A Contemporary Shavian Manifesto

A Contemporary Shavian Manifesto

Author: Azeez Jasim Mohammed

Publisher: Cambridge Scholars Publishing

Published: 2016-05-11

Total Pages: 155

ISBN-13: 1443893234

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A Contemporary Shavian Manifesto presents an appraisal of George Bernard Shaw’s position on women in his plays. The dramatist’s unconventional approach itself is praiseworthy as he creates unwomanly women who are deviant and create their own space outside social conventions and practices. In creating a counterpoint to the norm, Shaw succeeds in creating the image of a “new woman” who is no longer “the angel of the house”. The book explores the ways in which Shaw addresses gender inequality in society through an examination of women’s role in the social, religious, moral and economic spheres. In addition to studying Shaw’s exploration of the radical woman, this book traces his attempts to project a “new woman” who is the pursuer rather than being pursued. The playwright questions the relegation of woman to the domestic space, the arbitrary distribution of duties between men and women and patriarchally-determined codes of conduct imposed upon woman. His foregrounding of women as the force behind what he calls “Creative Evolution” achieves a kind of feminisation of the “life force”, the central theme in his plays.


Shaw

Shaw

Author: Fred D. Crawford

Publisher: Penn State Press

Published: 1995-06-21

Total Pages: 296

ISBN-13: 9780271014227

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This is the annual edition of new studies of Shaw's life, influence and work.


Shaw

Shaw

Author: Gale K. Larson

Publisher: Penn State Press

Published: 2002

Total Pages: 284

ISBN-13: 9780271022277

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Shaw, now in its twenty-second year, publishes general articles on Shaw and his milieu, reviews, notes, and the authoritative Continuing Checklist of Shaviana, the bibliography of Shaw studies.


A Play Analysis

A Play Analysis

Author: R. J. Cardullo

Publisher: Springer

Published: 2015-10-28

Total Pages: 213

ISBN-13: 9463002804

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"Play Analysis: A Casebook on Modern Western Drama is a combined play-analysis textbook and course companion that contains twelve essays on major dramas from the modern European and American theaters: among them, Ghosts, The Ghost Sonata, The Doctor’s Dilemma, A Man’s a Man, The Homecoming, The Hairy Ape, The Front Page, Of Mice and Men, Our Town, The Glass Menagerie, and Death of a Salesman. Supplementing these essays are a Step-by-Step Approach to Play Analysis, a Glossary of Dramatic Terms, Study Guides, Topics for Writing and Discussion, and bibliographies. Written with college students in mind (and possibly also advanced high school students), these critical essays cover some of the central plays treated in courses on modern Euro-American drama and will provide students with practical models to help them improve their own writing and analytical skills. The author is a “close reader” committed to a detailed yet objective examination of the structure, style, imagery, and language of a play. Moreover, he is concerned chiefly with dramatic analysis that can be of benefit not only to playreaders and theatergoers, but also to directors, designers, and even actors—that is, with analysis of character, action, dialogue, and setting that can be translated into concepts for theatrical production, or that can at least provide the kind of understanding of a play with which a theater practitioner could fruitfully quarrel."


Shaw

Shaw

Author: MaryAnn Krajnik Crawford

Publisher: Penn State Press

Published: 2005

Total Pages: 318

ISBN-13: 0271027363

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SHAW 25 offers eighteen articles, thirteen initially presented at the International Shaw Society conference, 17-21 March 2004, Sarasota, Florida. Additional conference and Shaw Festival Symposia information is provided in the Introduction. Stanley Weintraub's conference keynote, "Shaw for the Here and Now," considers modernizing Shaw's plays, validating Shaw's creative force for today and into the future. Dan H. Laurence's delightful "Shaw's Children" shows a warm, caring, playful Shaw--a giver of self. Howard Ira Einsohn's article on gifting brings together Shaw, Ricoeur, and Derrida to explore the ethics of giving "superabundantly" but not foolishly. Jay Tunney reflects on the ways in which his father, boxer Gene Tunney, fits the personal and professional shoes of Shaw's Cashel Byron, with life imitating art. In "Machiavelli, the Shark, and the Tinpot Tragedienne," Bernard F. Dukore delivers a rereading of Major Barbara that highlights characters and traits, revealing an ensnarling web of beliefs, values, actions, and consequences. Sidney P. Albert's essay explores connections between Major Barbara and Plato's Republic. Using a current theoretical lens, Vicki R. Kennell sees Pygmalion as a narrative literary bridge that predicates postmodern critiques. L.W. Conolly's research on Phillipa Summers reveals a model for Vivie Warren and provides insights into women's lives and education at the turn of the century. In "Who's Modern Now? Shaw, Joyce, and Ibsen's When We Dead Awaken," Kathleen Ochshorn looks at the interrelationships of the three dramatists. Miriam Chirico rewrites critical opinion of You Never Can Tell, arguing that the play is a serious social critique, particularly of marriage. Citing two well-documented instances of Shaw-bashing, John A. Bertolini explores Shaw's responses and reveals Shaw's fair-mindedness. Hannes Schweiger's detailed research substantiates Shaw's influential connection to Viennese culture and politics. Valerie Barnes Lipscomb analyzes Shaw's use of age differences to subvert romantic expectations, thereby drawing greater attention to serious sociocultural issues. Part II continues the legacy of Shaw scholarship with Charles A. Carpenter's must-read bibliographic piece, which reads like a mystery and gives a wealth of research information on Shaw. Focusing on the importance and difficulties of cycle plays, Julie Sparks looks at Man and Superman, Heartbreak House, Back to Methuselah, and current offerings such as Kushner's Angels in America. Kay Li, tracing the influence of Shaw on Chinese drama, argues that modern Chinese drama emerged from the failure of Mrs. Warren's Profession. Frank Duba's article analyzes the evolving role of the Preface in Shaw's works, focusing especially on Man and Superman. Coming full circle, the volume returns to Stanley Weintraub's presentation of Shaw and the fascinating story of Lady Colin Campbell--a story that asks us to consider what it means to be endowed with beauty, fame, and ambition, and what it means to finally lose them. Finally, Michael W. Pharand's addendum to SHAW 24 gives supplementary bibliography on Shavian matters related to love, sex, marriage, and women. SHAW 25 also includes reviews as well as John R. Pfieffer's "Continuing Checklist of Shaviana."


Pygmalion, Heartbreak House, and Saint Joan

Pygmalion, Heartbreak House, and Saint Joan

Author: George Bernard Shaw

Publisher:

Published: 2021

Total Pages: 545

ISBN-13: 0198793286

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Pygmalion, Heartbreak House, and Saint Joan are widely considered to be three of the most important in the canon of modern British theatre.Pygmalion (1912) was a world-wide smash hit from the time of its premiere in Vienna 1913 and it has remained popular to this day. Shaw was awarded an Academy Award in 1938 for his screenplay of the film adaptation. It was, of course, later made into the much-loved musical My Fair Lady.Heartbreak House (1917), which was finally performed in 1920 and published in 1921, bares the hallmarks of European modernism and a formal break from Shaw's previous work. A meditation on the war and the resultant decline in European aristocratic culture, it was perhaps staged too soon after theconflict; indeed, it did not have the success of his earlier works, which was likely due to his experimental aesthetics combined with a war-weary audience that sought lighter fare. However, while this contemporary reception was muted, it is now recognised as a modernist masterpiece.Saint Joan (1923) marked Shaw's resurrection and apotheosis. The first major work written of Joan of Arc after her canonization (1920), the play interrogates the origins of European nationalism in the post-war era. Like Pygmalion, it was an immediate world-wide hit and secured Shaw the Nobel Prizefor Literature in 1925. Drawing upon the transcripts of Joan's trial, Shaw blended his trademark wit to produce a hybrid genre of comedy and history play. Despite the historical setting, Saint Joan is highly accessible and continues to delight audiences.


The Story of Shaw's Saint Joan

The Story of Shaw's Saint Joan

Author: Brian Tyson

Publisher: McGill-Queen's Press - MQUP

Published: 1982-05-01

Total Pages: 153

ISBN-13: 0773585133

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The literary genetics of Shaw's most famous play are here examined for the first time. The sources of Saint Joan are closely compared with the original shorthand manuscript and that is compared with its subsequent revisions. This evidence is supplemented by facts drawn from Shaw's correspondence in print, in the British Library, and in private collections, and by accounts both in print and in the correspondence of people who knew Shaw at the time of his writing Saint Joan. The manuscript and its revisions are examined in the light of all that has been written about the play since it first appeared in 1923. Tyson examines the events that led Shaw to write Saint Joan, establishes the times and places of its composition, and speculates on the "models" upon which Shaw may have based his heroine. The scene-by-scene investigation of the original manuscript accounts as far as possible for later alterations and revisions and discusses passages of critical or historical interest. The concluding chapters survey the circumstances surrounding the first production of the play in the United States, Great Britain, France, and Germany and reflect on the impact that Saint Joan has had on drama for more than half a century.