Savage Century

Savage Century

Author: Therese Delpech

Publisher: Carnegie Endowment

Published: 2013-06-18

Total Pages: 232

ISBN-13: 0870032763

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At the dawn of the twentieth century, observers heralded a new era of social progress, seemingly limitless technological advances, and world peace. But within only a few years, the world was perched on the brink of war, revolution, and human misery on an unprecedented scale. Is it possible that today, in the early twenty-first century, we are on the verge of similar, tumultuous times? Blending a detailed knowledge of international security affairs with history, philosophy, psychology, and literature, Thérèse Delpech vividly reminds us of the signs and warnings that were missed as the "civilized" world failed to prevent both world wars, the Holocaust, Soviet death camps, and Cambodian killing fields that made the twentieth century so deadly. Drawing a parallel between 1905 and 2005, Delpech warns that it could happen again in this current era of increasing international violence and global lawlessness. She looks ahead to imagine various scenarios and regions that could become flashpoints in the future. Winner of the 2005 Prix Femina de l'essai. Praise for the original French edition, L'Ensauvagement "One doesn't know what to admire most in this book: the precision of information, the scope of reference, the originality of the approach?" —Le Nouvel Observateur "From Iranian nuclear ambitions to the Taiwan question, Delpech reviews all the situations which might lead mankind to succumb to the perennial temptation of savagery—a passionate and lucid book." —L'argus de la presse "L'ensauvagement transcends its surface content, articulating great hope that our reason and will might take hold and overcome unreason." —Politique étrangère "Combining introspection and prediction, geopolitics and philosophy, Thérèse Delpech has issued a warning cry." —Politique Internationale


The Savage and Modern Self

The Savage and Modern Self

Author: Robbie Richardson

Publisher: University of Toronto Press

Published: 2018-01-01

Total Pages: 258

ISBN-13: 148750344X

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The Savage and Modern Self examines the representations of North American "Indians" in novels, poetry, plays, and material culture from eighteenth-century Britain. Author Robbie Richardson argues that depictions of "Indians" in British literature were used to critique and articulate evolving ideas about consumerism, colonialism, "Britishness," and, ultimately, the "modern self" over the course of the century. Considering the ways in which British writers represented contact between Britons and "Indians," both at home and abroad, the author shows how these sites of contact moved from a self-affirmation of British authority earlier in the century, to a mutual corruption, to a desire to appropriate perceived traits of "Indianess." Looking at texts exclusively produced in Britain, The Savage and Modern Self reveals that "the modern" finds definition through imagined scenes of cultural contact. By the end of the century, Richardson concludes, the hybrid Indian-Brition emerging in literature and visual culture exemplifies a form of modern, British masculinity.


Savage Kin

Savage Kin

Author: Margaret M. Bruchac

Publisher: University of Arizona Press

Published: 2018-04-10

Total Pages: 281

ISBN-13: 0816537062

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"Illuminating the complex relationships between tribal informants and twentieth-century anthropologists such as Boas, Parker, and Fenton, who came to their communities to collect stories and artifacts"--Provided by publisher.


Savage Pastimes

Savage Pastimes

Author: Harold Schechter

Publisher: Macmillan

Published: 2005-03

Total Pages: 214

ISBN-13: 9780312282769

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In this cogent and well-researched book, Harold Schechter argues that, unlike the popular conception of the media inciting violence through displaying it, without these outlets of violence in the media a basic human need would not be met and would have to be acted out in much more destructive ways. Schechter demonstrates how violent images saturated the earliest newspaper, how art and disturbing images are not incompatible and how the demoaisation of comic books in the 1950s det up a pattern of equating testosterone fuelled entertainment with aggression.


Engraving the Savage

Engraving the Savage

Author: Michael Gaudio

Publisher: U of Minnesota Press

Published: 2008

Total Pages: 235

ISBN-13: 0816648468

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In 1585, the British painter and explorer John White created images of Carolina Algonquian Indians. These images were collected and engraved in 1590 by the Flemish publisher and printmaker Theodor de Bry and were reproduced widely, establishing the visual prototype of North American Indians for European and Euro-American readers. In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. Engraving the Savage demonstrates that the early visual critics of the engravings attempted-without complete success-to open a comfortable space between their own “civil” image-making practices and the “savage” practices of Native Americans-such as tattooing, bodily ornamentation, picture-writing, and idol worship. The real significance of these ethnographic engravings, he contends, lies in the traces they leave of a struggle to create meaning from the image of the American Indian. The visual culture of engraving and what it shows, Gaudio reasons, is critical to grasping how America was first understood in the European imagination. His interpretations of de Bry’s engravings describe a deeply ambivalent pictorial space in between civil and savage-a space in which these two organizing concepts of Western culture are revealed in their making. Michael Gaudio is assistant professor of art history at the University of Minnesota.


Savage Art

Savage Art

Author: Tim Underwood

Publisher:

Published: 2010

Total Pages: 0

ISBN-13: 9781599290560

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This is the first time most of these cover paintings have been collected and reproduced in their original form. Uncensored genre art that splashed the covers of American news stand pulp magazines in the 1930s and 40s frequently expressed male violence. "Savage Art" showcases this popular period illustration - that prefigured and helped create the violent visual language in much of today's aboveground cinema ("Pulp Fiction", "Kill Bill"), comic books ("The Dark Knight Returns", "Sin City") and ultra-violent multi-million copy video games ("Grand Theft Auto", and "Metal Gear Solid"). Featuring the original disturbing paintings by Walter Baumhofer, Rafael de Soto, Jerome Rozen and other pulp illustrators, many shown here for the first time, this lavishly-produced full colour collection documents Depression era masculine aggression as depicted on the covers of popular literature.


The Savage Within

The Savage Within

Author: Henrika Kuklick

Publisher: Cambridge University Press

Published: 1991

Total Pages: 344

ISBN-13: 9780521411097

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"This study examines law enforcement within the context of Sung society. Professor McKnight shows that the group of criminals who were the core of the habitual criminal group in Sung China were young unattached males with few lifeskills. What became of the criminal after capture and conviction is also an important aspect of this study, which addresses basic questions in Chinese punishment. This work is the first comprehensive study of law enforcement in traditional China. The depth and rigor to which the subject is treated would make it most appropriate for scholars in legal history and East Asian studies."--Publisher's description.


Savage Ecology

Savage Ecology

Author: Jairus Victor Grove

Publisher: Duke University Press

Published: 2019-08-16

Total Pages: 207

ISBN-13: 1478005254

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Jairus Victor Grove contends that we live in a world made by war. In Savage Ecology he offers an ecological theory of geopolitics that argues that contemporary global crises are better understood when considered within the larger history of international politics. Infusing international relations with the theoretical interventions of fields ranging from new materialism to political theory, Grove shows how political violence is the principal force behind climate change, mass extinction, slavery, genocide, extractive capitalism, and other catastrophes. Grove analyzes a variety of subjects—from improvised explosive devices and drones to artificial intelligence and brain science—to outline how geopolitics is the violent pursuit of a way of living that comes at the expense of others. Pointing out that much of the damage being done to the earth and its inhabitants stems from colonialism, Grove suggests that the Anthropocene may be better described by the term Eurocene. The key to changing the planet's trajectory, Grove proposes, begins by acknowledging both the earth-shaping force of geopolitical violence and the demands apocalypses make for fashioning new ways of living.


The Representation of the Savage in James Fenimore Cooper and Herman Melville

The Representation of the Savage in James Fenimore Cooper and Herman Melville

Author: Anna Krauthammer

Publisher: Peter Lang

Published: 2008

Total Pages: 134

ISBN-13: 9780820468105

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Since the seventeenth century, ethnicity has been the central issue in the American search for a national identity. The articulation of this issue can clearly be seen in the representation of non-white others in the literature of the nineteenth century, specifically in the works of James Fenimore Cooper and Herman Melville. This book examines how both Cooper and Melville manipulated literary images of Native Americans, African Americans, and other non-Europeans, thus revealing how America created the image of the savage - by which it was alternately attracted and repulsed - as a way of defining its own identity.