2011 winner of the Global eBook Award in Writing/Publishing, this is the only How-to-Write book that has nothing to do with writing. It's all about rewriting. Whittle away what buries the art of your words beneath pulp, no matter the topic, no matter the genre.
Hurtful words can steal joy, distort truth, and create long-term struggles with understanding your worth and purpose. In this powerful new book, counselor and life coach Janell Rardon, MA, equips you to address and reframe negative words and labels that have hurt you in order to achieve healing and lasting freedom. By understanding and embracing your God-created identity, you will develop a healthy sense of self and build a foundation for lasting, positive relationships. Using Scripture along with tested and proven techniques, you can exchange unhealthy beliefs and behaviors for a new, joy-filled life.
From Babel to Babble . . . Everyone is Speaking English In 2007, the English language passed the million-word mark. That shouldn't come as a surprise since over a billion Earthlings speak English (no one knows about other planets, but they probably speak it, too). That makes for a lot of word-coiners (neologists) out there. And where are all these new words coming from? Hollywood? Technology? The Internet? Corporate boardrooms? Youthspeak? How do world events--from tsunamis and hurricanes to political doublespeak and presidential linguistic bumbling--influence the words we use on a daily basis? What do e-mails, text messages, and emoticons contribute to the language? Let WordMan Paul J.J. Payack take you on a global tour of English-speaking worlds--virtual and otherwise: • From India, Singapore, and China, to Australia, the U.S. and the U.K. • From film, television, fashion, music, politics, sports, games, business, technology and science • From TV junkies, fashionistas and sports fans, to amateur historians and linguists • And from every other source that contributes to the global tapestry of English Get ready for a whirlwind tour of our increasingly global culture and how it becomes that way. A Million Words? Fundoo! Podcast, Chinglish, truthiness, crunk. Just a year or two ago, these words were gibberish to most English speakers. Today they pop up in everyday conversation worldwide, just four of the ten thousand new words added to the English language every year. Spurred by the universality of the Internet--where it is the de facto lingua franca--and the global reach of its media, English is growing at a rate unprecedented in its 1500-year history. Indeed, in the spring of 2007, the English word count surpassed a million--over ten times the number available in French. At the crest of this linguistic tsunami surfs Paul J.J. Payack, aka the WordMan. As president of the Global Language Monitor, he has tracked the latest developments--the fascinating hybrids, the bizarre etymologies, the lasting malapropisms--in the language shared by two billion of the Earth's citizens. Aided by a worldwide network of similarly obsessed "language mavens" and armed with his own powerful word-counting algorithm, Payack ensures that no new English word falls from the tongue or marks the page without being counted toward the Million Word March. A Million Words and Counting is a celebration of the vast variety and ever-evolving expressiveness of humanity's most universal language. Fun and informative, this guide is a joyful exploration of English as it spreads across the globe, as it is spoken today, and as it expands into the future. Each entertaining chapter of this ambitious linguistic survey examines another source of new English, including Hollywood, youth culture, other languages, corporate boardrooms, and tongue-tied presidents. An engaging compendium of English-language facts and factoids, this is a trivia lover's goldmine and a logophile's playground.
This study reappraises Sir Thomas Wyatt (c.1504-1542) as a poetic innovator. It discusses Wyatt's reflections on the writing process, and his awareness of how words can be turned in new directions - that is, rewritten, amended, transformed, manipulated, even performed - over the course of a text's production, transmission, and reception.
We identify with our environment as children conforming to our parents' beliefs, to the world, or to another person to identify who we are only to find deception and emptiness. In her book, The Rewrite, Nicole Johnson shares her personal journey that exposes the real enemy and the truth of where our real identity is found. She sheds light on how we can be delivered from bondage and be set free to walk in God's grace, forgiveness, and abundant life. She shares her brokenness from abuse, trauma, anger, defeats, and failures that lead her to a life of homelessness. Her remarkable journey will offer a powerful and unique program to help other women that have walked in the same shoes, to be empowered and set free. This book is for the outcast, the abused, the broken, and the homeless, as one woman shares the journey of God "rewriting" her destiny. She shares the purpose for her pain, as she surrendered to God and continues to overcome the deceptions of the enemy, finding her true identity in Christ.
Although the storytelling of any time rewrites itself, rewriting became a primary concern in the literature of the twentieth century, an era characterized as having quoted, reenacted, cannibalized, revised, redone, refurbished, and outright plagiarized the texts of earlier times. The modern obsession with literary reiteration manifests itself in a rather unique way in the narratives of Marguerite Duras, Annie Ernaux, and Marie Redonnet. These authors systematically and repeatedly rewrite their own texts, and in so doing, give evidence of three of the more salient aspects of twentieth-century French literature: a trend toward the representation of multifaceted selves, a desire to reevaluate the literary paradigm, and an acute concern for the unreliability of language. This book argues that the rewriting performed by Duras, Ernaux, and Redonnet moves beyond the tacit rewriting that occurs in any text toward a renovation of various features of the literary arena within which they circulate. Cathy Jellenik argues that all writing contains rewriting - an argument grounded in the theoretical apparatuses of Saussure, Bakhtin, Benveniste, Barthes, Kristeva, and Derrida. She then examines and interrogates the ways in which Duras, Ernaux, and Redonnet use rewriting to question and rethink the literary traditions they inherit. Jellenik suggests that the rewriting projects of Duras, Ernaux, and Redonnet promise to lead them, and their readers, toward the creation of a new literary aesthetic capable of responding to the questions of our times.
In this fantasy middle-grade novel, twelve-year-old storybook character Gracie Freeman lives in the real world but longs to discover what happened in the story she came from. When she finally gets her chance, the truth isn't what she was expecting.