In this Volume, the various measures taken by successive Administrations to fully utilize the new-found potential are examined critically. These include the Smoot-Hawley Tariff Act of 1930, the National Industrial Recovery Act of 1933 and the National Labor Relations Act of 1935. The readings in this case consist of my own published work on the topic over the course of the past decade. The articles in question set out to do two things, namely situate the relevant policy measure in the appropriate historical context, namely the presence of output gaps, and second, evaluate the efficacy or wisdom of the proposed policy measures. For example, contrary to popular belief, the Smoot-Hawley Tariff Act was a response to growing excess-capacity-related stagnation in the form of unemployment. Evidence is presented which shows that the output gaps referred to above were clearly on the minds of Ranking Republicans at the Kansas City National Convention in June 1928.
The decade of the 1920s is colloquially known as the Roaring Twenties, when modernity came to the U.S. and the World, ushering in a decade of unbounded growth and new-found optimism. GDP growth was particularly strong, as was employment and investment. However, as counterintuitive as it may sound or appear, the 1920s were also years of stagnation, stagnation that owed to the fact that the new, greater potential was not being fully exploited. In other words, while things were great, they still fell short of the potential that had been created, resulting in a form of "growth stagnation." That is, stagnation in the midst of what was exceptional growth. Bernard C. Beaudreau is Professor of Economics at Université Laval in Quebec, Canada.
This Collection combines three of Allison Pittman’s historical novels into one volume for a great value! All for a Song Dorothy Lynn Dunbar has everything she ever wanted: her family, her church, her community, and plans to marry the young pastor who took over her late father’s pulpit. Time spent in the woods, lifting her heart and voice in worship accompanied by her brother’s old guitar, makes her life complete . . . and yet she longs for something more. Spending a few days in St. Louis with her sister’s family, Dorothy Lynn discovers a whole new way of life—movies, music, dancing; daring fashions and fancy cars. And a dynamic charismatic evangelist . . . who just happens to be a woman. When Dorothy Lynn is offered a chance to join Aimee Semple McPherson’s crusade team, she finds herself confronted with temptations she never dreamed of. Can Dorothy Lynn embrace all the Roaring Twenties has to offer without losing herself in the process? All for a Story Monica Bisbaine loves being a modern girl in the Roaring Twenties. Her job writing a gossip column allows her access to all the local speakeasys in Washington, D.C., where she can dance the night away—and find fodder for her next article. But when the owner of the Capitol Chatter newspaper passes away, Monica wonders what will happen to her job, and the lifestyle she loves. Max Moore may hold the title of editor-in-chief for evangelist Aimee Semple McPherson’s paper, The Bridal Call, but Aimee calls all the shots. So when Max learns that his great-uncle has passed away, leaving him all his earthly possessions, Max resigns and heads to D.C. Determined to take over the Capitol Chatter, infuse it with his values, and turn it into a respectable paper, Max is soon bumping up against the equally determined Monica Bisbane. Under Max’s direction, Monica embarks on her most challenging assignment yet: infiltrating and reporting on the Anti-Flirt Society. Though reluctant at first, as Monica meets and mingles with the young women of the club, she begins to question the innocence of her flirtatious lifestyle. And when romance begins to blossom between Max and Monica, she must choose where her loyalties lie: with the young women of the society or the alluring pull of the speakeasy and its inhabitants. All for a Sister In Hollywood during the Roaring Twenties, Celeste DuFrane has it all. Her father’s work with color movie film opens doors that lead to the stardom she’s always aspired to. But after losing her mother, she discovers that half the estate has been left to a woman accused of killing Celeste’s baby sister before Celeste was even born. Dana Lundgren arrives on the steps of the DuFrane mansion having spent most of her life imprisoned for a crime that never happened. After accusing her of murder so many years ago, why did Marguerite DuFrane leave her a sizeable inheritance? As Celeste and Dana learn each other’s stories, they come up with more questions than answers. Then a surprising discovery begins to fill in the missing pieces: Marguerite DuFrane’s written confession, penned shortly before her death. Uncovering the treachery and deceit that changed the course of countless lives—most of all, their own—the two women find more than they ever dreamed of.
Only Yesterday: An Informal History of the 1920s by Frederick Lewis Allen is a history textbook about the lively gloriousness of Roaring 20s America. Contents: "II. BACK TO NORMALCY III. THE BIG RED SCARE IV. AMERICA CONVALESCENT V. THE REVOLUTION IN MANNERS AND MORALS VI. HARDING AND THE SCANDALS VII. COOLIDGE PROSPERITY VIII. THE BALLYHOO YEARS IX. THE REVOLT OF THE HIGHBROWS X. ALCOHOL AND AL CAPONE XI. HOME, SWEET FLORIDA."
Covers the social, political, and economic history of the 1920s, including developments in science, from astrophysics to laboratory science to discoveries and inventions; the creation of new professional sports leagues; the labor union movement; censorship, and writers, artists, and moviemakers. This volume captures the complexities of the 1920s.
Dubbed "The Jazz Age" by F. Scott Fitzgerald, the 1920s were characterized as a decade of frenetic fun. In the fashion world, clothes began to lose the last vestiges of the fussy, frilly Edwardian era as they grew more svelte and "simple." This wonderful, in-depth look at the styles of the Jazz Age and the people who wore them covers the first half of the 1920s -- years that served as a prelude to "The Party of the Century," as Fitzgerald called part two of this free-wheeling decade. A combination of vintage images, professional photographs of existing garments, and period artists' illustrations vividly display clothing and accessories for men, women, and children worn from 1920 through 1924. Clothing for all occasions is featured, including evening wear, day wear, the all-important sports fashions, lingerie, and even wedding attire. Fascinating timelines place the fashions in their proper setting, describing each year's film, music, literary, and couture trends. Among the book's many highlights are rare French pochoir fashion plates and photos of authentic signed haute couture gowns by Patou and Fortuny. This informative and visually engaging book will delight fashion and history connoisseurs alike. A companion volume covers fashions from the years 1925 to 1929.
The Roaring Twenties were filled with a range of events, experiences, fears, laws and advances that impacted Martha's Vineyard. Island residents were involved in rumrunning. Dozens died of the Spanish Flu. Women voted on Island. Dorothy West joined the Harlem Renaissance. Immigration from the Azores slowed, and airplanes landed in Katama. Tourism blossomed and business boomed. Local author Thomas Dresser shares the back story and the import of this remarkable decade and how it has shaped Vineyarders.
Professional football today is an $8 billion sports entertainment industry--and the most popular spectator sport in America, with designs on expansion across the globe. In this astute field-level view of the National Football League since 1960, Michael Oriard looks closely at the development of the sport and at the image of the NFL and its unique place in American life. New to the paperback edition is Oriard's analysis of the offseason labor negotiations and their potential effects on the future of the sport, and his account of how the NFL is dealing with the latest research on concussions and head injuries.
