"The Rose of Old St. Louis" by Mary Dillon is a historical, fictional novel telling the story of the founding of St. Louis, Missouri. The historical events and accurate geographic data are masterfully intervened into the story of a boy who first comes to St. Louis and gets into exciting adventures there.
The Rose of Old St. Louis (published in 1904, written by Mary Dillon) is a historical, fictional novel, based on the founding of St. Louis, Missouri. It chronicles a boy who is first coming to St. Louis and his adventures there. In her forward, Dillon explicitly states that she does not want this book to be taken as direct history, however it does remain "absolutely faithful" to what happened. In addition, she put in a great deal of work to ensure that even the geography and customs were accurate to the time. For this reason and when looking at the age and details of the book, many people comment on details and the amount of research necessary for this and are amazed at how accurate many of the descriptions are.
"Meet Me in St. Louis" was written by Sally Benson in 1941. It tells the story of the Smith family in 1903, who were looking forward to the 1904 World's Fair in St. Louis. It was originally published in New Yorker magazine as "The Kensington Stories" and later adapted to become the major motion picture, "Meet Me in St. Louis," starring Judy Garland in 1944.
Picturing Kingship presents the first comprehensive art-historical study of the personal prayerbook of King Louis IX. The book approaches the St. Louis Psalter through a rich range of perspectives and methodologies and positions it within the contexts of its production and use. Not only is the manuscript's production and structure given detailed study, but the king's ways of handling his prayerbook--his habits of reading, looking, and praying--are also set forth in a compelling narrative of his view of his sacred responsibilities as king. In the first half of the book, Stahl investigates the Psalter's physical construction and development within the context of manuscript production in thirteenth-century Paris. The second half looks at the Psalter's thematic and iconographic workings and the role of the king's adviser--Vincent of Beauvais--in the Psalter's shaping. Most important, though, the author delves into the meanings the Psalter might have held for the king, who was a crusader and so devout a Christian that he was canonized by Boniface VIII. Stahl makes it clear that the Psalter, already recognized as one of the true masterworks of thirteenth-century French culture, should also be recognized as a significant force in Louis IX's life and reign.
In 1327, finding his sensitive mission at an Italian abbey further complicated by seven bizarre deaths, Brother William of Baskerville turns detective.
A boy, a dog, and New Orleans' most famous storm—Hurricane Katrina. Saint is a boy with confidence as big as his name is long. A budding musician, he earns money playing clarinet for the New Orleans tourists, and his best friend is a stray dog named Shadow. At first Saint is sure that Hurricane Katrina will be just like the last one--no big deal. But then the city is ordered to evacuate and Saint refuses to leave without Shadow. Saint and Shadow flee to his neighbor's attic--and soon enough it's up to Saint to save them all. "Woods takes us right into New Orleans, right into the eye of the storm and the heart of New Orleans' people." — Jacqueline Woodson, National Book Award-winnng author of Brown Girl Dreaming "Provides a vivid description of what life was like in pre-Katrina New Orleans, and how quickly peoples' lives were shattered. The characters are well-developed, and readers truly will care about their fates." — Library Media Connection, starred review "A small gem that sparkles with hope, resilience and the Crescent City's unique, jazz-infused spirit." — Kirkus Reviews, starred review
BIOGRAPHERS have already told us much about St. Louis De Montfort and the Rosary; now, with this first English edition of THE SECRET OF THE ROSARY, we can listen to Montfort speaking for himself. Drawing upon his own experience as well as upon the experience of others, he endeavors to bring home to the reader, “in a simple and straightforward manner,” as he himself tells us, the authentic message of the Rosary; namely, that it is a veritable school of Christian life. He sees it as including essentially the meditation of the mysteries of the life, death and glory of Jesus and Mary, with a view not only to honoring but especially imitating their virtues as held up to our consideration in each mystery. Aeterna Press