After leaving Gotham City at the end of 'KnightQuest,' Alfred travels to London. But when a young man who may be his son comes under fire, Alfred calls on Nightwing to mount a rescue mission.
Following Alfred's tragic death in "City of Bane," this collection gathers the greatest stories in the character's 75-year history, including his debut appearance in 1943's Batman #16, the mystery of "The Man Who Killed Mlle. Marie," and the touching "Father's Day." Collects stories from Batman #16 and #31; Detective Comics #83, #356, #501, #502, #806, and #807; Untold Legends of the Batman #2; Batman Annual #13; Batman: Shadow of the Bat #31; Batman: Gotham Adventures #16; Batman Eternal #31; and Batman Annual (2016) #1 and #3.
Alfred Pennyworth served the Wayne family for decades-even through the tragic loss of Bruce Wayne’s parents. His death at the hands of Bane is the only event that could possibly compare to that fateful night in Crime Alley, and it leaves Bruce at a similar crossroads. If Alfred was the glue that held the Bat-Family together, how will Batman deal with that all falling apart? And if the Caped Crusader is to be truly alone, he might either hang that cape up once and for all…or double down and carry on with this vengeful quest forever. Batman: Pennyworth R.I.P. #1 celebrates the life of one of the most important people in the history of Gotham City, while also addressing questions about what’s next.
The song remains anything but the same as the house lights start to come up on DC’s biggest, baddest battle for control of the Multiverse! The Darkest Knight is on the verge of ending this concert once and for all, but Wonder Woman has more than just a greatest hit planned. The Amazonian warrior stands ready to shred the Darkest Knight, solo! Plus, this extra-sized finale issue includes not one but two mind-blowing epilogues that lead directly into the next phase of the DC Universe-and no fan will want to miss that!
For 57 years, Alfred told his family he had been a barber, chauffeur, and translator in World War II. Following the death of his wife, he shared glimpses into his actual wartime experiences as a reluctant front-line machine gunner in Europe, 1944-45 with his daughter during her weekly nursing home visits.
This book draws on the work of anthropologist Alfred Gell to reinstate the importance of the object in art and society. Rather than presenting art as a passive recipient of the artist's intention and the audience's critique, the authors consider it in the social environment of its production and reception. A Return to the Object introduces the historical and theoretical framework out of which an anthropology of art has emerged, and examines the conditions under which it has renewed interest. It also explores what art 'does' as a social and cultural phenomenon, and how it can impact alternative ways of organising and managing knowledge. Making use of ethnography, museological practice, the intellectual history of the arts and sciences, material culture studies and intangible heritage, the authors present a case for the re-orientation of current conversations surrounding the anthropology of art and social theory. This text will be of key interest to students and scholars in the social and historical sciences, arts and humanities, and cognitive sciences.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
From the author of The Gateway to the Middle Ages, “a fascinating portrait of an enlightened monarch against a background of darkness and ignorance” (Kirkus Reviews). Filled with drama and action, here is the story of the ninth-century life and times of Alfred—warrior, conqueror, lawmaker, scholar, and the only king whom England has ever called “The Great.” Based on up-to-date information on ninth-century history, geography, philosophy, literature, and social life, it vividly presents exciting views of Alfred in every stage of his long career and leaves the reader with a sharply etched picture of the world of the Middle Ages.