The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave
To Christians worldwide, the man Jesus of Nazareth is the centerpiece of history, the object of faith, hope, and worship. Even those who do not follow him admit the vast influence of his life. For anyone interested in knowing more about Jesus, study of the four biblical Gospels is essential. The second edition of Four Portraits, One Jesus has been updated throughout to meet the needs to today's students. It is a thorough yet accessible introduction to the four biblical Gospels and their subject, the life and person of Jesus. Like different artists rendering the same subject using different styles and points of view, the Gospels paint four highly distinctive portraits of the same remarkable Jesus. With clarity and insight, Mark Strauss illuminates these four books addressing the following important areas: First he addresses the nature, origin, methods for study, and historical, religious, and cultural backgrounds of the Gospels. He then moves on to closer study of each narrative and its contribution to our understanding of Jesus, investigating things such as plot, characters, and theme. Finally, he pulls it all together with a detailed examination of what the Gospels teach about Jesus' ministry, message, death, and resurrection, with excursions into the quest for the historical Jesus and the historical reliability of the Gospels. This textbook together with its workbook, video lectures, and laminated sheet gives students everything they need for a thorough and enriching study of Jesus and the Gospels.
Mark's gospel is a rapid fire account of Jesus' ministry focusing primarily on His many miracles. This eyewitness account presents the boldest and clearest witness of Jesus' identity as the Son of God with power!
This study investigates the issues of the origin and purpose of the Gospel of Mark. The author argues that Mark’s Gospel was written in Galilee some time after the Jewish Revolt in 70 AD for a Christian audience that was living under the threat of persecution. The first part of the book examines the situation of Mark’s intended readers, and the nature of and reasons for their persecution. The second part establishes in what way the Gospel addresses the situation of Mark’s original readers.
In this BST volume, Donald English offers a wise, welcoming, and nontechnical guide to Mark, the smallest of the four Gospels. Along with exposition of each section of the text, English draws out principles and applications about the nature of true faith, the cost of discipleship, and how we should receive God's Word today.
Written by an L. A. County homicide detective and former atheist, Cold-Case Christianity examines the claims of the New Testament using the skills and strategies of a hard-to-convince criminal investigator. Christianity could be defined as a “cold case”: it makes a claim about an event from the distant past for which there is little forensic evidence. In Cold-Case Christianity, J. Warner Wallace uses his nationally recognized skills as a homicide detective to look at the evidence and eyewitnesses behind Christian beliefs. Including gripping stories from his career and the visual techniques he developed in the courtroom, Wallace uses illustration to examine the powerful evidence that validates the claims of Christianity. A unique apologetic that speaks to readers’ intense interest in detective stories, Cold-Case Christianity inspires readers to have confidence in Christ as it prepares them to articulate the case for Christianity.
The primary objective of this book is an interpretative retelling of Mark's story of the life and death of Jesus. Mark's Gospel is viewed as a dramatically plotted journey of Jesus. Mark invites the reader to follow Jesus on His travels, unexpected experiences and crises. The reader who follows Jesus' journey to the end will be shown a way out of the crisis.
This volume presents a detailed case for the plausible literary dependence of the Gospel of Mark on select letters of the apostle Paul. The book argues that Mark and Paul share a gospel narrative that tells the story of the life, death, resurrection, and second coming of Jesus Christ "in accordance with the scriptures," and it suggests that Mark presumed Paul and his mission to be constitutive episodes of that story. It contends that Mark self-consciously sought to anticipate the person, teachings, and mission of Paul by constructing narrative precursors concordant with the eventual teachings of the itinerant apostle–a process Ferguson labels Mark’s ‘etiological hermeneutic.’ The book focuses in particular on the various (re)presentations of Christ’s death that Paul believed occurred within his communities—Christ's death performed in ritual, prefigured in scripture, and embodied within Paul’s person—and it argues that these are all seeded within and anticipated by Mark’s narrative. Through careful argument and detailed analysis, A New Perspective on the Use of Paul in the Gospel of Mark makes a substantial contribution to the ongoing debate about the dependence of Mark on Paul. It is key reading for any scholar engaged in that debate, and the insights it provides will be of interest to anyone studying the Synoptic Gospels or the epistles of Paul more generally.
Mark's 'biography' of Jesus is the earliest of the four gospels, and influenced them all. The distinctive feature of this biography is the quality of 'good news', which presupposes a world dominated by the forces of evil. John Painter shows how the rhetorical and dramatic shaping of the book emphasises the conflict of good and evil at many levels - between Jesus and the Jewish authorities, Jesus and the Roman authorities, and the conflict of values within the disciples themselves. These matters of content are integral to this original approach to Mark's theodicy, while the stylistic issue raises the question of Mark's intended readership. John Painter's succinct yet thorough treatment of Mark's gospel opens up not only these rhetorical issues, but the social context of the gospel, which Painter argues to be that of the Pauline mission to the nations.