As all the readers of Alice's Adventures in Wonderland will know, when Alice sat down (uninvited) at the mad tea party, the Hatter opened his eyes very wide and asked, "Why is a raven like a writing desk?" The riddle is famous because when Alice in turn asked, "What's the answer?" the Hatter replied that he hadn't the faintest idea. It has provoked ingenious possible answers from many great minds, but in this utterly engaging "Enquiry," Francis Huxley has undertaken the first investigation in depth. - Jacket flap.
First published in 1988, this classic text is established as one of the most important discussions of the language of literature. Re-issued as a result of recent critical interest, this edition includes a new preface by the author.
The old practices of interpretation have been exhausted, and the humanities and social sciences are facing a crisis. Is there a way out of the labyrinth of reading? In this book, Professor Neuman presents a challenging approach to interpreting texts and reading literature through the spectacles of conceptual mathematics. This approach strives to avoid the simplicity of a quantitative approach to the analysis of literature as well as both the relativistic and the ideological dangers facing a qualitative reading of a text. The approach is introduced in a rigorous and accessible manner and woven with insights gained from various fields. Taking us on a challenging journey from Ovid’s Metamorphoses to Nick Cave’s The Death of Bunny Munro, the book shows how we may gain a deeper understanding of literature and the aesthetic experience of reading.
The culmination of a lifetime of scholarship, The Annotated Alice is a landmark event in the rich history of Lewis Carroll and cause to celebrate the remarkable career of Martin Gardner. For over half a century, Martin Gardner has established himself as one of the world's leading authorities on Lewis Carroll. His Annotated Alice, first published in 1959, has over half a million copies in print around the world and is beloved by both families and scholars—for it was Gardner who first decoded many of the mathematical riddles and wordplay that lay ingeniously embedded in Carroll's two classic stories, Alice's Adventures in Wonderland and Through the Looking Glass. Forty years after this groundbreaking publication, Norton is proud to publish the Definitive Edition of The Annotated Alice, a work that combines the notes of Gardner's 1959 edition with his 1990 volume, More Annotated Alice, as well as additional discoveries drawn from Gardner's encyclopedic knowledge of the texts. Illustrated with John Tenniel's classic, beloved art—along with many recently discovered Tenniel pencil sketches—The Annotated Alice will be Gardner's most beautiful and enduring tribute to Carroll's masterpieces yet.
NATIONAL BESTSELLER • Years ago, a reclusive mega-bestselling children’s author quit writing under mysterious circumstances. Suddenly he resurfaces with a brand-new book and a one-of-a-kind competition, offering a prize that will change the winner’s life in this absorbing and whimsical novel. “Clever, dark, and hopeful . . . a love letter to reading and the power that childhood stories have over us long after we’ve grown up.”—V. E. Schwab, #1 New York Times bestselling author of The Invisible Life of Addie LaRue A BEST BOOK OF THE YEAR: Washington Post, She Reads, Bookreporter Make a wish. . . . Lucy Hart knows better than anyone what it’s like to grow up without parents who loved her. In a childhood marked by neglect and loneliness, Lucy found her solace in books, namely the Clock Island series by Jack Masterson. Now a twenty-six-year-old teacher’s aide, she is able to share her love of reading with bright, young students, especially seven-year-old Christopher Lamb, who was left orphaned after the tragic death of his parents. Lucy would give anything to adopt Christopher, but even the idea of becoming a family seems like an impossible dream without proper funds and stability. But be careful what you wish for. . . . Just when Lucy is about to give up, Jack Masterson announces he’s finally written a new book. Even better, he’s holding a contest at his home on the real Clock Island, and Lucy is one of the four lucky contestants chosen to compete to win the one and only copy. For Lucy, the chance of winning the most sought-after book in the world means everything to her and Christopher. But first she must contend with ruthless book collectors, wily opponents, and the distractingly handsome (and grumpy) Hugo Reese, the illustrator of the Clock Island books. Meanwhile, Jack “the Mastermind” Masterson is plotting the ultimate twist ending that could change all their lives forever. . . . You might just get it.
“A first-rate fantasy for middle-grade readers,” declares Booklist in a starred review, comparing Gabriel Finley to Harry Potter, Philip Pullman’s His Dark Materials series, and The Mysterious Benedict Society. A tangle of ingenious riddles, a malevolent necklace called a torc, and flocks of menacing birds: these are just some of the obstacles that stand between Gabriel and his father, Adam Finley, who has vanished from their Brooklyn brownstone. When Gabriel rescues an orphaned baby raven named Paladin, he discovers a family secret: Finleys can bond with ravens in extraordinary ways. Along with Paladin and three valiant friends, Gabriel sets out to bring his father home. They soon discover that Adam is being held captive by the evil demon Corax—half man, half raven, and Adam’s very own disgraced brother—in a foreboding netherworld of birds called Aviopolis. With help from his army of ghoulish minions, the valravens, Corax is plotting to take over the land above, and now only Gabriel stands in his way. “A vivid, compelling fantasy that sends you off to a world you will not soon forget.” —Norton Juster, author of The Phantom Tollbooth “A great read for fantasy lovers who have worn out their copies of Harry Potter.” —School Library Journal, Starred “Brimful of antic energy and inventive flair, like the best middle-grade fantasies; readers, like baby birds, will devour it and clamor for future installments.” —Kirkus Reviews
Viewing stories and novels from an ethnographic perspective, Eduardo González here explores the relationship between myth, ritual, and death in writings by Borges, Vargas Llosa, Cortázar, and Roa Bastos. He then weaves this analysis into a larger cultural fabric composed of the works of Chaucer, Shakespeare, Joyce, Benjamin, H. G. Wells, Kafka, Poe, and others. What interests González is the signature of authorial selfhood in narrative and performance, which he finds willfully and temptingly disfigured in the works he examines: horrific and erotic, subservient and tyrannical, charismatic and repellent. Searching out the personal image and plot, González uncovers two fundamental types of narrative: one that strips character of moral choice; and another in which characters' choices deprive them of personal autonomy and hold them in ritual bondage to a group. Thus The Monstered Self becomes a study of the conflict between individual autonomy and the stereotypes of solidarity. Written in a characteristically allusive, elliptical style, and drawing on psychoanalysis, religion, mythology, and comparative literature, The Monstered Self is in itself a remarkable performance, one that will engage readers in anthropology, psychology, and cultural history as well as those specifically interested in Latin American narrative.
There is a world… Hidden beneath us… Where Once Upon a Time… Becomes corrupted with excess and control… When Kayden Daniels is thrown from being a New York City multimillionaire… Into the world of Wonderland… His destiny of becoming The Mad Hatter will begin Thrown together by Fate – a messenger of the Heart’s family- a Seductive young man- and a stranger With a mission will collide to set in motion an epic battle between good and evil. Return down the back road where Fate takes a stand and experience a new version of Wonderland. Betrayed by the King he loves the lines between good and evil will blur. Bondage and madness become the seeds that form an empire and when a dark force is released in Wonderland, can an ancient crystal hold the key to lands survival or destruction? Rejoin your favorite character from Seduction of a King and flash back to the beginning of an ancient world where pleasure and greed are unlimited and glamour only hides what is lurking behind the surface. Where men can fall in love or just fulfill their lust and the fate of four young strangers will shape the future of the world we know as Wonderland and form the destiny of a Hatter. The Back Road to Wonderland series begins with the formative days of the Mad Hatter before “Alice” fell down the rabbit hole. A journey that will take him from the medieval district of the Heart’s to the building of an empire. Can one man have it all and still find true love? The answer is only a seduction away.
Spinoza's Ethics, published in 1677, is considered his greatest work and one of history's most influential philosophical treatises. This volume brings established scholars together with new voices to engage with the complex system of philosophy proposed by Spinoza in his masterpiece. Topics including identity, thought, free will, metaphysics, and reason are all addressed, as individual chapters investigate the key themes of the Ethics and combine to offer readers a fresh and thought-provoking view of the work as a whole. Written in a clear and accessible style, the volume sets out cutting-edge research that reflects, challenges, and promotes the most recent scholarly advances in the field of Spinoza studies, tackling old issues and bringing to light new subjects for debate.
