Filled with practical advice that will help anyone obtain the information they seek through Italian records, Italian Genealogical Records is a comprehensive guide to the complexities and nuances of what could otherwise be a daunting task. In this book, the author discusses the history and development of Italian record keeping, providing reproductions of typical records and a complete translation and thorough explanation of each. Among the many other topics covered in this book are the significance of Italian surnames and the relevance of Italian noble families in the search for Italian ancestors.
This book investigates the origins and transformations of medieval image culture and its reflections in theology, hagiography, historiography and art. It deals with a remarkable phenomenon: the fact that, after a period of 500 years of absence, the tenth century sees a revival of monumental sculpture in the Latin West. Since the end of Antiquity and the pagan use of free-standing, life-size sculptures in public and private ritual, Christians were obedient to the Second Commandment forbidding the making and use of graven images. Contrary to the West, in Byzantium, such a revival never occurred: only relief sculpture - mostly integrated within an architectural context - was used. However, Eastern theologians are the authors of highly fascinating and outstanding original theoretical reflections about the nature and efficacy of images. How can this difference be explained? Why do we find the most fascinating theoretical concepts of images in a culture that sticks to two-dimensional icons often venerated as cult-images that are copied and repeated, but only randomly varied? And why does a groundbreaking change in the culture of images - the revival of monumental sculpture - happen in a context that provides more restrained theoretical reflections upon images in their immediate theological, liturgical and artistic contexts? These are some of the questions that this book seeks to answer.The analysis and contextualization of the revival of monumental sculpture includes reflections on liturgy, architecture, materiality of minor arts and reliquaries, medieval theories of perception, and gift exchange and its impact upon practices of image veneration, aesthetics and political participation. Drawing on the historical investigation of specific objects and texts between the ninth and the eleventh century, the book outlines an occidental history of image culture, visuality and fiction, claiming that only images possess modes of visualizing what in the discourse of medieval theology can never be addressed and revealed.
"The Plays of Roswitha" by Hrotsvitha (translated by Christopher St. John). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Comprehensive anthology contains exquisite cross-section of Western medieval literature, from Boethius and Augustine to Dante, Abelard, Marco Polo, and Villon, in masterful translations. "No better anthology exists." — Commonweal.
Vilhelm Grønbech was a preeminent professor of the history of religion at the University of Copenhagen in the early twentieth century. His vast breadth of knowledge of world cultures and religions had profound effect on Danish academic thought, and in The Culture of the Teutons, Grønbech turns his keen analysis toward his own culture, that of Germanic Europe. Grønbech draws upon a rich panoply of sources in the Norse sagas, legal rulings, and historical figures both living and mythological to deliver for us a compelling thesis of the tribes that harried Rome, of the Viking Age, of pagan rituals and later widespread adoption of Christianity as much more than the sum of bloodthirsty plundering, as less charitable historians have condemned them. Instead, we delve into a culture alien to that of Tacitus or the Greeks, misunderstood for hundreds if not thousands of years. In seeming contradiction, the pagan worldview is foreign compared to our own today, or to the culturally imperialistic Romans who documented their "barbarian" foes, yet one cannot be truly estranged from his own ancestors. The genius of The Culture of the Teutons lies in Grønbech's ability to weave together what at first glance appear polar opposites, but in reality are inexorably linked. The various Germanic tribes of Europe, the Teutons, place unshakeable value on honor, family, and religion to create a society perplexingly carnal yet sophisticated, advanced yet close to nature. And nowhere is this clearer than in their settlement of inhospitable lands such as Iceland or the Faroe Islands, in which they brought order to a seemingly untamable environment. The impact of the peoples of Northern Europe on world history today is so vast no amount of spilled ink can pay it justice. Antelope Hill Publishing is proud to bring this expansive tome back into the limelight for a modern English-speaking audience, now complete with a substantial glossary, index, and hundreds of footnotes to confer important cultural context that would have been assumed common knowledge to its intended Danish audience. This complete edition includes volumes I and II, published in 1909 and 1912, respectively.