The Romantic Cult of Shakespeare

The Romantic Cult of Shakespeare

Author: P. Davidhazi

Publisher: Springer

Published: 1998-08-19

Total Pages: 255

ISBN-13: 0230372120

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Focusing on England, Hungary and on some other European countries, the book explores the latent religious patterns in the appropriation of Shakespeare from the 1769 Stratford Jubilee to the tercentenary of Shakespeare's birth in 1864. It shows how the Shakespeare cult used quasi-religious (verbal and ritual) means of reverence, how it made use of some romantic notions, and how the ensuing quasi-transcendental authority was utilized for political purposes. The book suggests a theoretical framework and a comprehensive anthropological context for the interpretation of literature.


European Shakespeares

European Shakespeares

Author: Dirk Delabastita

Publisher: John Benjamins Publishing

Published: 1993-01-01

Total Pages: 257

ISBN-13: 9027221308

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Where, when, and why did European Romantics take to Shakespeare? How about Shakespeare's reception in enduring Neoclassical or in popular traditions? And above all: which Shakespeare did these various groups promote? This collection of essays leaves behind the time-honoured commonplaces about Shakespearean translation (the 'translatability' of Shakespeare's forms and meanings, the issue of 'loss' and 'gain' in translation, the distinction between 'translation' and 'adaptation', translation as an 'art'. etc.) and joins modern Shakespearean scholarship in its attempt to lay bare the cultural mechanisms endowing Shakespeare's texts with their supposedly inherent meanings. The book presents a fresh approach to the subject by its radically descriptive stance, by its search for an adequate underlying theory along interdisciplinary lines, and not in the least by its truly European scope. It traces common trends and local features not just in France and Germany, but also in Hungary, Italy, the Netherlands, Portugal, Russia, Scandinavia, and the West Slavic cultures.


Visions of Venice in Shakespeare

Visions of Venice in Shakespeare

Author: Laura Tosi

Publisher: Routledge

Published: 2016-03-03

Total Pages: 278

ISBN-13: 1317001303

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Despite the growing critical relevance of Shakespeare's two Venetian plays and a burgeoning bibliography on both The Merchant of Venice and Othello, few books have dealt extensively with the relationship between Shakespeare and Venice. Setting out to offer new perspectives to a traditional topic, this timely collection fills a gap in the literature, addressing the new historical, political and economic questions that have been raised in the last few years. The essays in this volume consider Venice a real as well as symbolic landscape that needs to be explored in its multiple resonances, both in Shakespeare's historical context and in the later tradition of reconfiguring one of the most represented cities in Western culture. Shylock and Othello are there to remind us of the dark sides of the myth of Venice, and of the inescapable fact that the issues raised in the Venetian plays are tremendously topical; we are still haunted by these theatrical casualties of early modern multiculturalism.


The Oxford Handbook of Shakespearean Tragedy

The Oxford Handbook of Shakespearean Tragedy

Author: Michael Neill

Publisher: Oxford University Press

Published: 2016-08-18

Total Pages: 1179

ISBN-13: 0191036153

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The Oxford Handbook of Shakespearean Tragedy presents fifty-four essays by a range of scholars from all parts of the world. Together these essays offer readers a fresh and comprehensive understanding of Shakespeare tragedies as both works of literature and as performance texts written by a playwright who was himself an experienced actor. The opening section explores ways in which later generations of critics have shaped our idea of 'Shakespearean' tragedy, and addresses questions of genre by examining the playwright's inheritance from the classical and medieval past. The second section is devoted to current textual issues, while the third offers new critical readings of each of the tragedies. This is set beside a group of essays that deal with performance history, with screen productions, and with versions devised for the operatic stage, as well as with twentieth and twenty-first century re-workings of Shakespearean tragedy. The book's final section expands readers' awareness of Shakespeare's global reach, tracing histories of criticism and performance across Europe, the Americas, Australasia, the Middle East, Africa, India, and East Asia.


Shakespeare and His Biographical Afterlives

Shakespeare and His Biographical Afterlives

Author: Paul Franssen

Publisher: Berghahn Books

Published: 2020-04-09

Total Pages: 206

ISBN-13: 1789206898

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New Shakespeare biographies are published every year, though very little new documentary evidence has come to light. Inevitably speculative, these biographies straddle the line between fact and fiction. Shakespeare and His Biographical Afterlives explores the relationship between fiction and non-fiction within Shakespeare’s biography, across a range of subjects including feminism, class politics, wartime propaganda, children’s fiction, and religion, expanding beyond the Anglophone world to include countries such as Germany and Spain, from the seventeenth century to present day.


Painting Shakespeare Red

Painting Shakespeare Red

Author: Aleksandŭr Shurbanov

Publisher: University of Delaware Press

Published: 2001

Total Pages: 326

ISBN-13: 9780874137262

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While the focus is predominantly on Bulgaria, its particular experience is considered as representative of the entire Soviet bloc, to which it belonged for four and a half long decades. And its multiple links with partner-countries in this fold are always kept in view."--BOOK JACKET.


Migrating Shakespeare

Migrating Shakespeare

Author: Janet Clare

Publisher: Bloomsbury Publishing

Published: 2021-01-28

Total Pages: 313

ISBN-13: 1350103292

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Migrating Shakespeare offers the first study of the earliest waves of Shakespeare's migration into Europe. Charting the spread of the reception and production of his plays across the continent, it examines how Shakespeare contributed to national cultures and – in some cases – nation building. The chapters explore the routes and cultural networks through which Shakespeare entered European consciousness, from first translations to stage adaptations and critical response. The role of strolling players and actors, translators and printers, poets and dramatists, is chronicled alongside the larger political and cultural movements shaping nations. Each individual case discloses the national, literary and theatrical issues Shakespeare encountered, revealing not only how cultures have accommodated and adapted Shakespeare on their own terms but their interpretative contribution to the texts. Taken collectively the volume addresses key questions about Shakespeare's naturalization or reluctant accommodation within other cultures, inaugurating his present global reach.


The Victorian Cult of Shakespeare

The Victorian Cult of Shakespeare

Author: Charles LaPorte

Publisher: Cambridge University Press

Published: 2020-11-05

Total Pages: 227

ISBN-13: 1108853463

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In the Victorian era, William Shakespeare's work was often celebrated as a sacred text: a sort of secular English Bible. Even today, Shakespeare remains a uniquely important literary figure. Yet Victorian criticism took on religious dimensions that now seem outlandish in retrospect. Ministers wrote sermons based upon Shakespearean texts and delivered them from pulpits in Christian churches. Some scholars crafted devotional volumes to compare his texts directly with the Bible's. Still others created Shakespearean societies in the faith that his inspiration was not like that of other playwrights. Charles LaPorte uses such examples from the Victorian cult of Shakespeare to illustrate the complex relationship between religion, literature and secularization. His work helps to illuminate a curious but crucial chapter in the history of modern literary studies in the West, as well as its connections with Biblical scholarship and textual criticism.