The Religious Sentiments of Charles Dickens - Collected from His Writings is an unchanged, high-quality reprint of the original edition of 1884. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
This study focuses on Dickens's response to questions of identity, conduct, and social organization that emerged in an era of major cultural unsettlement and change, not least with the decline of religious certainty and the rise of materialism. An analysis of A Christmas Carol as a paradigm of his concerns and strategies in these fields is followed by close readings of novels from different stages of his career, Oliver Twist, David Copperfield, Great Expectations and Our Mutual Friend. These, and other works by Dickens, are seen to reflect ideologies currently at work in his society but also, more importantly, to participate in the construction of needful value systems and codes for regulating behaviour. Liberal humanism and middle-class hegemony feature largely in this process of culture formation, where Dickens played a crucial role in formulating and promulgating such salient guiding principles as those of sympathy, marriage and the family, economic responsibility, and hierarchy within and between groups. His treatment of the self is on one level driven by this project in shaping and stabilizing attitudes among a confederacy of readers, in that it offers positive models of development, of how to function and fit in; yet on another, especially in his sustained imaginative preoccupation with the figure of the outsider or misfit, this is one pre-eminent area where his writing transcends purposes of enculturation and paradoxically challenges its own ideological positions. His female characters in particular, as well as more obviously his anti-heroes, criminals, and other dissidents, are shown to question and subvert the moulds in which they are formally cast. The novels are confirmed not only as great creative achievements, an aspect this book consistently salutes, nor simply as a primary site of the evolving Victorian dispensation and revolution of ideas, but as a territory that predicts, engages, and illuminates our own complex modernity. Reference is made throug
This study focuses on Dickens's response to questions of identity, conduct, and social organization that emerged in an era of major cultural unsettlement and change, not least with the decline of religious certainty and the rise of materialism. An analysis of A Christmas Carol as a paradigm of his concerns and strategies in these fields is followed by close readings of novels from different stages of his career, Oliver Twist, David Copperfield, Great Expectations and Our Mutual Friend. These, and other works by Dickens, are seen to reflect ideologies currently at work in his society but also, more importantly, to participate in the construction of needful value systems and codes for regulating behaviour. Liberal humanism and middle-class hegemony feature largely in this process of culture formation, where Dickens played a crucial role in formulating and promulgating such salient guiding principles as those of sympathy, marriage and the family, economic responsibility, and hierarchy within and between groups. His treatment of the self is on one level driven by this project in shaping and stabilizing attitudes among a confederacy of readers, in that it offers positive models of development, of how to function and fit in; yet on another, especially in his sustained imaginative preoccupation with the figure of the outsider or misfit, this is one pre-eminent area where his writing transcends purposes of enculturation and paradoxically challenges its own ideological positions. His female characters in particular, as well as more obviously his anti-heroes, criminals, and other dissidents, are shown to question and subvert the moulds in which they are formally cast. The novels are confirmed not only as great creative achievements, an aspect this book consistently salutes, nor simply as a primary site of the evolving Victorian dispensation and revolution of ideas, but as a territory that predicts, engages, and illuminates our own complex modernity. Reference is made throughout the volume to other contemporary writings, including sociological, philosophic, and medical discourse, to recent cognate theory, and to traditions, like that of Puritan spiritual autobiography, which Dickens adapted to new ends.
A unique, beautiful devotional that offers words and themes from one of the best-loved authors of all time. Charles Dickens was born 200 years ago, yet he crafted stories that translate well to a modern Christian’s daily life. A Charles Dickens Devotional combines 104 short excerpts from his classic novels with Scripture and new devotional thoughts to create meaningful readings for both longtime Dickens fans and Christian readers who are meeting Oliver Twist for the first time. This title joins A Jane Austen Devotional as part of the new Devotional Classics series and includes excerpts from Dickens' Great Expectations, David Copperfield, A Tale of Two Cities, Oliver Twist, and A Christmas Carol.
Charles Dickens had a close relationship with the doctrines of Christianity. This text is an introduction to the scriptural significance of his works, it takes excerpts from a range of his writings and directly links them to passages from the Bible.
An unusual children's classic from the author of A Christmas Carol gives a retelling of the Christ story in an accessible and amusing manner Never published in its author's lifetime and intended solely for his own children—to whom he read it every Christmas—Life of Our Lord is a straightforward and gently humorous take on Jesus Christ's life and teachings. Far removed from the sharp satire and social dimension of his more famous writings, but showcasing his characteristic humanity and genius for storytelling, this is both an essential work for those wanting to see a different, more intimate side to Dickens's prose and a timeless retelling for children and adults alike.
This book is a study of Dickens's treatment of the relations between self and society principally in Oliver Twist, A Christmas Carol, David Copperfield, Great Expectations, and Our Mutual Friend, with particular reference to processes of culture formation and the ways in which Dickens's writings both serve and transcend them. Liberal humanism and middle-class hegemony feature centrally in the developing system of values and regulation, where Dickens played a crucial role in formulating and promulgating such salient guiding principles as those of sympathy, marriage and the family, economic responsibility, and hierarchy within and between groups. The novels are consistently confirmed as great creative achievements but also as primary sites of the evolving Victorian dispensation and revolution of ideas, as well as being illuminators of our own complex modernity. Reference is made throughout to other contemporary writers, including sociological, philosophic, and medical discourse, to relevant recent theory, and to traditions, like that of Puritan spiritual autobiography, which Dickens adapted to new ends.
