The Rise of the Modern Art Market in London
The Rise of the Modern Art Market in London

Author: Pamela Fletcher

Publisher: Manchester University Press

Published: 2012-02-15

Total Pages: 0

ISBN-13: 9780719084607

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This is the first book to investigate the modern London art market, establishing the central importance of London for the development of the modern retail market in fine art.Leading experts track the emergence and development of the structures and practices that have come to characterize the commercial art system, including the commercial art gallery, the professional dealer, the exhibition cycle and its accompanying rhetoric of press coverage and publicity, and an international network for the circulation of goods.This new commercial system involved a massive transformation of the experience of viewing art; of the relationships between artists, dealers, collectors, art objects, and audiences; and of the very criteria of aesthetic value itself. Its history is thus a vital part of the history of modern art, and this anthology will be of interest to art historians as well as scholars of Victorian Studies, Museum Studies, and Social History.

The Development of the Art Market in England
The Development of the Art Market in England

Author: Thomas M Bayer

Publisher: Routledge

Published: 2015-10-06

Total Pages: 280

ISBN-13: 1317323831

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This book gives a comprehensive account of the history and underlying economics of the modern art market in eighteenth- and nineteenth-century Britain.

Théodore Rousseau and the Rise of the Modern Art Market
Théodore Rousseau and the Rise of the Modern Art Market

Author: Simon Kelly

Publisher: Bloomsbury Publishing USA

Published: 2021-03-25

Total Pages: 256

ISBN-13: 1501343815

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The 19th century in France witnessed the emergence of the structures of the modern art market that remain until this day. This book examines the relationship between the avant-garde Barbizon landscape painter, Théodore Rousseau (1812-1867), and this market, exploring the constellation of patrons, art dealers and critics who surrounded the artist. It argues for the pioneering role of Rousseau, his patrons and his public in the origins of the modern art market, and, in so doing, shifts attention away from the more traditional focus on the novel careers of the Impressionists and their supporters. Drawing on extensive archival research, the book provides new insight into the role of the modern artist as professional. It provides a new understanding of the complex iconographical and formal choices within Rousseau's work, rediscovering the original radical charge that once surrounded the artist's work and led to extensive and peculiarly modern tensions with the market place.

Boom
Boom

Author: Michael Shnayerson

Publisher: PublicAffairs

Published: 2019-05-21

Total Pages: 464

ISBN-13: 1610398416

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The meteoric rise of the largest unregulated financial market in the world-for contemporary art-is driven by a few passionate, guileful, and very hard-nosed dealers. They can make and break careers and fortunes. The contemporary art market is an international juggernaut, throwing off multimillion-dollar deals as wealthy buyers move from fair to fair, auction to auction, party to glittering party. But none of it would happen without the dealers-the tastemakers who back emerging artists and steer them to success, often to see them picked off by a rival. Dealers operate within a private world of handshake agreements, negotiating for the highest commissions. Michael Shnayerson, a longtime contributing editor to Vanity Fair, writes the first ever definitive history of their activities. He has spoken to all of today's so-called mega dealers-Larry Gagosian, David Zwirner, Arne and Marc Glimcher, and Iwan Wirth-along with dozens of other dealers-from Irving Blum to Gavin Brown-who worked with the greatest artists of their times: Jackson Pollock, Andy Warhol, Cy Twombly, and more. This kaleidoscopic history begins in the mid-1940s in genteel poverty with a scattering of galleries in midtown Manhattan, takes us through the ramshackle 1950s studios of Coenties Slip, the hipster locations in SoHo and Chelsea, London's Bond Street, and across the terraces of Art Basel until today. Now, dealers and auctioneers are seeking the first billion-dollar painting. It hasn't happened yet, but they are confident they can push the price there soon.

From Manet to Manhattan
From Manet to Manhattan

Author: Peter Watson

Publisher: Random House (NY)

Published: 1992

Total Pages: 640

ISBN-13:

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A behind-the-scenes look at a century of high art and high-stakes commerce, fluently narrated and spiced with backstage gossip. This captivating history brings to life the connoisseurs and market makers, artists and swindlers who have shaped our tastes and driven the price of masterpieces into the stratosphere. Photographs, caricatures, and pictures of famous paintings.

The Economics of Contemporary Art
The Economics of Contemporary Art

Author: Alessia Zorloni

Publisher: Springer Science & Business Media

Published: 2013-04-16

Total Pages: 195

ISBN-13: 3642324053

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The book examines the contemporary art system with a broad and systematic approach, through the application of models of microeconomics and industrial organizations. By breaking down the traditional barriers between different academic disciplines such as art and economics, this book offers a unique opportunity to grasp the complexities of the contemporary art world and provides the tools to conduct a structural analysis of that market. The result is an in-depth analysis of the contemporary art market from an interdisciplinary perspective. While it is not a textbook in the strictest sense, the book offers a concise and effective overview of all actors in the art system, and provides supporting data and valuable information, both conceptual and practical. It is therefore a text that can be used by students wishing to better understand the complex dynamics that govern the contemporary art market, but also by cultural managers, collectors, potential art investors or simply art lovers who need a quick reference.​

Painting & the Market in Early Modern Antwerp
Painting & the Market in Early Modern Antwerp

Author: Elizabeth A. Honig

Publisher: Yale University Press

Published: 1998-01-01

Total Pages: 374

ISBN-13: 9780300072396

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This study of the ways in which Flemish painting between 1550 and 1650 reflected the burgeoning capitalism of Antwerp, focuses not only on the market-scene paintings, but also on the interaction between painters and markets as it was influenced by merchants, governments and consumers.

London and the Emergence of a European Art Market, 1780-1820
London and the Emergence of a European Art Market, 1780-1820

Author: Susanna Avery-Quash

Publisher: Getty Publications

Published: 2019-08-06

Total Pages: 306

ISBN-13: 1606065955

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Showcasing diverse methodologies, this volume illuminates London's central role in the development of a European art market at the turn of the nineteenth century. In the late 1700s, as the events of the French Revolution roiled France, London displaced Paris as the primary hub of international art sales. Within a few decades, a robust and sophisticated art market flourished in London. London and the Emergence of a European Art Market, 1780–1820 explores the commercial milieu of art sales and collecting at this turning point. In this collection of essays, twenty-two scholars employ methods ranging from traditional art historical and provenance studies to statistical and economic analysis; they provide overviews, case studies, and empirical reevaluations of artists, collectors, patrons, agents and dealers, institutions, sales, and practices. Drawing from pioneering digital resources—notably the Getty Provenance Index—as well as archival materials such as trade directories, correspondence, stock books and inventories, auction catalogs, and exhibition reviews, these scholars identify broad trends, reevaluate previous misunderstandings, and consider overlooked commercial contexts. From individual case studies to econometric overviews, this volume is groundbreaking for its diverse methodological range that illuminates artistic taste and flourishing art commerce at the turn of the nineteenth century.

London's New Scene
London's New Scene

Author: Lisa Tickner

Publisher: Paul Mellon Centre BA

Published: 2020-07-07

Total Pages: 426

ISBN-13: 1913107108

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A groundbreaking and extensively researched account of the 1960s London art scene In the 1960s, London became a vibrant hub of artistic production. Postwar reconstruction, jet air travel, television arts programs, new color supplements, a generation of young artists, dealers, and curators, the influx of international film companies, the projection of “creative Britain” as a national brand—all nurtured and promoted the emergence of London as “a new capital of art.” Extensively illustrated and researched, this book offers an unprecedented, rich account of the social field that constituted the lively London scene of the 1960s. In clear, fluent prose, Tickner presents an innovative sequence of critical case studies, each of which explores a particular institution or event in the cultural life of London between 1962 and 1968. The result is a kaleidoscopic view of an exuberant decade in the history of British art.