Aubrey, a very determined romantic, believes she's met her soul-mate in Calvin, a boozing womanizer. But in this tilted, thoughtful comedy, true love is an even more tangled predicament. Peopled by an assortment of eccentrics, mystics, and front porch philosophers, Marlane Meyer's play is a sweet polemic, an unexpected love story, and a deliciously cockeyed view of the sustaining—and destructive—power of belief.
Founding father of the famous monastery on the island of Iona, a site of pilgrimage ever since his death in 597, St Columba was born into one of the ruling families in Ireland at a time of immense expansion for the Irish Church. This account of his life, written by Adomnán - the ninth abbot of Iona, and a distant relative of St Columba - describes his travels from Ireland to Scotland and his mission in the cause of Celtic Christianity there. Written 100 years after St Columba's death, it draws on written and oral traditions to depict a wise abbot among his monks, who like Christ was capable of turning water into wine, controlling sea-storms and raising the dead. An engaging account of one of the central figures in the 'Age of Saints', this is a major work of early Irish and Scottish history.
The sea monsters on medieval and Renaissance maps, whether swimming vigorously, gamboling amid the waves, attacking ships, or simply displaying themselves for our appreciation, are one of the most visually engaging elements on these maps, and yet they have never been carefully studied. The subject is important not only in the history of cartography, art, and zoological illustration, but also in the history of the geography of the "marvelous" and of western conceptions of the ocean. Moreover, the sea monsters depicted on maps can supply important insights into the sources, influences, and methods of the cartographers who drew or painted them. In this highly-illustrated book the author analyzes the most important examples of sea monsters on medieval and Renaissance maps produced in Europe, beginning with the earliest mappaemundi on which they appear in the 10th century and continuing to the end of the 16th century.
Beaches are places that give and take, bringing unexpected surprises to society, and pulling essentials away from it. Through monsters, we confront our tiny time between catastrophes and develop a recognition of Otherness by which an ethical understanding of difference becomes possible. Learning to read the monster's environmental signs often helps humans determine the scope of the monster's place in the eco/cosmic timeline and defeat it-until the epic cycle inevitably repeats; monsters live and live and live. Even so; when humans identify and confront monsters we do so at the risk of exposing our own monstrosity. When a massive creature is pushed into human proximity by the ocean's wide shoulders, the waves deposit and erode human assumptions about itself and its environment; words, sounds, breath, water, wind, flesh, blood, and bones wash in and out. Chance encounters reveal us to ourselves anew. When we look into the inky backs of whales, or deep into vortices, what do we see?In October 2014, the BABEL Working Group headed to the beach. The 3rd Biennial Meeting of the BABEL Working Group was held at The University of California, Santa Barbara, where the Pacific Ocean laid her face against the sand and experienced the conference panels exploring, examining, and exalting the margins of sea and shore, of earth and water. This volume of essays represents MEARCSTAPA's panel, entitled, "The Nature of the Beast/Beasts of Nature: Monstrous Environments." These essays explore what the environment reveals via monster theory, what monsters-here, whales and whirlpools-make visible or accessible to humanity and what they draw away from it.
Sea monsters were some tough mythical creatures that were thought to cause deadly whirlpools and other deadly underwater dangers. In this book, readers explore the legends of some of the most feared sea monsters—from the Scandinavian kraken to the Loch Ness monster. Even reluctant readers will be drawn into the tale of Hercules and the Sea Monster, which is featured in exciting graphic-novel style. Stories of the most fearsome creatures to ever lurk under the sea await readers in this fascinating volume.
'The Atlantic as Mythical Space' is a study of medieval culture and its concomitant myths, legends and fantastic narratives as it developed along the European Atlantic seaboard. It is an inclusive study that touches upon early medieval Ireland, the pre-Hispanic Canary Islands, the Iberian Peninsula, courtly-love France and the pagan and early-Christian British Isles. The obvious and consequential ligature that runs throughout the different sections of this text is the Atlantic Ocean, a bewildering expanse of mythical substance that for centuries fueled the imagination of ocean-side peoples. It analyzes how and why myths with the Atlantic as preferential stage are especially relevant in pagan and early-Christian western Europe. It further examines how prescientific societies fashioned an alternate cosmos in the Atlantic where events, beings and places existed in harmony with communal mental structures. It explores why in that contrived geography these societies’ angels and monsters were able to materialize with wonderful profusion; it further analyzes how the ocean became a place where human beings ventured forth searching for explanations for what is essentially unknowable: the origins of the universe and the reason for our existence in it.
The inspiring stories of 365 holy men and women-from the best known to some of the most obscure-come to life in an engaging collection of biographical profiles, quotations from the saints themselves, meditations, and prayers. Voices of the Saints opens with an instruction from Saint Philip Neri: "The best preparation for prayer is to read the lives of the saints, not from mere curiosity, but quietly and with recollection a little at a time. And to pause whenever you feel your heart touched with devotion." With these words of faith and wisdom as his guiding principle, Bert Ghezzi presents the lives of such familiar and beloved saints as Saint Peter and Saint Catherine of Siena; Saint Jerome and Saint Thérèse of Lisieux; of humble, little-known figures like Felix of Nola, Pelagia the Penitent, and Leonard of Port Maurice; and of sainted men and women associated with a particular place, including Margaret of Scotland, Rose of Lima, Elizabeth Ann Seton, and Junípero Serra. In lively profiles written for contemporary readers, Ghezzi chronicles their journeys of faith and their contributions to the vitality of the Church. The voices of the saints resound throughout the book, in quotations drawn from their own writings, the works of biographers, and the recollections of witnesses. Readers can use Voices of the Saints in several different ways. Organized alphabetically, it serves as a helpful, easy-to-use dictionary. It also features a day-by-day numbering system, ideal for daily readings; notations at the end of each entry, enabling the exploration of the lives in historical order; an index that highlights particular themes (including the intriguing "Porcupine Saints"), and a calendar of saints' days. A fascinating look at disparate and unusual lives-each one a rich source of illumination, inspiration, encouragement, and motivation-along with prayers and meditations, Voices of the Saints is a valuable companion for members of Catholic, Episcopal, and other traditional churches, and an enlightening introduction to the saints for general readers.
