The Silence Living in Houses unlocks the doors to houses of secrets and dreams where ghosts of the past are more real than the living. In unsettling poems rich with intrigue, Esther Morgan traces the presence of those whose stories are fading like the wallpaper: the servant girl who smashed the dinner service and disappeared; the sisters whose macabre end is still spoken of in whispers; the mistress who breathes sweet nothings from behind the roses. At the heart of the book is the darkest of interiors where the threat and practice of violence forges a bond as unbreakable as the Mafia's code. But not all these houses are unsafe: the final poems summon up the haunted blood of family, revealing how what remains unspoken is as much concerned with love as it is with loss.
"A group of notable writers ... celebrate our fascination with the houses of famous literary figures, artists, composers, and politicians of the past"--Provided by publisher.
Who hasn't had the fanthasy of leaving his or her old life behind to start over? What would happen if you gave up your job, city, state, and routine to move to another part of the world? Critically acclaimed writer and aspiring painter James Morgan does just that. Risking everything, he and his wife shed their old, settled life in a lovingly restored house in Little Rock, Arkansas, to travel in the footsteps of Morgan's hero, the painter Henri Matisse, and to find inspiration in Matisse's fierce struggle to live the life he knew he had to live. Part memoir, part travelogue, and part biography of Matisse, Chasing Matisse proves that you don't have to be wealthy to live the life you want; you just have to want it enough. Morgan's riveting journey of self-discovery takes him, and us, from the earthy, brooding Picardy of Matisse's youth all the way to the luminous Nice of the painter's final years. In between, Morgan confronts, with the notebook of a journalist and the sketchpad of an artist, the places that Matisse himself saw and painted: bustling, romantic Paris; windswept Belle-île off the Brittany coast; Corsica, with its blazing southern light; the Pyrénees village of Collouire, where color became explosive in Matisse's hands; exotic Morocco, land of the secret interior life; and across the sybaritic French Riviera to spiritual Vence and the hillside Villa Le Rêve -- the Dream -- where the mature artist created so many of his masterpieces. A journey from darkness to light, Chasing Matisse shows us how we can learn to see ourselves, others, and the world with fresh eyes. We look with Morgan out of some of the same windows through which Matisse himself found his subjects and take great heart from Matisse's indomitable, life-affirming spirit. For Matisse, living was an art, and he never stopped striving, never stopped creating, never stopped growing, never stopped reinventing himself. "The artist," he said, "must look at everything as though he were seeing it for the first time." That's the inspiring message of renewal that comes through on every page of Chasing Matisse. Funny, sad, and defiantly hopeful, this is a book that restores our faith in the possibility of dreams.
This story begins when I was much older, worlds away from those early years, and I had a daughter of my own. Im Miranda, and Im living a life Ive prepared myself. But that life never came. My parents worried about me. So did my teachers. Though the safe path was always right in front of me, I kept veering off it into something which did not seem unknown or perilous until it was too late to prevent the damage. My aunts and uncles referred to me as a free spirit and exchanged glances, which suggested in an adult way that they were a little worried about how I was going to turn out. Despite my mothers many attempts at reeducation, I never quite got over that impulse toward wandering and adventure that got me into so much troublenot until the events which form the basis of this story, anyway.
Written by a young human rights worker, "Silence on the Mountain" is a virtuoso work of reporting and a masterfully plotted narrative tracing the history of Guatemala's 36-year internal war, a conflict that claimed the lives of more than 200,000 people.
‘I was born on 25th May, 1938, in the front bedroom of a house in Orton Road, a house on the outer edges of Raffles, a council estate. I was a lucky girl.’ So begins Margaret Forster’s journey through the houses she’s lived in, from that sparkling new council house, to her beloved London home of today. This is not a book about bricks and mortar though. This is a book about what houses are to us, the effect they have on the way we live our lives and the changing nature of our homes: from blacking grates and outside privies; to cities dominated by bedsits and lodgings; to the houses of today converted back into single dwellings. Finally, it is a gently insistent, personal inquiry into the meaning of home.
A SYNOPSIS Born in Uganda, UK based Jennifer Nyeko-Jones was the first born of nine children in her family. As the eldest child, she inherited more responsibility than those who came after her. Ultimately, this congenital assumption of responsibility resulted in her father sponsoring her to further her education at a private college in England. Being a child of the colonial era himself, her father, Sirayo Yona Nyeko, had an untainted faith in the British system of education, and wanted all his children to have the opportunity to study in England, beginning with Jennifer. In 1977, after only eight months at this college, Jennifer learned the tragic news of the death of her father from an article in the Sunday Times newspaper, while Uganda was under the brutal regime of Idi Amin. Jennifer was determined to achieve for herself all that her father had wished for her, and to this end she has worked her way through college and law school and is now a qualified solicitor. She is happily married with three children of her own and lives in North Kent. Since the loss of her father more than 30 years ago, Jennifer has always felt the need to preserve his memory, and the best way she thought of doing this was to tell his story and her account THE SILENT SUNSET was born. Jennifer has tried to make this book unique and different from the current trend of writing about Idi Amin and his regime, and instead she has written about the brutal real life consequences of the dictators rule from a family's point of view.
Including the stories of the author's own family's response, plus the voices of black men who have supported rape survivors, Surviving the Silence becomes a full chorus that sings of black women's survival.
