The Romantic Fragment Poem

The Romantic Fragment Poem

Author: Marjorie Levinson

Publisher: UNC Press Books

Published: 2017-11-01

Total Pages: 279

ISBN-13: 1469610175

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The fragment poem, long regarded as a peculiarly Romantic phenomenon, has never been examined outside the context of thematic and biographical criticism. By submitting the unfinished poems of the English Romantics to both a genetic investigation and a reception study, Marjorie Levinson defines the fragment's formal character at various moments in its historical career. She suggests that the formal determinancy of these works, hence their expressive or semantic affinities, is a function of historical conditions and projections. The English Romantic fragment poems share not so much a particular mode of production as a myth of production. Levinson pries apart these two dimensions and analyzes each independently to consider their relationship. By reconstructing the contemporary reception of such works as Wordsworth's "Nutting," Coleridge's "Christabel" and "Kubla Khan," Shelley's "Julian and Maddalo," and Keats's Hyperion fragments, and juxtaposing this model against dominant twentieth-century critical paradigms, Levinson discriminates layers, phases, and kinds of intentionality in the poems and considers the ideological implications of this diversity. This study is the first to investigate the English Romantic fragment poem by identifying the assumptions -- contemporary and belated -- that govern interpretative procedures. In a substantial summary chapter, Levinson reflects upon the meaning and effects of these assumptions with respect to the facts and fictions of literary production in the period and to the processes of canon formation. Originally published in 1986. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.


A Companion to Romanticism

A Companion to Romanticism

Author: Duncan Wu

Publisher: Wiley-Blackwell

Published: 1999-10-29

Total Pages: 566

ISBN-13: 9780631218777

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The Companion to Romanticism is a major introductory survey from an international galaxy of scholars writing new pieces, specifically for a student readership, under the editorship of Duncan Wu.


Romantic Poetry and the Fragmentary Imperative

Romantic Poetry and the Fragmentary Imperative

Author: Christopher A. Strathman

Publisher: State University of New York Press

Published: 2012-02-01

Total Pages: 218

ISBN-13: 079148324X

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Romantic Poetry and the Fragmentary Imperative locates Byron (and, to a lesser extent, Joyce) within a genealogy of romantic poetry understood not so much as imaginative self-expression or ideological case study but rather as what the German romantics call "romantische poesie"—an experimental form of poetry loosely based on the fragmentary flexibility and acute critical self-consciousness of Socratic dialogue. The book is therefore less an attempt to present yet another theory of romanticism than it is an effort to recover a more precise sense of the relationship between Byron's fragmentary or "workless" poetic and romantic poetry generally, and to articulate connections between romantic poetry and modern literature and literary theory. The book also argues that the "exigency" or "imperative" of the fragmentary works of Schlegel, Byron, Joyce, and Blanchot is not so much the expression of a style as it is an acknowledgment of what remains unthought in thinking.


Kubla Khan

Kubla Khan

Author: Samuel Coleridge

Publisher: HarperCollins

Published: 2015-12-15

Total Pages: 12

ISBN-13: 1443442216

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Though left uncompleted, “Kubla Khan” is one of the most famous examples of Romantic era poetry. In it, Samuel Coleridge provides a stunning and detailed example of the power of the poet’s imagination through his whimsical description of Xanadu, the capital city of Kublai Khan’s empire. Samuel Coleridge penned “Kubla Khan” after waking up from an opium-induced dream in which he experienced and imagined the realities of the great Mongol ruler’s capital city. Coleridge began writing what he remembered of his dream immediately upon waking from it, and intended to write two to three hundred lines. However, Coleridge was interrupted soon after and, his memory of the dream dimming, was ultimately unable to complete the poem. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.


A Poet's Glossary

A Poet's Glossary

Author: Edward Hirsch

Publisher: HarperCollins

Published: 2014-04-08

Total Pages: 683

ISBN-13: 0547737467

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A major addition to the literature of poetry, Edward Hirsch’s sparkling new work is a compilation of forms, devices, groups, movements, isms, aesthetics, rhetorical terms, and folklore—a book that all readers, writers, teachers, and students of poetry will return to over and over. Hirsch has delved deeply into the poetic traditions of the world, returning with an inclusive, international compendium. Moving gracefully from the bards of ancient Greece to the revolutionaries of Latin America, from small formal elements to large mysteries, he provides thoughtful definitions for the most important poetic vocabulary, imbuing his work with a lifetime of scholarship and the warmth of a man devoted to his art. Knowing how a poem works is essential to unlocking its meaning. Hirsch’s entries will deepen readers’ relationships with their favorite poems and open greater levels of understanding in each new poem they encounter. Shot through with the enthusiasm, authority, and sheer delight that made How to Read a Poem so beloved, A Poet’s Glossary is a new classic.


The Romantic Legacy of Paradise Lost

The Romantic Legacy of Paradise Lost

Author: Jonathon Shears

Publisher: Routledge

Published: 2016-12-05

Total Pages: 354

ISBN-13: 1351882430

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The Romantic Legacy of Paradise Lost offers a new critical insight into the relationship between Milton and the Romantic poets. Beginning with a discussion of the role that seventeenth and eighteenth-century writers like Dryden, Johnson and Burke played in formulating the political and spiritual mythology that grew up around Milton, Shears devotes a chapter to each of the major Romantic poets, contextualizing their 'misreadings' of Milton within a range of historical, aesthetic, and theoretical contexts and discourses. By tackling the vexed issue of whether Paradise Lost by its nature makes available and encourages alternate readings or whether misreadings are imposed on the poem from without, Shears argues that the Romantic inclination towards fragmentation and a polysemous aesthetic leads to disrupted readings of Paradise Lost that obscure the theme, or warp the 'grain', of the poem. Shears concludes by examining the ways in which the legacy of Romantic misreading continues to shape critical responses to Milton's epic.


The Encyclopedia of Romantic Literature, 3 Volume Set

The Encyclopedia of Romantic Literature, 3 Volume Set

Author: Frederick Burwick

Publisher: John Wiley & Sons

Published: 2012-01-30

Total Pages: 1767

ISBN-13: 1405188103

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The Encyclopedia of Romantic Literature is an authoritative three-volume reference work that covers British artistic, literary, and intellectual movements between 1780 and 1830, within the context of European, transatlantic and colonial historical and cultural interaction. Comprises over 275 entries ranging from 1,000 to 6,500 words arranged in A-Z format across three fully cross-referenced volumes Written by an international cast of leading and emerging scholars Entries explore genre development in prose, poetry, and drama of the Romantic period, key authors and their works, and key themes Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities


The Romantic Poets

The Romantic Poets

Author: Uttara Natarajan

Publisher: John Wiley & Sons

Published: 2008-04-15

Total Pages: 360

ISBN-13: 0470766352

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This welcome addition to the Blackwell Guides to Criticism series provides students with an invaluable survey of the critical reception of the Romantic poets. Guides readers through the wealth of critical material available on the Romantic poets and directs them to the most influential readings Presents key critical texts on each of the major Romantic poets – Blake, Wordsworth, Coleridge, Byron, Shelley and Keats – as well as on poets of more marginal canonical standing Cross-referencing between the different sections highlights continuities and counterpoints


Sonata Fragments

Sonata Fragments

Author: Andrew Davis

Publisher: Indiana University Press

Published: 2017-08-21

Total Pages: 223

ISBN-13: 0253025451

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“An effort to expand sonata theory more solidly into the nineteenth-century repertoire.” —Notes In Sonata Fragments, Andrew Davis argues that the Romantic sonata is firmly rooted, both formally and expressively, in its Classical forebears, using Classical conventions in order to convey a broad constellation of Romantic aesthetic values. This claim runs contrary to conventional theories of the Romantic sonata that place this nineteenth-century musical form squarely outside inherited Classical sonata procedures. Building on Sonata Theory, Davis examines moments of fracture and fragmentation that disrupt the cohesive and linear temporality in piano sonatas by Chopin, Brahms, and Schumann. These disruptions in the sonata form are a narrative technique that signify temporal shifts during which we move from the outer action to the inner thoughts of a musical agent, or we move from the story as it unfolds to a flashback or flash-forward. Through an interpretation of Romantic sonatas as temporally multi-dimensional works in which portions of the music in any given piece can lie inside or outside of what Sonata Theory would define as the sonata-space proper, Davis reads into these ruptures a narrative of expressive features that mark these sonatas as uniquely Romantic. “A major achievement.” —Michael L. Klein, author of Music and the Crises of the Modern Subject


Poems and Fragments

Poems and Fragments

Author: Sappho

Publisher: Hackett Publishing

Published: 2002-01-01

Total Pages: 106

ISBN-13: 9780872205918

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Presents a Sappho by a poet and translator that treats the fragments as aesthetic wholes, complete in their fragmentariness, and which is also, as the translator puts it: 'ever mindful of performative qualities, quality of voice, changes of voice...'