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Author: Tricia Cusack
Publisher: Anthem Nineteenth-Century
Published: 2023-03-07
Total Pages: 0
ISBN-13: 9781839988707
DOWNLOAD EBOOKThis book examines Irish portraits during the long nineteenth century in which figures read or hold a book. Reading fiction was cast as unmanly, while 'silent reading' allowed women of means to read widely and privately. Portraits of such women helped construct the idea of the 'New Woman' in Ireland.
Author: William Laffan
Publisher: Yale University Press
Published: 2015-01-01
Total Pages: 289
ISBN-13: 0300210604
DOWNLOAD EBOOKA sweeping survey of the arts of Ireland spanning 150 years and an astonishing range of artists and media This groundbreaking book captures a period in Ireland's history when countless foreign architects, artisans, and artists worked side by side with their native counterparts. Nearly all of the works within this remarkable volume--many of them never published before--have been drawn from North American collections. This catalogue accompanies the first exhibition to celebrate the Irish as artists, collectors, and patrons over 150 years of Ireland's sometimes turbulent history. Featuring the work of a wide range of artists--known and unknown--and a diverse array of media, the catalogue also includes an impressive assembly of essays by a pre-eminent group of international experts working on the art and cultural history of Ireland. Major essays discuss the subjects of the Irish landscape and tourism, Irish country houses, and Dublin's role as a center of culture and commerce. Also included are numerous shorter essays covering a full spectrum of topics and artworks, including bookbinding, ceramics, furniture, glass, mezzotints, miniatures, musical instruments, pastels, silver, and textiles.
Author: Adam Hanna
Publisher: Liverpool University Press
Published: 2022-08-13
Total Pages: 312
ISBN-13: 1802071202
DOWNLOAD EBOOKLaw and Literature: The Irish Case is a collection of fascinating essays by literary and legal scholars which explore the intersections between law and literature in Ireland from the eighteenth century to the present day. Sharing a concern for the cultural life of law and the legal life of culture, the contributors shine a light on the ways in which the legal and the literary have spoken to each other, of each other, and, at times, for each other, on the island of Ireland in the last three centuries. Several of the chapters discuss how texts and writers have found their ways into the law’s chambers and contributed to the development of jurisprudence. The essays in the collection also reveal the juridical and jurisprudential forces that have shaped the production and reception of Irish literary culture, revealing the law’s popular reception and its extra-legal afterlives. List of contributors: Rebecca Anne Barr, Max Barrett, Noreen Doody, Katherine Ebury, Adam Gearey, Tom Hickey, James Kelly, Colum Kenny, David Kenny, Heather Laird, Julie Morrissy, Gearóid O'Flaherty, Virginie Roche-Tiengo, Barry Sheils.
Author: Christina Fuhrmann
Publisher: Liverpool University Press
Published: 2023-02-16
Total Pages: 392
ISBN-13: 1638040435
DOWNLOAD EBOOKRecently, studies of opera, of print culture, and of music in Britain in the long nineteenth century have proliferated. This essay collection explores the multiple point of interaction among these fields. Past scholarship often used print as a simple conduit for information about opera in Britain, but these essays demonstrate that print and opera existed in a more complex symbiosis. This collection embeds opera within the culture of Britain in the long nineteenth century, a culture inundated by print. The essays explore: how print culture both disseminated and shaped operatic culture; how the businesses of opera production and publishing intertwined; how performers and impresarios used print culture to cultivate their public persona; how issues of nationalism, class, and gender impacted reception in the periodical press; and how opera intertwined with literature, not only drawing source material from novels and plays, but also as a plot element in literary works or as a point of friction in literary circles. As the growth of digital humanities increases access to print sources, and as opera scholars move away from a focus on operas as isolated works, this study points the way forward to a richer understanding of the intersections between opera and print culture.
Author: Rebecca Anne Barr
Publisher:
Published: 2019
Total Pages: 232
ISBN-13: 1786942089
DOWNLOAD EBOOKThis volume explores the multiple forms and functions of reading and writing in nineteenth-century Ireland. It traces how understandings of literacy and language shaped national and transnational discourses of cultural identity, and the different reading communities produced by questions of language, religion, status, education and audience.
Author: Laurel Brake
Publisher: Academia Press
Published: 2009
Total Pages: 1059
ISBN-13: 9038213409
DOWNLOAD EBOOKA large-scale reference work covering the journalism industry in 19th-Century Britain.
Author: Phyllis Weliver
Publisher: Routledge
Published: 2017-07-05
Total Pages: 281
ISBN-13: 1351544543
DOWNLOAD EBOOKHow was music depicted in and mediated through Romantic and Victorian poetry? This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better music's place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blake's verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliot's use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson.
Author: Rebecca Butler
Publisher: Routledge
Published: 2021-05-05
Total Pages: 197
ISBN-13: 1000381625
DOWNLOAD EBOOKWith the rise of mass tourism, Italy became increasingly accessible to Victorian women travellers not only as a locus of artistic culture but also as a site of political enquiry. Despite being outwardly denied a political voice in Britain, many female tourists were conspicuous in their commitment to the Italian campaign for national independence, or Risorgimento (1815–61). Revisiting Italy brings several previously unexamined travel accounts by women to light during a decisive period in this political campaign. Revealing the wider currency of the Risorgimento in British literature, Butler situates once-popular but now-marginalized writers: Clotilda Stisted, Janet Robertson, Mary Pasqualino, Selina Bunbury, Margaret Dunbar and Frances Minto Elliot alongside more prominent figures: the Shelley-Byron circle, the Brownings, Florence Nightingale and the Kemble sisters. Going beyond the travel book, she analyses a variety of forms of travel writing including unpublished letters, privately printed accounts and periodical serials. Revisiting Italy focuses on the convergence of political advocacy, gender ideologies, national identity and literary authority in women’s travel writing. Whether promoting nationalism through a maternal lens, politicizing the pilgrimage motif or reviving gothic representations of a revolutionary Italy, it identifies shared touristic discourses as temporally contingent, shaped by commercial pressures and the volatile political climate at home and abroad.
Author: Peter W. Sinnema
Publisher: Ohio University Press
Published: 2006-04-21
Total Pages: 199
ISBN-13: 0821442090
DOWNLOAD EBOOKSoldier, hero, and politician, the Duke of Wellington is one of the best-known figures of nineteenth-century England. From his victory at Waterloo over Napoleon in 1815, he rose to become prime minister of his country. But Peter Sinnema finds equal fascination in Victorian England’s response to the duke’s death. The Wake of Wellington considers Wellington’s spectacular funeral pageant in the fall of 1852—an unprecedented event that attracted one and a half million spectators to London—as a threshold event against which the life of the soldier-hero and High Tory statesman could be re-viewed and represented. Canvassing a profuse and dramatically proliferating Wellingtoniana, Sinnema examines the various assumptions behind, and implications of, the Times’s celebrated claim that the Irish-born Wellington “was the very type and model of an Englishman.” The dead duke, as Sinnema demonstrates, was repeatedly caught up in interpretive practices that stressed the quasi-symbolic relations between hero and nation. The Wake of Wellington provides a unique view of how in death Wellington and his career were promoted as the consummation of a national destiny intimately bound up with Englishness itself, and with what it meant to be English at midcentury.
Author: Síghle Bhreathnach-Lynch
Publisher:
Published: 2007
Total Pages: 332
ISBN-13:
DOWNLOAD EBOOKUntil recently little attention was paid to the role of art in constructing the "story" of the Irish nation. This wide-ranging study of Irish pictures and sculpture opens up the subject by providing a fresh interdisciplinary approach. Each work is analyzed beyond its strictly art historical relevance. A deeper investigation into the context in which a work was produced reveals much about the aspirations and ideological ambitions of artists, those commissioning works, and the viewing public. The study of such diverse topics as the representation of the Irish peasant, the behind-the-scenes tensions in setting up a national gallery for Ireland, the erecting of political monuments, Church art, West of Ireland landscape painting, and the difference in nationalistic fervor among artists as diverse as Albert G. Power and Jack B. Yeats unveil fascinating testimony about Ireland's collective national "needs" and its constructs of identity.
