Sunni and Blaise face their most dangerous challenge yet in their third and final adventure. When a mysterious oil lantern and a box of painted slides appear at Blackhope Tower, Sunni and Blaise are drawn back to the place where their adventures first began. When they discover that the slides conceal secrets about artist-magician Fausto Corvo, the pair find themselves once again caught up in a deadly pursuit. An old enemy is still tracking Corvo and will stop at nothing to find him. Sunni and Blaise must fight to protect Corvo’s secrets and rid themselves of Soranzo’s evil threat once and for all.
Sunni, her stepbrother Dean, and an art-student friend trace the footsteps of a labyrinth built in Blackhope Tower by a sixteenth-century artist, and suddenly find themselves trapped inside his painting, trying desperately to get out.
“A whirlwind love affair, a wife who dies under mysterious circumstances, and a string of murder—and ghosts!—all set in a crumbling countryside estate in Provence. This haunting tale is everything you could want in a Gothic mystery that doesn’t also include a heroine named Jane Eyre.” — Redbook Set in the lush countryside of Provence, Deborah Lawrenson’s The Lantern is an atmospheric modern gothic tale of love, suspicion, and murder, in the tradition of Daphne du Maurier's Rebecca. Drawn to a confident and artistic wealthy older man she barely knows, bookish Eve recklessly embarks on a whirlwind affair that soon offers a new life and a new home—Les Genévriers, a charming yet decaying hamlet nestled amid the fragrant lavender fields of Provence. But with autumn’s arrival the days begin to cool—and so, too, does Dom. Though Eve knows he bears the emotional scars of a failed marriage—which he refuses to talk about—his silence arouses suspicion and uncertainty. And, like its owner, Les Genévriers is also changing. Bright, warm rooms have turned cold and uninviting; shadows now fall unexpectedly; and Eve senses a presence moving through the garden. Is it a ghost from the past—or a manifestation of her current troubles with Dom? Can she trust Dom—or could her life truly be in danger? An evocative tale of romantic and psychological suspense, The Lantern masterfully melds past and present, secrets and lies, appearances and disappearances—along with our age-old fear of the dark.
The Dragon Lantern is the second action-packed, steampunk adventure in the League of Seven series by the acclaimed author of Samurai Shortstop, Alan Gratz. Archie Dent is convinced that he and his friends Hachi and Fergus are the first three members of a new League of Seven: a group of heroes who come together to fight the Mangleborn whenever the monsters arise to destroy humanity. His belief is put to the test when they are forced to undertake separate missions. Archie and his faithful Tik-Tok servant Mr. Rivets pursue a shapeshifting girl who has stolen the Dragon Lantern, an ancient artifact with mysterious powers. And Hachi and Fergus travel to New Orleans to find Madame Blavatsky, the only person who knows the circumstances surrounding the death of Hachi's father. In the course of their adventures the three heroes meet potential candidates to join their League. At the same time, they learn deep-rooted secrets that could destroy the League forever.... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Presents step-by-step instructions on creating craft projects and home decorations using illuminated paper, including how to make lamp shades and room divider screens, and provides tips on illumiated papermaking techniques.
Meet Lin Yi — a little boy with a big heart and a talent for bargaining. Tonight is the moon festival and he wants nothing more than a red rabbit lantern; but first he must buy the things his mother needs at the market. This heartwarming story shows the rewards of putting others first, and includes educational notes at the end about the Chinese moon festival, life in rural China, and the legend of the moon fairy.
Widely regarded by historians of the early moving picture as the best work yet published on pre-cinema, The Great Art of Light and Shadow: Archaeology of the Cinema throws light on a fascinating range of optical media from the twelfth century to the turn of the twentieth. First published in French in 1994 and now translated into English, Laurent Mannoni's account projects a broad picture of the subject area now known as 'pre-cinema'. Starting from the earliest uses of the camera obscura in astronomy and entertainment, Mannoni discusses, among many other devices, the invention and early years of the magic lantern in the seventeenth century, the peepshows and perspective views of the eighteenth century, and the many weird and wonderful nineteenth-century attempts to recreate visions of real life in different ways and forms. This fully-illustrated and accessible account of a strange mixture of science, magic, art and deception introduces to an English-speaking readership many aspects of pre-cinema history from other European countries.
Instead of leaving with the last of the Roman legions, Aquila, a young officer, decides that his loyalties lie with Britain, and he eventually joins the forces of the Roman-British leader Ambrosius to fight against the Saxon hordes.
In her study of Chinese shadow theatre Fan Pen Li Chen documents and corrects misconceptions about this once-popular art form. Drawing on extensive research and fieldwork, she argues that these plays served a mainly religious function during the Qing dynasty and that the appeal of women warrior characters reflected the lower classes' high tolerance for the unorthodox and subversive. Chinese Shadow Theatre includes several rare transcriptions of oral performances, including a didactic play on the eighteen levels of Hell, and Investiture of the Gods, a sacred saga, and translations of three rare, hand-copied shadow plays featuring religious themes and women warrior characters. Chen examines the relationship between historical and fictional women warriors and those in military romances and shadow plays to demonstrate the significance of both printed works and oral transmission in the diffusion of popular culture. She also shows that traditional folk theatre is a subject for serious academic study by linking it to recent scholarship on drama, popular religion, and popular culture.
