The Secret Life of Poems is a primer which offers a poem - or on occasion an excerpt - succeeding with commentary in which rhythm, form, metre and sources are the order of the day, not ethical commentary or descriptive paraphrase. This brief engagement with forty-seven poems is intended for students and readers of poetry, and seeks to explain how poetry works by bringing into view the hidden order of specific poems.
'The Secret Life of Poems' is a primer which offers a poem - or an occasion or excerpt - with succeeding commentary in which rhythm, form, metre and sources are the order of the day, not ethical commentary or descriptive paraphrase.
The author of Opening Up draws on groundbreaking research in computational linguistics to explain what our language choices reveal about feelings, self-concept and social intelligence, in a lighthearted treatise that also explores the language personalities of famous individuals. 40,000 first printing.
The Secret Life of Horses is a collection of serious, humorous, profane, introspective and sometimes political poems about both the contemporary and old west as well as film and B western cowboys. It lovingly and sometimes wistfully recounts real and fictional tales about a way of American life that is vanishing. Today's cowboys (when you can find them), are the ranchers, farmers, rodeo performers and dreamers that now carry on a proud tradition that hopefully will never die. Glen Enloe spent his early years between small farms and the suburbs. Today he's a retired advertising writer that retains a deep respect and love of rural and western heritage. He's authored four books of cowboy poetry, two of free verse and a non-fiction book. He's also been published in American Cowboy, the Kansas City Star and many literary journals. Award nominations include the Academy of Western Artists and the Pushcart Prize.
In most college and university libraries, materials published before 1800 have been moved into special collections, while the post-1923 books remain in general circulation. But books published between these dates are vulnerable to deaccessioning, as libraries increasingly reconfigure access to public-domain texts via digital repositories such as Google Books. Even libraries with strong commitments to their print collections are clearing out the duplicates, assuming that circulating copies of any given nineteenth-century edition are essentially identical to one another. When you look closely, however, you see that they are not. Many nineteenth-century books were donated by alumni or their families decades ago, and many of them bear traces left behind by the people who first owned and used them. In Book Traces, Andrew M. Stauffer adopts what he calls "guided serendipity" as a tactic in pursuit of two goals: first, to read nineteenth-century poetry through the clues and objects earlier readers left in their books and, second, to defend the value of keeping the physical volumes on the shelves. Finding in such books of poetry the inscriptions, annotations, and insertions made by their original owners, and using them as exemplary case studies, Stauffer shows how the physical, historical book enables a modern reader to encounter poetry through the eyes of someone for whom it was personal.
A collection of poetry with a long poem which is a witty literary detective story as its centre. The other poems touch on a wide variety of topics and moods and use the resources of verse to give a sophisticated look at the modern world.
A whip-smart fiction debut, Our Secret Life in the Movies riffs on classic and cult cinema. Inspired by films from silent-era documentaries to music videos, the authors unfold a dual narrative about two boys growing up in the 1980s. Coming of age during the last days of the Cold War, these boys dream of space exploration and nuclear winter, Reaganomics and Dungeons & Dragons, Blade Runner and Red Dawn. Haunting, cinematic, and full of life, Our Secret Life makes it clear that we are in the movies and the movies are in us.
