A young American woman's journey to track down her missing lover becomes an enthralling adventure of mystery, passion, danger and self-discovery set against the spellbinding backdrop of 1930s Marrakech. Sidonie O'Shea enjoys the quiet life she shares with fiancé Etienne Duverger in upstate New York. But when Etienne suddenly disappears without word, she finds a letter amongst his belongings that turns her world upside down. Refusing to believe that Etienne would abandon her, Sidonie travels to Morocco in search of him, determined to know the truth. But nothing can prepare her for what she is about to discover, both about the man she thought she loved and an unknown world of dangerous secrets in a country steeped in mystery...
Ibn Shalaby, like many Egyptians, is looking for a job. Yet, unlike most of his fellow citizens, he is prone to sudden dislocations in time. Armed with his trusty briefcase and his Islamic-calendar wristwatch, he bounces uncontrollably through Egypt's rich and varied past, with occasional return visits to the 1990s. Through his wild and whimsical adventures, he meets, befriends, and falls out with sultans, poets, and an assortment of celebrities--from Naguib Mahfouz to the founder of the city of Cairo. Khairy Shalaby's nimble storytelling brings this witty odyssey to life.
A young American woman's journey to track down her missing lover becomes an enthralling adventure of mystery, passion, danger and self-discovery set against the spellbinding backdrop of 1930s Marrakech. Sidonie O'Shea enjoys the quiet life she shares with fiancé Etienne Duverger in upstate New York. But when Etienne suddenly disappears without word, she finds a letter amongst his belongings that turns her world upside down. Refusing to believe that Etienne would abandon her, Sidonie travels to Morocco in search of him, determined to know the truth. But nothing can prepare her for what she is about to discover, both about the man she thought she loved and an unknown world of dangerous secrets in a country steeped in mystery...
A broken family, a house of secrets—an entrancing tale of love and courage set during the Second World War. After Rebecca’s mother dies, she must sort through her empty flat and come to terms with her loss. As she goes through her mother’s mail, she finds a handwritten envelope. In it is a letter that will change her life forever. Olivia, her mother’s elderly cousin, needs help to save her beloved home. Rebecca immediately goes to visit Olivia in Cornwall only to find a house full of secrets—treasures in the attic and a mysterious tunnel leading from the cellar to the sea, and Olivia, nowhere to be found. As it turns out, the old woman is stuck in hospital with no hope of being discharged until her house is made habitable again. Rebecca sets to work restoring the home to its former glory, but as she peels back the layers of paint and grime, she uncovers even more buried secrets—secrets from a time when the Second World War was raging, when Olivia was a young woman, and when both romance and danger lurked around every corner... A sweeping and utterly spellbinding tale of a young woman’s courage in the face of war and the lengths to which she’ll go to protect those she loves against the most unexpected of enemies.
This novel is mentioned in: Lorenz Hart : a poet on Broadway, by Frederick Nolan, p. 118. Nolan describes the novel's plot this way: "Li-Pi Tchou ... and his wife Chee-Chee flee Peking, because the young man, about to succeed his father, doesn't care to meet the usual conditions of employment." Hart wanted to make a musical of it. -- dm.
Stylish, bold, fiery, and full of zest, this book could well have been called Embodying Entrepreneurship . . . for perhaps the first time, we have a cultured, scholarly, in-the-flesh treatment of entrepreneurial life. Ranging from striptease to de Sade, the aboriginal to Christo, and the grotesque to the sublime, The Politics and Aesthetics of Entrepreneurship is a tantalizing and critically refreshing work throughout. This one could easily become the bad boy book of entrepreneurial studies, given how strongly it challenges (slaps?) existing entrepreneurship studies. Daved Barry, Universidade Nova de Lisboa, Portugal Daniel Hjorth and Chris Steyaert make a unique contribution to management education. Their ability to illustrate complex ideas through theatre and visual media is outstanding and much appreciated by a wide audience. This book is no exception. Their insights into the nature of entrepreneurship are fresh and original. Their style of presentation is both rich and rewarding. This is a book to surprise you and it will. Heather Höpfl, University of Essex, UK . . . the four books comprising the series would certainly be a valuable addition to any entrepreneurship library. However, each book also stands alone as an individual purchase. Lorraine Warren, International Journal of Entrepreneurial Behaviour and Research This fourth book in the New Movements in Entrepreneurship series focuses on the politics and aesthetics of entrepreneurial processes, in order to shed light on entrepreneurial creation itself. Presenting original empirical material, the eminent contributors examine control and entrepreneurship in various organizational contexts. They go on to demonstrate how control can be exercised entrepreneurially, how art brings an entrepreneurial force into society, and how entrepreneurship operates by aesthetic moves. The need to move beyond the traditional focus on the economic and business implications of entrepreneurship is also discussed, as is the relevance of political and aesthetic theory to our understanding of entrepreneurship as a creative force. The book provides entrepreneurship studies with a new language, that in itself is an aesthetic effort with political implications, resulting in new theoretical, empirical and practical possibilities. It will prove a fascinating read for students, academics and researchers with an interest in entrepreneurship and management and creativity and aesthetics.
This title was first published in 2003. This multi-disciplinary reading focuses on the latent meaningful and contextual strategies that are often implied and included in bordering processes. It demonstrates that the border as a concept is not so much an object, but rather an ongoing process. The book also consciously and provocatively balances the modernist trap of universalism, exclusive ordering and state-centrism and the postmodernist trap of moral nihilism. Leading specialists in their fields provide illustrative case studies from Europe and Asia, making a major contribution to border studies.
