The Architecture of the Italian Renaissance

The Architecture of the Italian Renaissance

Author: Christoph Luitpold Frommel

Publisher:

Published: 2007

Total Pages: 224

ISBN-13: 9780500342206

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Focusing on buildings of the period between 1418 and 1580 and 35 key architects. Examines social context, religious beliefs, political power-structures, technical innovation, aesthetic judgement . Includes over 300 photographs, drawings, plans and reconstructions. Sure to be the recognized textbook for the foreseeable future.


The Architecture of the Italian Renaissance

The Architecture of the Italian Renaissance

Author: Peter Murray

Publisher: Schocken

Published: 1986

Total Pages: 264

ISBN-13:

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Guides the reader from the earliest revivals of Roman style to the villas of Palladio and Vignola. Each of the great architects is clearly and sensitively discussed. 202 illustrations.


The Mathematics of the Ideal Villa and Other Essays

The Mathematics of the Ideal Villa and Other Essays

Author: Colin Rowe

Publisher: MIT Press

Published: 1982-09-14

Total Pages: 244

ISBN-13: 9780262680370

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This collection of an important architectural theorist's essays considers and compares designs by Palladio and Le Corbusier, discusses mannerism and modern architecture, architectural vocabulary in the 19th century, the architecture of Chicago, neoclassicism and modern architecture, and the architecture of utopia.


Victorian Perceptions of Renaissance Architecture

Victorian Perceptions of Renaissance Architecture

Author: Katherine Wheeler

Publisher: Routledge

Published: 2017-07-05

Total Pages: 207

ISBN-13: 1351537768

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In the mid-1880s The Builder, an influential British architectural journal, published an article characterizing Renaissance architecture as a corrupt bastardization of the classical architecture of Greece and Rome. By the turn of the century, however, the same journal praised the Renaissance architect Filippo Brunelleschi as the ?Christopher Columbus of modern architecture.? Victorian Perceptions of Renaissance Architecture, 1850-1914 examines these conflicting characterizations and reveals how the writing of architectural history was intimately tied to the rise of the professional architect and the formalization of architectural education in late nineteenth-century Britain. Drawing on a broad range of evidence, including literary texts, professional journals, university curricula, and census records, Victorian Perceptions reframes works by seminal authors such as John Ruskin, Walter Pater, John Addington Symonds, and Geoffrey Scott alongside those by architect-authors such as William J. Anderson and Reginald Blomfield within contemporary architectural debates. Relevant for architectural historians, as well as literary scholars and those in Victorian studies, Victorian Perceptions reassesses the history of Renaissance architecture within the formation of a modern, British architectural profession.