The author of Desperadoes and Cowboys and Indians directs his acid humour upon contemporary Irish life at home and abroad. The result is a headlong, love-struck, end-of-millenium, coast-to-coast tour of the frustrations, contraditions and giddying glories of being Irish in the 1990s.
This book presents a series of essays on some of the most challenging issues which are facing Irish Studies scholars in the twenty-first century. It aims to provide a variety of views on topics such as gender, media, the North and the revision of traditional approaches to Irish studies as seen by a number of scholars at the end of the first decade of the third millennium. The breadth of scope is justified by the dynamic growth of the field over the last decade and points to the diverse academic and national backgrounds of the authors of the chapters and the enthusiasm with which the cultural concerns of the island of Ireland are tackled in other countries. Writers from Austria, Brazil, Canada, Germany and Spain provide original viewpoints on Irish topics which are as bold as they are refreshing. The awareness of the unique situation of Ireland and her cultural practices has provided a scenario in which interest in the literature, art, film and other cultural manifestations is great, and it is hoped that this volume will play a part in stimulating debate about some of the fascinating areas of Irish cultural matters discussed herein and will provide a useful work of reference for anyone interested in the rich and ample field of Irish Studies.
This is the first anthropological study of writers, writing and contemporary literary culture. Drawing on the flourishing literary scene in Ireland as the basis for her research, Helena Wulff explores the social world of contemporary Irish writers, examining fiction, novels, short stories as well as journalism. Discussing writers such as John Banville, Roddy Doyle, Colm Tóibín, Frank McCourt, Anne Enright, Deirdre Madden, Éilís Ní Dhuibhne, Colum McCann, David Park, and Joseph O ́Connor, Wulff reveals how the making of a writer’s career is built on the ‘rhythms of writing’: long hours of writing in solitude alternate with public events such as book readings and media appearances. Destined to launch a new field of enquiry, Rhythms of Writing is essential reading for students and scholars in anthropology, literary studies, creative writing, cultural studies, and Irish studies.
From Swift's repulsive shit-flinging Yahoos to Beckett's dying but never quite dead moribunds, Irish literature has long been perceived as being synonymous with subversion and all forms of subversiveness. But what constitutes a subversive text or a subversive writer in twenty-first-century Ireland? The essays in this volume set out to redefine and rethink the subversive potential of modern Irish literature. Crossing three central genres, one common denominator running through these essays whether dealing with canonical writers like Yeats, Beckett and Flann O'Brien, or lesser known contemporary writers like Sebastian Barry or Robert McLiam Wilson, is the continual questioning of Irish identity - Irishness - going from its colonial paradigm and stereotype of the subaltern in MacGill, to its uneasy implications for gender representation in the contemporary novel and the contemporary drama. A subsidiary theme inextricably linked to the identity problematic is that of exile and its radical heritage for all Irish writing irrespective of its different genres. Sub-Versions offers a cross-cultural and trans-national response to the expanding interest in Irish and postcolonial studies by bringing together specialists from different national cultures and scholarly contexts - Ireland, Britain, France and Central Europe. The order of the essays is by genre. This study is aimed both at the general literary reader and anyone particularly interested in Irish Studies.
The Irish Male at Home and Abroad is the hilarious sequel to Joe O'Connor's bestseller The Secret World of the Irish Male. From flirting lessons in downtown Manhattan to being offered a good ride in Disneyland by the now legendary Wanda, it was a long, strange and hilarious trip. Now, in The Irish Male at Home and Abroad, O'Connor returns faster, funnier and filthier than ever before. Impersonating Santa Claus in a busy Dublin store on Christmas Eve, spending a penny in Lord Jeffrey Archer's penthouse loo, traipsing the local-radio publicity circuit in 100-degree Australian heat, on the run in revolutionary Nicaragua, contemplating the Shroud of Turin, or making a deposit in a grotty sperm bank - here are tall tales and short stories: absurd, anarchic and unforgettably side-splitting adventures from home and abroad. Laugh-out-loud funny, yet always affectionate and sometimes poignant, O'Connor roams through an Ireland of wife-swapping sodomites and late-night sodalities, when not getting lost in the restless new Europe of beach holidays, terrible beauties and Baywatch lookalikes. It's going to be another weird and uproarious trip. But like Wanda once said: Hitch a ride, sweetheart, and hang on real tight!
QFINANCE: The Ultimate Resource (5th edition) is the first-step reference for the finance professional or student of finance. Its coverage and author quality reflect a fine blend of practitioner and academic expertise, whilst providing the reader with a thorough education in the may facets of finance.
The bestselling, blockbusting, bumper book of humorous quotations rides back into town with 6,000 more hilariously funny quotes. From times past to the modern day, classic funnies to contemporary wit, The Funniest Thing You Never Said 2 delivers an unbeatable selection of fantastic and hilarious quotes on every subject under the sun. Featuring topics as diverse as celebrity to religion, and including a cast of quotees ranging from Oscar Wilde to Homer Simpson, there's something here for everyone with a sense of humour. 'I am willing to love all mankind, except an American.' - Samuel Johnson 'Glastonbury was very wet and muddy. There was trench foot, dysentery, peaches ... all the Geldof daughters.' - Sean Lock 'Politics would be a helluva good business if it weren't for the goddamned people.' - Richard Nixon 'I've had more women than most people have noses.' - Steve Martin 'I have the simplest tastes. I'm always satisfied with the best.' - Oscar Wilde 'Well, it's 1am. Better go home and spend some quality time with the kids.' - Homer Simpson 'All I know is I'm not a Marxist.' - Karl Marx 'I'm the pink sheep of the family.' - Alexander McQueen
People all over the world dance traditional and popular dances that have been staged for purposes of representing specific national and ethnic groups. Anthony Shay suggests these staged dance productions be called “ethno identity dances”, especially to replace the term “folk dance,” which Shay suggests should refer to the traditional dances found in village settings as an organic part of village and tribal life. Shay investigates the many motives that impel people to dance in these staged productions: dancing for sex or dancing sexy dances, dancing for fun and recreation, dancing for profit - such as dancing for tourists - dancing for the nation or to demonstrate ethnic pride. In this study Shay also examines belly dance, Zorba Dancing in Greek nightclubs and restaurants, Tango, Hula, Irish step dancing, and Ukrainian dancing.
A selection of the best from the author's hilarious take on the world of the Irish male. From love, rock 'n' roll and football, to trivial matters such as the search for international peace and the craving for philosophical enlightenment, it features snapshots that presents a hilarious portrait of contemporary Irish life, both at home and abroad.