The 8th Asia Pacific Triennial of Contemporary Art
The 8th Asia Pacific Triennial of Contemporary Art

Author: QAGOMA Staff

Publisher:

Published: 2015-12-01

Total Pages: 304

ISBN-13: 9781921503771

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Exhibition catalogue published for 'The 8th Asia-Pacific Triennial of Contemporary Art' held at the Queensland Art Gallery Gallery of Modern Art (QAGOMA), 21 November 2015 - 10 April 2016, in association with the Australian Centre of Asia Pacific Art.

Tradition and Change
Tradition and Change

Author: Caroline Turner

Publisher:

Published: 1993

Total Pages: 258

ISBN-13:

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Collection of essays focusing on the modern art of the Asia-Pacific region, written to celebrate the first Asia-Pacific Triennial, a project of the Queensland Art Gallery. Essays examine the many influences on contemporary art, and demonstrate the varied forms of art which have emerged in the region. Illustrated with works ranging from the traditional to the avante-garde. Includes a bibliography and an index. Contributors are experts in the art of particular countries. The editor is deputy director and manager of international programs at the Queensland Art Gallery.

Art in the Asia-Pacific
Art in the Asia-Pacific

Author: Larissa Hjorth

Publisher: Routledge

Published: 2014-02-18

Total Pages: 256

ISBN-13: 1317935713

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As social, locative, and mobile media render the intimate public and the public intimate, this volume interrogates how this phenomenon impacts art practice and politics. Contributors bring together the worlds of art and media culture to rethink their intersections in light of participatory social media. By focusing upon the Asia-Pacific region, they seek to examine how regionalism and locality affect global circuits of culture. The book also offers a set of theoretical frameworks and methodological paradigms for thinking about contemporary art practice more generally.

The 6th Asia Pacific Triennial of Contemporary Art
The 6th Asia Pacific Triennial of Contemporary Art

Author:

Publisher:

Published: 2009

Total Pages: 268

ISBN-13:

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Established in 1993, the Asia-Pacific Triennial of Contemporary Art is the only major series of exhibitions in the world to focus on the contemporary art of Asia and the Pacific. This publication accompanies the fifth exhibition in the series, being held f. rom the 2/12/06 to 27/05/07 at the Queensland Art Gallery.

Contemporary Asian Art and Exhibitions
Contemporary Asian Art and Exhibitions

Author: Caroline Turner

Publisher: ANU Press

Published: 2014-10-03

Total Pages: 278

ISBN-13: 1925022005

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“… a diverse and stimulating group of essays that together represents a significant contribution to thinking about the nascent field of contemporary Asian art studies … Contemporary Asian Art and Exhibitions: Connectivities and World-making … brings together essays by significant academics, curators and artist working in Australia, Asia and the United Kingdom that reflect on contemporary art in the Asia-Pacific region, and Australia’s cultural interconnections with Asia. It will be a welcome addition to the body of literature related to these emergent areas of art historical study. ” — Dr Claire Roberts, Senior Lecturer in Art History, University of Adelaide This volume draws together essays by leading art experts observing the dramatic developments in Asian art and exhibitions in the last two decades. The authors explore new regional and global connections and new ways of understanding contemporary Asian art in the twenty-first century. The essays coalesce around four key themes: world-making; intra-Asian regional connections; art’s affective capacity in cross-cultural engagement; and Australia’s cultural connections with Asia. In exploring these themes, the essays adopt a diversity of approaches and encompass art history, art theory, visual culture and museum studies, as well as curatorial and artistic practice. With introductory and concluding essays by editors Michelle Antoinette and Caroline Turner this volume features contributions from key writers on the region and on contemporary art: Patrick D Flores, John Clark, Chaitanya Sambrani, Pat Hoffie, Charles Merewether, Marsha Meskimmon, Francis Maravillas, Oscar Ho, Alison Carroll and Jacqueline Lo. Richly illustrated with artworks by leading contemporary Asian artists, Contemporary Asian Art and Exhibitions: Connectivities and World-making will be essential reading for those interested in recent developments in contemporary Asian art, including students and scholars of art history, Asian studies, museum studies, visual and cultural studies.

Biennials, Triennials, and Documenta
Biennials, Triennials, and Documenta

Author: Anthony Gardner

Publisher: John Wiley & Sons

Published: 2016-05-16

Total Pages: 306

ISBN-13: 1444336657

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This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or 'biennials', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990s Introduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Méditerranée in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014 Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art scene Uses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art

Living Art
Living Art

Author: Elly Kent

Publisher: ANU Press

Published: 2022-11-08

Total Pages: 400

ISBN-13: 1760464937

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Living Art: Indonesian Artists Engage Politics, Society and History is inspired by the conviction of so many of Indonesia’s Independence-era artists that there is continuing interaction between art and everyday life. In the 1970s, Sanento Yuliman, Indonesia’s foremost art historian of the late twentieth century, further developed that concept, stating: ‘New Indonesian Art cannot wholly be understood without locating it in the context of the larger framework of Indonesian society and culture’ and the ‘whole force of history’. The essays in this book accept Yuliman’s challenge to analyse the intellectual, sociopolitical and historical landscape that Indonesia’s artists inhabited from the 1930s into the first decades of the new millennium, including their responses to the COVID-19 pandemic. The inclusion of one of Yuliman’s most influential essays, translated into English for the first time, offers those outside Indonesia an insight into a formative period in the generation of new art knowledge in Indonesia. The volume also features essays by T. K. Sabapathy, Jim Supangkat, Alia Swastika, Wulan Dirgantoro and FX Harsono, as well as the three editors (Elly Kent, Virginia Hooker and Caroline Turner). The book’s contributors present recent research on issues rarely addressed in English-language texts on Indonesian art, including the inspirations and achievements of women artists despite social and political barriers; Islam- inspired art; artistic ideologies; the intergenerational effects of trauma; and the impacts of geopolitical change and global art worlds that emerged in the 1990s. The Epilogue introduces speculations from contemporary practitioners on what the future might hold for artists in Indonesia. Extensively illustrated, Living Art contributes to the acknowledgement and analysis of the diversity of Indonesia’s contemporary art and offers new insights into Indonesian art history, as well as the contemporary art histories of Southeast Asia and Asia more generally.