The Realities of Images
The Realities of Images

Author: Gerald Michael Greenfield

Publisher: American Philosophical Society

Published: 2001

Total Pages: 184

ISBN-13: 9780871699114

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In Feb. 1877, a letter from the county council of Telha, a town of 600 people located in the Serra da Mattos in Brazil reported that people were dying from starvation. The previous year's rainy season had been sparse, and the harvest, poor. Now, this season's rains still had not appeared. This was the Great Drought -- three years of failed rains enshrined in Brazilian memory as the worst drought ever to hit Brazil's northeast. Drought had visited the region throughout its history, with the earliest recorded occurrences dating back to the 16th century. The failure of rains in 1877 was devastating, for it caught the provinces of the north totally unprepared. The specter of periodic droughts producing dislocation and death continues to haunt the region.

Reconstructing the Reality of Images
Reconstructing the Reality of Images

Author: Maria G. Parani

Publisher: BRILL

Published: 2003

Total Pages: 720

ISBN-13: 9789004124622

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This examination of realia in Byzantine religious painting provides valuable information on Byzantine dress, household effects and implements, while introducing at the same time an alternative, literally 'objective', approach to the study of the formative processes of Byzantine art.

Image and Reality
Image and Reality

Author: Alan J. Rocke

Publisher: University of Chicago Press

Published: 2010-05-15

Total Pages: 403

ISBN-13: 0226723356

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Nineteenth-century chemists were faced with a particular problem: how to depict the atoms and molecules that are beyond the direct reach of our bodily senses. In visualizing this microworld, these scientists were the first to move beyond high-level philosophical speculations regarding the unseen. In Image and Reality, Alan Rocke focuses on the community of organic chemists in Germany to provide the basis for a fuller understanding of the nature of scientific creativity. Arguing that visual mental images regularly assisted many of these scientists in thinking through old problems and new possibilities, Rocke uses a variety of sources, including private correspondence, diagrams and illustrations, scientific papers, and public statements, to investigate their ability to not only imagine the invisibly tiny atoms and molecules upon which they operated daily, but to build detailed and empirically based pictures of how all of the atoms in complicated molecules were interconnected. These portrayals of “chemical structures,” both as mental images and as paper tools, gradually became an accepted part of science during these years and are now regarded as one of the central defining features of chemistry. In telling this fascinating story in a manner accessible to the lay reader, Rocke also suggests that imagistic thinking is often at the heart of creative thinking in all fields. Image and Reality is the first book in the Synthesis series, a series in the history of chemistry, broadly construed, edited by Angela N. H. Creager, John E. Lesch, Stuart W. Leslie, Lawrence M. Principe, Alan Rocke, E.C. Spary, and Audra J. Wolfe, in partnership with the Chemical Heritage Foundation.

Reality Modeled After Images
Reality Modeled After Images

Author: Michael Young

Publisher: Routledge

Published: 2021-08-30

Total Pages: 217

ISBN-13: 100040210X

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Reality Modeled After Images: Architecture and Aesthetics after the Digital Image explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and transformed. Critical investigations are conjoined with inquiries into aesthetics and technology in the hope that the tensions between them can aid an exploration into how architectural images are produced, disseminated, and valued; how images alter assumptions regarding the appearances of architecture and the environment. For students and academics in architecture, design and media studies, architectural and art history, and related fields, this book shows how design is impacted and changed by shifts in image culture, representational conventions and technologies.

Image, Reality and Media Construction
Image, Reality and Media Construction

Author: Fengmin Yan

Publisher: Springer Nature

Published: 2019-09-24

Total Pages: 259

ISBN-13: 9813290765

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This book explores how news media construct social issues and events and thereby convey certain perceptions within the scope of framing theory. By operationalizing media framing as a process of interpretation through defining problem, diagnosing causes, making moral judgments and suggesting solutions, the book proposes a systematic and transparent approach to images in news discourse. Based on a frame analysis, it examines how German news media framed a list of China-related issues and events, and thereby conveyed particular beliefs and opinions on this country. Moreover, it investigates whether there were dominant patterns of interpretation and the extent to which diverse views were evident by comparing two major daily newspapers with opposite political orientations - the FAZ and the taz. Motivated by the relationship between image and reality, the book explores image formation and persistence from media construction of meaning and human cognitive complexity in perceiving others. Media select certain issues and events and then interpret them from particular perspectives. A variety of professional and non-professional factors behind news making may result in biased representations. In addition, from a social psychological perspective, inaccurate perceptions of foreign cultures may arise from categorical thinking, biased processing of stimulus information, intergroup conflicts of interest and in-group favoritism. Accordingly, whether media coverage deviates from reality is not the main concern of this book; instead, it emphasizes the underlying logics upon which the conclusions and judgments were drawn. It therefore contributes to a rational understanding of Western discourse and holds practical implications for both Chinese public diplomacy and a more constructive role of news media in promoting the understanding of others.

The Digital Image and Reality
The Digital Image and Reality

Author: Dan Strutt

Publisher: Film Culture in Transition

Published: 2019

Total Pages: 0

ISBN-13: 9789462987135

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This book explores how digital image-making is integral to emergent modes of metaphysical reflection - to speculative futurism, optimistic nihilism, and ethical plasticity.

The Power of Images
The Power of Images

Author: David Freedberg

Publisher: University of Chicago Press

Published: 2013-02-01

Total Pages: 561

ISBN-13: 022625903X

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"This learned and heavy volume should be placed on the shelves of every art historical library."—E. H. Gombrich, New York Review of Books "This is an engaged and passionate work by a writer with powerful convictions about art, images, aesthetics, the art establishment, and especially the discipline of art history. It is animated by an extraordinary erudition."—Arthur C. Danto, The Art Bulletin "Freedberg's ethnographic and historical range is simply stunning. . . . The Power of Images is an extraordinary critical achievement, exhilarating in its polemic against aesthetic orthodoxy, endlessly fascinating in its details. . . . This is a powerful, disturbing book."—T. J. Jackson Lears, Wilson Quarterly "Freedberg helps us to see that one cannot do justice to the images of art unless one recognizes in them the entire range of human responses, from the lowly impulses prevailing in popular imagery to their refinement in the great visions of the ages."—Rudolf Arnheim, Times Literary Supplement

Class
Class

Author: Arthur Marwick

Publisher: New York : Oxford University Press

Published: 1980

Total Pages: 424

ISBN-13:

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A provocative and wide-ranging historical overview of this vital social subject of class distinctions. The author compares American, French, and British society since the Depression and concludes that in all three, class is still an important factor.

Image Brokers
Image Brokers

Author: Zeynep Devrim Gursel

Publisher: Univ of California Press

Published: 2016-04-12

Total Pages: 425

ISBN-13: 0520961617

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How does a photograph become a news image? An ethnography of the labor behind international news images, Image Brokers ruptures the self-evidence of the journalistic photograph by revealing the many factors determining how news audiences are shown people, events, and the world. News images, Zeynep Gürsel argues, function as formative fictions – fictional insofar as these images are constructed and culturally mediated, and formative because their public presence and circulation have real consequences in the world. Set against the backdrop of the War on Terror and based on fieldwork conducted at photojournalism’s centers of power, Image Brokers offers an intimate look at an industry in crisis. At the turn of the 21st century, image brokers—the people who manage the distribution and restriction of news images—found the core technologies of their craft, the status of images, and their own professional standing all changing rapidly with the digitalization of the infrastructures of representation. From corporate sales meetings to wire service desks, newsrooms to photography workshops and festivals, Image Brokers investigates how news images are produced and how worldviews are reproduced in the process.

Art, Perception, and Reality
Art, Perception, and Reality

Author: E. H. Gombrich

Publisher: JHU Press

Published: 1973-09

Total Pages: 160

ISBN-13: 9780801815522

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Explores questions relating to the nature of representation in art. It asks how we recognize likeness in caricatures or portraits, for instance, and presents the conflicting arguments and opinions of an art historian, a psychologist and a philosopher.