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Author: Joyce Carol Polistena
Publisher:
Published: 2008
Total Pages: 410
ISBN-13:
DOWNLOAD EBOOKThe only study of the 220 religious works by the French romantic painter Eugene Delacroix, an artist who created the style of modem religious art. The book presents us with an understanding of the historical background of later twentieth-century artists who worked with a religious theme.
Author: Eugène Delacroix
Publisher: Metropolitan Museum of Art
Published: 1991
Total Pages: 215
ISBN-13: 0810964031
DOWNLOAD EBOOK"Issued in conjunction with the exhibition ... held at the Metropolitan Museum of Art, New York, from April 10, 1991, through June 16, 1991"--T.p. verso.
Author: Lee Johnson
Publisher: George Braziller Publishers
Published: 1995
Total Pages: 200
ISBN-13:
DOWNLOAD EBOOKThis volume gathers together all the extant pastels of Eugene Delacroix (1798-1862), the leader of the French Romantic movement in painting, the greatest colorist and the most versatile master of the first half of the nineteenth century. These beautiful pastels, housed in collections from London to Los Angeles to Cairo, are rarely exhibited due to their fragility. Published here as a group for the first time in full color, they provide sheer visual delight as well as enormous insight into Delacroix's endlessly inventive working methods. In his comprehensive introduction, Lee Johnson discusses Delacroix's interest in the medium of pastel and its place in his oeuvre as a whole, from the first reference to the technique in one of his school exercise books through his last known pastel, a finely wrought, signed version of one of his favorite compositions, "The Education of Achilles", which he presented to George Sand in 1862. Professor Johnson then treats the pastels in groups, such as studies for paintings, scenes from literature and mythology, North African scenes, and landscapes, flowers, and sky studies; in each case, he includes a full description and provenance of the work.
Author: Gilles Néret
Publisher: Taschen
Published: 2000
Total Pages: 106
ISBN-13: 9783822859889
DOWNLOAD EBOOKAt Delacroix' studio sale, held six months after his death in 1864, crowds and critics were astonished at both the abundance and the multi-disciplinary nature of the work on display, the life's vision of a man praised by Baudelaire for being the last great artist of the Renaissance period and the first of the Modern. But Delacroix himself was well aware of the position he wanted to occupy. Taking his cue from Rubens in both lifestyle and visual inventiveness, he took the order of classical composition and allied it to a universally appreciated symbolic and allegorical intent, producing from that marriage works of unmatched integrity and sensuality. From the spectacular Salon reception in 1824 to a work such as the major Scenes from the Chios Massacre (when the term Romantique was first applied to his style) through to the liberating and controversial carnality of The Agony in the Garden, Delacroix' genius in graphic design, in the liberation and reinvention of colour, and in the portrayal of bodies was never in doubt. His numerous sketchbooks attest to a personality committed to the most truthful results, in both his Goyaesque fantasias of horror, cruelty and sacrifice and in his huge historical canvases. Excessive, monumental, Byronic even, this Victor Hugo of the art world has proved profoundly influential, his technique studied by movements as diverse as Impressionism, Expressionism and the Abstract painters of mid-century. Leaving the self-indulgence of the Romantics far behind, the nobility of Delacroix' spirit will continue to speak to any and every age.
Author: Patrick J. Noon
Publisher: National Gallery London
Published: 2015
Total Pages: 0
ISBN-13: 9781857095753
DOWNLOAD EBOOKA handsome volume exploring Delacroix's works, his artistic contemporaries, and the generations of great artists he inspired Eugène Delacroix (1789-1863), a dominant figure in 19th-century French art, was a complex and contradictory painter whose legacy is deep and enduring. This important, beautifully illustrated book considers Delacroix in his own time, alongside contemporaries such as Courbet, Fromentin, and the poet Charles Baudelaire, as well as his significant influence on successive generations of artists. Delacroix's paintings and his posthumously published Journals laid crucial groundwork for immediate successors including Cézanne, Degas, Manet, Monet, and Renoir. Later admirers including Seurat, Gauguin, Moreau, Redon, Van Gogh, and Matisse renewed the obsession with his work. Through essays and catalogue entries, the authors demonstrate how Delacroix became mentor and archetype to younger generations who sought direction for their own creative experiments, and found inspiration in Delacroix's brilliant use of color, audacious technique, and rebellious nature. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: Minneapolis Institute of Arts (10/18/15-01/10/16) National Gallery, London (02/17/16-05/22/16)
Author: Richard Viladesau
Publisher: Oxford University Press
Published: 2018
Total Pages: 281
ISBN-13: 019087600X
DOWNLOAD EBOOKThe Folly of the Cross is the fourth book in Richard Viladesau's series examining the aesthetics and theology of the cross through Christian history. Previous volumes have brought the story up through the Baroque era. This new book examines the reception of the message of the cross from the European Enlightenment to the turn of the twentieth century. The opening chapters set the stage in the transition from the Baroque to the Classical eras, describing the changing intellectual and cultural paradigms of the time. Viladesau examines the theology of the cross in the eighteenth and nineteenth centuries, and the aesthetic mediation of the cross in music and the visual arts. He shows how in the post-Enlightenment era the aesthetic treatment of the cross widely replaced the dogmatic treatment, and how this thought was translated into popular spirituality, piety, and devotion. The Folly of the Cross shows how classical theology responded to the critiques of modern science, history, Biblical scholarship, and philosophy, and how both classical and modern theology served as the occasions for new forms of representation of Christ's passion in the arts and music.
Author: Roger Price
Publisher: Springer
Published: 2017-12-04
Total Pages: 417
ISBN-13: 3319671960
DOWNLOAD EBOOKThis book provides a study of the manner in which the Roman Catholic Church in France responded to successive revolutions between 1789 and 1870 as well as to the cultural upheaval associated with accelerating socio-economic change. It focuses on the Church as an institution engaged in a dynamic process of (re)Christianization and determined, as the only repository of the true faith of Jesus Christ, to fortify belief , and to combat the ‘Satanic’ forces of moral corruption and revolutionary chaos and create a ‘counter society’, the société parfaite. Discussion of the Church as an institution in crisis, of the recruitment, instruction and mind-sets of its bishops, parish clergy, and the members of religious orders, of its hierarchical structures and internal discipline, and of the need to compensate for the losses suffered during a period of revolutionary upheaval, provides the basis for an exploration of its evolving doctrine(s) and sense of purpose; for an assessment of the pastoral care provided to parish communities; and of the leadership and moral qualities of the clergy; before final consideration of the reception of the religious message(s).
Author: Cordula Grewe
Publisher: Routledge
Published: 2017-07-05
Total Pages: 437
ISBN-13: 1351555227
DOWNLOAD EBOOKAfter a century of Rationalist scepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious art: Nazarenism. From its inception in the Lukasbund of 1809, this art was controversial. It nonetheless succeeded in becoming a lingua franca in religious circles throughout Europe, America, and the world at large. This is the first major study of the evolution, structure, and conceptual complexity of this archetypically nineteenth-century language of belief. The Nazarene quest for a modern religious idiom evolved around a return to pre-modern forms of biblical exegesis and the adaptation of traditional systems of iconography. Reflecting the era's historicist sensibility as much as the general revival of orthodoxy in the various Christian denominations, the Nazarenes responded with great acumen to pressing contemporary concerns. Consequently, the artists did not simply revive Christian iconography, but rather reconceptualized what it could do and say. This creativity and flexibility enabled them to intervene forcefully in key debates of post-revolutionary European society: the function of eroticism in a Christian life, the role of women and the social question, devotional practice and the nature of the Church, childhood education and bible study, and the burning issue of anti-Judaism and modern anti-Semitism. What makes Nazarene art essentially Romantic is the meditation on the conditions of art-making inscribed into their appropriation and reinvention of artistic tradition. Far from being a reactionary move, this self-reflexivity expresses the modernity of Nazarene art. This study explores Nazarenism in a series of detailed excavations of central works in the Nazarene corpus produced between 1808 and the 1860s. The result is a book about the possibility of religious meanin
Author: Mary D. Sheriff
Publisher: Univ of North Carolina Press
Published: 2010-06-21
Total Pages: 236
ISBN-13: 0807898198
DOWNLOAD EBOOKArt historians have long been accustomed to thinking about art and artists in terms of national traditions. This volume takes a different approach, suggesting instead that a history of art based on national divisions often obscures the processes of cultural appropriation and global exchange that shaped the visual arts of Europe in fundamental ways between 1492 and the early twentieth century. Essays here analyze distinct zones of contact--between various European states, between Asia and Europe, or between Europe and so-called primitive cultures in Africa, the Americas, and the South Pacific--focusing mainly but not exclusively on painting, drawing, or the decorative arts. Each case foregrounds the centrality of international borrowings or colonial appropriations and counters conceptions of European art as a "pure" tradition uninfluenced by the artistic forms of other cultures. The contributors analyze the social, cultural, commercial, and political conditions of cultural contact--including tourism, colonialism, religious pilgrimage, trade missions, and scientific voyages--that enabled these exchanges well before the modern age of globalization. Contributors: Claire Farago, University of Colorado at Boulder Elisabeth A. Fraser, University of South Florida Julie Hochstrasser, University of Iowa Christopher Johns, Vanderbilt University Carol Mavor, University of North Carolina at Chapel Hill Mary D. Sheriff, University of North Carolina at Chapel Hill Lyneise E. Williams, University of North Carolina at Chapel Hill
Author: Sébastien Allard
Publisher: Metropolitan Museum of Art
Published: 2018-09-12
Total Pages: 331
ISBN-13: 1588396517
DOWNLOAD EBOOKp.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Eugène Delacroix (1798–1863) was one of the towering figures to emerge in France in the wake of Napoleon. No other artist of the nineteenth century balanced a reverence for the past with such a strong ambition and spirit of innovation. Distinguishing himself from many other talented young artists in Paris, he gained renown in the 1820s for his novel subject matter, theatrical sense of composition, vibrant palette, and vigorous painterly technique. His vast production—including some eight hundred paintings, prints in a variety of media, and thousands of drawings and pages of writing—won the admiration of countless writers and artists, including Charles Baudelaire, Paul Cèzanne, and Pablo Picasso. This comprehensive monograph closely examines the full breadth of Delacroix’s career, including his engagement with the work of his predecessors, his fascination with the natural world, his interest in Lord Byron and the Greek War of Independence, and the profound influence of his voyage to North Africa in 1832. It brings to life his relationships with his contemporaries, ranging from the painters Pierre Narcisse Guèrin and Antoine Jean Gros to Gustave Courbet, as well as his exploration of literary, historical, and biblical themes, his writing in personal journals, and his triumphant exhibition at the Exposition Universelle of 1855. Richly illustrated and encompassing the entire range and diversity of his art, from grand paintings to intimate drawings, Delacroix illuminates how this intrepid figure changed the course of European painting by heeding “a call for the liberty of art.”
