Four beautiful, badass women lose their heads in this irreverent, girl-powered comedy set during the French Revolution’s Reign of Terror. Playwright Olympe de Gouges, assassin Charlotte Corday, former queen (and fan of ribbons) Marie Antoinette, and Haitian rebel Marianne Angelle hang out, murder Marat, and try to beat back the extremist insanity in 1793 Paris. This grand and dream-tweaked comedy is about violence and legacy, art and activism, feminism and terrorism, compatriots and chosen sisters, and how we actually go about changing the world. It's a true story. Or total fiction. Or a play about a play. Or a raucous resurrection…that ends in a song and a scaffold.
A Choice Magazine Outstanding Academic Title Widely remembered as a time of heated debate over the westward expansion of slavery, the 1850s in the United States was also a period of mass immigration. As the sectional conflict escalated, discontented Europeans came in record numbers, further dividing the young republic over issues of race, nationality, and citizenship. The arrival of German-speaking “Forty-Eighters,” refugees of the failed European revolutions of 1848–49, fueled apprehensions about the nation’s future. Reaching America did not end the foreign revolutionaries’ pursuit of freedom; it merely transplanted it. In We Are the Revolutionists, Mischa Honeck offers a fresh appraisal of these exiled democrats by probing their relationship to another group of beleaguered agitators: America’s abolitionists. Honeck details how individuals from both camps joined forces in the long, dangerous battle to overthrow slavery. In Texas and in cities like Milwaukee, Cincinnati, and Boston this cooperation helped them find new sources of belonging in an Atlantic world unsettled by massive migration and revolutionary unrest. Employing previously untapped sources to write the experience of radical German émigrés into the abolitionist struggle, Honeck elucidates how these interethnic encounters affected conversations over slavery and emancipation in the United States and abroad. Forty-Eighters and abolitionists, Honeck argues, made creative use not only of their partnerships but also of their disagreements to redefine notions of freedom, equality, and humanity in a transatlantic age of racial construction and nation making.
A Choice Magazine Outstanding Academic Title Widely remembered as a time of heated debate over the westward expansion of slavery, the 1850s in the United States was also a period of mass immigration. As the sectional conflict escalated, discontented Europeans came in record numbers, further dividing the young republic over issues of race, nationality, and citizenship. The arrival of German-speaking “Forty-Eighters,” refugees of the failed European revolutions of 1848–49, fueled apprehensions about the nation's future. Reaching America did not end the foreign revolutionaries' pursuit of freedom; it merely transplanted it. In We Are the Revolutionists, Mischa Honeck offers a fresh appraisal of these exiled democrats by probing their relationship to another group of beleaguered agitators: America's abolitionists. Honeck details how individuals from both camps joined forces in the long, dangerous battle to overthrow slavery. In Texas and in cities like Milwaukee, Cincinnati, and Boston this cooperation helped them find new sources of belonging in an Atlantic world unsettled by massive migration and revolutionary unrest. Employing previously untapped sources to write the experience of radical German émigrés into the abolitionist struggle, Honeck elucidates how these interethnic encounters affected conversations over slavery and emancipation in the United States and abroad. Forty-Eighters and abolitionists, Honeck argues, made creative use not only of their partnerships but also of their disagreements to redefine notions of freedom, equality, and humanity in a transatlantic age of racial construction and nation making.
An epic saga of the Soviet Union's brutal first decades-from The New York Times bestselling master of espionage. Hailed as "the American le Carré," Robert Littell presents an ambitious novel about star-crossed idealist Alexander Til. When Til returns from America to Petrograd on the eve of the October Revolution in 1917, it is to put his life on the line in the hope of transforming Russia. But after witnessing the birth of a new era, he watches the people, and his own ideals, trampled by the rise of Josef Stalin-with whom Til is destined to have a shattering confrontation. Taking readers from the storming of the Winter Palace to the nightmares of the gulag, The Revolutionist is a masterwork of historical fiction.
Why you need a writing revolution in your classroom and how to lead it The Writing Revolution (TWR) provides a clear method of instruction that you can use no matter what subject or grade level you teach. The model, also known as The Hochman Method, has demonstrated, over and over, that it can turn weak writers into strong communicators by focusing on specific techniques that match their needs and by providing them with targeted feedback. Insurmountable as the challenges faced by many students may seem, The Writing Revolution can make a dramatic difference. And the method does more than improve writing skills. It also helps: Boost reading comprehension Improve organizational and study skills Enhance speaking abilities Develop analytical capabilities The Writing Revolution is as much a method of teaching content as it is a method of teaching writing. There's no separate writing block and no separate writing curriculum. Instead, teachers of all subjects adapt the TWR strategies and activities to their current curriculum and weave them into their content instruction. But perhaps what's most revolutionary about the TWR method is that it takes the mystery out of learning to write well. It breaks the writing process down into manageable chunks and then has students practice the chunks they need, repeatedly, while also learning content.
The first comprehensive political history of the communist party Vanguard of the Revolution is a sweeping history of one of the most significant political institutions of the modern world. The communist party was a revolutionary idea long before its supporters came to power. A. James McAdams argues that the rise and fall of communism can be understood only by taking into account the origins and evolution of this compelling idea. He shows how the leaders of parties in countries as diverse as the Soviet Union, China, Germany, Yugoslavia, Cuba, and North Korea adapted the original ideas of revolutionaries like Karl Marx and Vladimir Lenin to profoundly different social and cultural settings. Vanguard of the Revolution is essential reading for anyone seeking to understand world communism and the captivating idea that gave it life.
The Airplane Boys series by E. J. Crane (originally published in the 1930s) is a new series of hair-raising sky adventures. The dare-devil younger generation of this day and age, going through stunts, flying day and night, having their own fun and at the same time helping others. The technical end of aviation is also brought in, and the humorous situations keep the reader amused constantly.
