument has an ancient, magical past and it soon leads Gille and his companion, Olvar, on an amazing voyage of adventure and discovery. A voyage in which they must confront not only the mysteries of the sea but also a ruthless, barbaric tribe intent on massacring an ancient people fleeing the encroachment of the restless Ice...
When he and his companions flee their island home after the king's court is turned to stone, Phaidon begins to believe in the gods and monsters that his uncle has always scorned. Suggested level: junior secondary.
An accomplished student and heiress to a great title, Genevieve has been brought up as a Proper Young Lady, carefully instructed in the Covenants. She must soon take up the time-honoured responsibilities of womanhood: that is to marry a nobleman of her father's choosing and bear a child at the age of thirty. But Genevieve remembers all the stories and the secret knowledge learned from her mother, now long dead, and she yearns to heed the call of the sea - though she has never even seen the vast waters that cover most of the surface of her home planet of Haven. And she begins to uncover bitter truths about the seemingly backward planet of Haven . . .
Describes how humpback whales communicate with each other and how the sounds they make help them survive, and discusses their habitat, diet and behavior.
When Gille Kilmorsson, a master smith and a musician, saves a Southern merchant ship from the savagery of the corsairs, he takes as his only reward an old musical instrument. But it is an instrument with an ancient, magical past and the spirits it conjures up soon lead Gille and his companion, Olvar, on an amazing voyage of adventure and discovery. A voyage in which they must confront not only the mysteries of the sea but also a ruthless, barbaric tribe intent on massacring an innocent people ...
There was a voice once that sang the ocean to sleep... March is born in April, just as the sun is setting. A singing baby who cannot sleep, she sets Kolkaper on edge. The Town Council orders scientists to take her away and study her at the Cave Forest, a place for freaks like her. Acting quickly, March’s parents send her away to the distant town of Koofay. But March’s destiny is tied to that of Kolkaper. She must return to save the city from itself. An enchanting fable about love and faith and accepting the odd ones among us.
In Horizon, Sea, Sound: Caribbean and African Women’s Cultural Critiques of Nation, Andrea Davis imagines new reciprocal relationships beyond the competitive forms of belonging suggested by the nation-state. The book employs the tropes of horizon, sea, and sound as a critique of nation-state discourses and formations, including multicultural citizenship, racial capitalism, settler colonialism, and the hierarchical nuclear family. Drawing on Tina Campt’s discussion of Black feminist futurity, Davis offers the concept future now, which is both central to Black freedom and a joint social justice project that rejects existing structures of white supremacy. Calling for new affiliations of community among Black, Indigenous, and other racialized women, and offering new reflections on the relationship between the Caribbean and Canada, she articulates a diaspora poetics that privileges our shared humanity. In advancing these claims, Davis turns to the expressive cultures (novels, poetry, theater, and music) of Caribbean and African women artists in Canada, including work by Dionne Brand, M. NourbeSe Philip, Esi Edugyan, Ramabai Espinet, Nalo Hopkinson, Amai Kuda, and Djanet Sears. Davis considers the ways in which the diasporic characters these artists create redraw the boundaries of their horizons, invoke the fluid histories of the Caribbean Sea to overcome the brutalization of plantation histories, use sound to enter and reenter archives, and shapeshift to survive in the face of conquest. The book will interest readers of literary and cultural studies, critical race theories, and Black diasporic studies.
