A pioneering work of environmental journalism that vividly depicts the people, animals and landscapes on the front lines of change's inexorable march. A species nearing extinction, a tribe losing centuries of knowledge, a tract of forest facing the first incursion of humans-how can we even begin to assess the cost of losing so much of our natural and cultural legacy? For forty years, environmental journalist and author Eugene Linden has traveled to the very sites where tradition, wildlands and the various forces of modernity collide. In The Ragged Edge of the World, he takes us from pygmy forests to the Antarctic to the world's most pristine rainforest in the Congo to tell the story of the harm taking place-and the successful preservation efforts-in the world's last wild places. The Ragged Edge of the World is a critical favorite, and was an editors' pick on Oprah.com.
By the author of Planetwalker, The Ragged Edge of Silence takes us to another level of appreciating, through silence, the beauty of the planet and our place in it. John Francis's real and compelling prose forms a tapestry of questions and answers woven from interviews, stories, personal experience, science, and the power of silence through history, including practice by Native American, Hindu, and Buddhist cultures. Through their time-honored traditions and his own experience of communicating silently for 17 years, Francis's practical exercises lay the groundwork for the reader to build constructive silence into everyday life: to learn more about oneself, to set goals and accomplish dreams, to build strong relationships, and to appreciate and be a steward of the Earth. With its amazing human interest element and first-person expertise, this book is energizing and universally instructive.
Rave reviews for Pluto and Charon: Ice Worlds on the Ragged Edge of the Solar System The story of the quest to understand Pluto and the resulting transformation of our concept of the diminutive planet from that of solar-system misfit to king of the Kuiper Belt is told in this book by Alan Stern and Jacqueline Mitton. Stern, a Plutophile to the core, is one of the most energetic, talented, and savvy planetary astronomers in the business today. Mitton, trained as an astronomer, is an experienced writer and editor of scientific books for nonscientists. Together they have created an immensely informative book . . . Written in an engaging and informal style, Pluto and Charon takes the reader step by step from the discovery of the ninth planet in 1930 to the current understanding of Pluto and its moon, Charon.-Sky & Telescope More than a book summarizing what we know about [the] planet, [Pluto and Charon is] about how far and how fast astronomical technology has come since 1965 . . . Stern and Mitton use the narrative of Pluto research to explain in comfortable, everyday language how such work is done . . . One of the nice touches in the book is that Stern and Mitton tell us something about each astronomer.-Astronomy Pluto and Charon presents the exploration of the ninth planet-written as a vivid historical account-for anyone with an interest in science and astronomy . . . the authors describe in simple language the methods researchers use to explore the universe and the way ever-improving instrumentation helps their knowledge advance.-Physics Today
During the half-century after the Civil War, intellectuals and politicians assumed the Midwest to be the font and heart of American culture. Despite the persistence of strong currents of midwestern regionalism during the 1920s and 1930s, the region went into eclipse during the post–World War II era. In the apt language of Minnesota’s F. Scott Fitzgerald, the Midwest slid from being the “warm center” of the republic to its “ragged edge.” This book explains the factors that triggered the demise of the Midwest’s regionalist energies, from anti-midwestern machinations in the literary world and the inability of midwestern writers to break through the cultural politics of the era to the growing dominance of a coastal, urban culture. These developments paved the way for the proliferation of images of the Midwest as flyover country, the Rust Belt, a staid and decaying region. Yet Lauck urges readers to recognize persisting and evolving forms of midwestern identity and to resist the forces that squelch the nation’s interior voices.
Deployed to Iraq in March 2004 after the overthrow of Saddam Hussein, US Marine Michael Zacchea thought he had landed a plum assignment. His team's mission was to build, train, and lead in combat the first Iraqi Army battalion trained by the US military. Quickly, he realized he was faced with a nearly impossible task. With just two weeks' training based on outdated and irrelevant materials, no language instruction, and few cultural tips for interacting with his battalion of Shiites, Sunnis, Kurds, Yazidis, and others, Zacchea arrived at his base in Kirkush to learn his recruits would need beds, boots, uniforms, and equipment. His Iraqi officer counterparts spoke little English. He had little time to transform his troops—mostly poor, uneducated farmers—into a cohesive rifle battalion that would fight a new insurgency erupting across Iraq. In order to stand up a fighting battalion, Zacchea knew, he would have to understand his men. Unlike other combat Marines in Iraq at the time, he immersed himself in Iraq's culture: learning its languages, eating its foods, observing its traditions—even being inducted into one of its Sunni tribes. A constant source of both pride and frustration, the Iraqi Army Fifth Battalion went on to fight bravely at the Battle of Fallujah against the forces that would eventually form ISIS. The Ragged Edge is Zacchea's deeply personal and powerful account of hopeful determination, of brotherhood and betrayal, and of cultural ignorance and misunderstanding. It sheds light on the dangerous pitfalls of training foreign troops to fight murderous insurgents and terrorists, precisely when such wartime collaboration is happening more than at any other time in US history.
This is a book for people living in the trenches--for those who are searching for a deeper sense of satisfaction from the daily grind of being alive in the l990sWord to laypeople who feel the call of the Great Commission upon their lives.ess, a better friend.
From the acclaimed cultural historian Philip F. Gura comes Truth's Ragged Edge, a comprehensive and original history of the American novel's first century. Grounded in Gura's extensive consideration of the diverse range of important early novels, not just those that remain widely read today, this book recovers many long-neglected but influential writers—such as the escaped slave Harriet Jacobs, the free black Philadelphian Frank J. Webb, and the irrepressible John Neal—to paint a complete and authoritative portrait of the era. Gura also gives us the key to understanding what sets the early novel apart, arguing that it is distinguished by its roots in "the fundamental religiosity of American life." Our nation's pioneering novelists, it turns out, wrote less in the service of art than of morality. This history begins with a series of firsts: the very first American novel, William Hill Brown's The Power of Sympathy, published in 1789; the first bestsellers, Susanna Rowson's Charlotte Temple and Hannah Webster Foster's The Coquette, novels that were, like Brown's, cautionary tales of seduction and betrayal; and the first native genre, religious tracts, which were parables intended to instruct the Christian reader. Gura shows that the novel did not leave behind its proselytizing purpose, even as it evolved. We see Catharine Maria Sedgwick in the 1820s conceiving of A New-England Tale as a critique of Puritanism's harsh strictures, as well as novelists pushing secular causes: George Lippard's The Quaker City, from 1844, was a dark warning about growing social inequality. In the next decade certain writers—Hawthorne and Melville most famously—began to depict interiority and doubt, and in doing so nurtured a broader cultural shift, from social concern to individualism, from faith in a distant god to faith in the self. Rich in subplots and detail, Gura's narrative includes enlightening discussions of the technologies that modernized publishing and allowed for the printing of novels on a mass scale, and of the lively cultural journals and literary salons of early nineteenth-century New York and Boston. A book for the reader of history no less than the reader of fiction, Truth's Ragged Edge—the title drawn from a phrase in Melville, about the ambiguity of truth—is an indispensable guide to the fascinating, unexpected origins of the American novel.
“Much more than a coming-of-age story, Badluck Way is an important meditation on what it means to share space and breathe the same air as truly wild animals, and the necessary damage that can occur when boundaries are crossed” (Tom Groneberg, author of The Secret Life of Cowboys). In this gripping memoir of a young man, a wolf, their parallel lives and ultimate collision, Bryce Andrews describes life on the remote, windswept Sun Ranch in southwest Montana. The Sun’s twenty thousand acres of rangeland occupy a still-wild corner of southwest Montana—a high valley surrounded by mountain ranges and steep creeks with portentous names like Grizzly and Bad Luck. Just over the border from Yellowstone National Park, the Sun holds giant herds of cattle and elk amid many predators—bears, mountain lions, and wolves. In lyrical, haunting language, Andrews recounts marathon days and nights of building fences, riding, roping, and otherwise learning the hard business of caring for cattle, an initiation that changes him from an idealistic city kid into a skilled ranch hand. But when wolves suddenly begin killing the ranch’s cattle, Andrews has to shoulder a rifle, chase the pack, and do what he’d hoped he would never have to do. Called “an elegant memoir” by the Great Falls Tribune, Badluck Way is about transformation and complications, about living with dirty hands every day. It is about the hard choices that wake us at night and take a lifetime to reconcile. Above all, Badluck Way celebrates the breathtaking beauty of wilderness and the satisfaction of hard work on some of the harshest, most beautiful land in the world.
"It blew me away. I underlined things on nearly every page." —Anderson Cooper, All There Is The Wild Edge of Sorrow offers hope and healing for a profoundly fractured world—and a pathway home to the brightness, pains, and gifts of being alive. Introducing the 5 gates of grief, psychotherapist Francis Weller explores how we move through the waters of grief and loss in a culture so fundamentally detached from the needs of the soul. • The first gate recognizes—and invites us to accept—the painful truth that everything we love, we will lose. With this acceptance comes beauty and responsibility—and an openness into which we can pour the full love of our hearts. At the first gate, we meet the sorrow of losing a loved one; the grief of illness; and the unique and profound pains that accompany loss by suicide. • The second gate helps us uncover and tend to the places that have not known love: the neglected pieces of our soul that need restoration and care. These “places” can be our secret shames, or the parts of us that we feel are undeserving of love. At the second gate, we face our shadows and heal our most tender wounds. • The third gate meets us at the sorrows of the world, inviting us to open to the grave pain of our planet: the destruction of ecosystems, the harms of extractive capitalism, the unfathomable pain of war and occupation. We learn to honor and hold this grief even as we move through it, recommitting ourselves to the actions our souls call upon us to perform in service of healing and renewal. • The fourth gate, what we expected but did not receive, is present in each and every one of our lives. We may need love from a parent or partner unable to give it; we may lack the language to ask for the care we deserve. Each is a loss that must be acknowledged and grieved to move toward wholeness. • The fifth gate opens to our ancestral grief: the traumas, pains, losses, and unrealized dreams of those who came before us. Weller invites us to reconnect to our bodies, our communities, and the ancestral knowledge we hold in our bones...but may have forgotten. Profoundly moving, beautifully written, this book is a balm for the soul and a necessary salve for moving together through difficult times. Grounded in ritual and connection, The Wild Edge of Sorrow welcomes each grief with care and attention, opening us to the feelings, experiences, and sacred knowledge that connect us to each other and ultimately make us whole.
Here is an intimate glimpse into Solomon's ancient journal, Ecclesiastes, in which the young king's desperate quest for satisfaction-in work, in sexual conquest, in all the trappings afforded by his fabulous wealth-was as futile as trying to "catch the wind." For those struggling with the anxieties and frustrations of our modern era, the good news is that you can find perspective and joy amid the struggle.
