The Prose Works of Jonathan Swift: Irish tracts, 1720-1723 and Sermons
Author: Jonathan Swift
Publisher:
Published: 1948
Total Pages: 430
ISBN-13:
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Author: Jonathan Swift
Publisher:
Published: 1948
Total Pages: 430
ISBN-13:
DOWNLOAD EBOOKAuthor: Jonathan Swift
Publisher:
Published: 1948
Total Pages: 386
ISBN-13:
DOWNLOAD EBOOKAuthor: Todd C. Parker
Publisher: Associated University Presse
Published: 2009
Total Pages: 240
ISBN-13: 9780874130447
DOWNLOAD EBOOKThe essays in this volume cover four broad categories: (1) Essays that historicize his relationship to the Church of Ireland and to the bruising world of eighteenth-century theological discourse in general. (2) Essays that examine how Swift represents religious figures and controversies in his poetry and prose, including a A Tale of a Tub. (3) Essays that theorize the relationships between religious and literary genres. (4) Essays that articulate the links between Swift's satires and contemporary religious, philosophical, and scientific discourse."--BOOK JACKET.
Author: Jonathan Swift
Publisher:
Published: 1948
Total Pages: 426
ISBN-13:
DOWNLOAD EBOOKAuthor: Charles Ivar McGrath
Publisher: Associated University Presse
Published: 2008
Total Pages: 254
ISBN-13: 9780874130270
DOWNLOAD EBOOK"This collection gathers the expertise of scholars in several disciplines to examine the manner in which financial and economic arguments were expressed in pamphlets, broadsides, and longer works of literature in the seventeenth and eighteenth centuries, and to assess to what extent the political realities of the day were informed by these debates or, alternatively, shaped by that rhetoric. The contributors to the volume draw upon an extensive variety of contemporary sources and modern analyses of the formative years of the financial revolution to reexamine many of the existing conventional ideas about the relationship between money, power, and print, and to suggest that the subject is far more complex and interrelated than most studies up to now have indicated. Particular attention is paid to the fact that the financial revolution did not occur in London in isolation from the various regions of the British Isles." "The essays address the question of how money, power, and print influenced the contemporary emergence of a radically different public finance structure in the British empire and how retrospective understanding of the results have influenced historical readings of the texts and the events. A number of contributions offer detailed analyses of particular moments or structures in the reshaping of the public financial sphere, such as the parliamentary and pamphlet debate over the establishment of the Bank of England and proposals for a land bank as an alternative. Other essays focus on broader themes illustrative of larger trends during the period, such as the Scottish support for an expedition to Madagascar to take advantage of presumed pirate treasure on the island."--BOOK JACKET.
Author: Fergus Dunne
Publisher: Routledge
Published: 2018-08-08
Total Pages: 485
ISBN-13: 0429801653
DOWNLOAD EBOOKThis book resituates Francis Sylvester Mahony in an early nineteenth-century literary-historical context, counteracting the efforts of twentieth-century literary historians to obscure his contribution to the emergence of a distinctive Irish Catholic fiction in English. This volume re-explores his ambivalent role as a Catholic unionist contributor to the progressive Tory London periodical, Fraser’s Magazine, examining his use of translation to map out an alternative literary aesthetic of the peripheries. The book also traces the development of his political thinking in his Italian journalism for Charles Dickens’ Daily News, in which he responded to the events of the Famine by finding common cause with Young Ireland, and looks afresh at his final incarnation as a British Liberal commentator on Irish and European affairs for the Globe newspaper. More broadly, the book seeks to re-evaluate Mahony’s cosmopolitan writings in relation to the multifaceted, transnational perspectives on Irish, British, and European affairs presented in his essays and journalism.
Author: Christopher Fauske
Publisher: Routledge
Published: 2015-10-06
Total Pages: 255
ISBN-13: 1317324188
DOWNLOAD EBOOKWilliam King (1650–1729) was perhaps the dominant Irish intellect of the period from 1688 until his death in 1729. An Anglican (Church of Ireland) by conversion, King was a strident critic of John Toland and the clerical superior of Jonathan Swift.
Author: Elizabeth Kraft
Publisher: University of Georgia Press
Published: 1992
Total Pages: 238
ISBN-13: 9780820313658
DOWNLOAD EBOOKThe eighteenth-century novel developed amid an emerging emphasis on individualism that clashed with long-cherished beliefs in hierarchy and stability. Though the comic novelists, unlike Defoe and Richardson, avoided total involvement in the mind of any one character, they were nonetheless fundamentally concerned with the nature of consciousness. In Character and Consciousness in Eighteenth-Century Comic Fiction, Elizabeth Kraft examines the kind of consciousness central to comic novels of the period. It is, she asserts, individual identity conceived in social terms--a character's search for his or her place in a precarious secular order. Understanding this concept of character is vitally important to a full appreciation of eighteenth-century comic fiction. To respond validly to these fictional characters, Kraft claims, the twentieth-century reader must recapture, or recreate, the eighteenth-century self. In readings of five novels--Henry Fielding's Tom Jones, Charlotte Lennox's Female Quixote, Laurence Sterne's Tristram Shandy, Tobias Smollett's Peregrine Pickle, and Fanny Burney's Cecilia--Kraft explores the relationships among consciousness, character, and comic narrative. Fielding, Lennox, and Sterne, she argues, question the validity of narratives of consciousness. Each seeks to define the limitations as well as the virtues of the form in representing the individual and communal lives. Smollett and Burney, on the other hand, address a readership that expects the novel to offer meaningful renderings of person experience. These novelists accept the validity of the narrative of consciousness but place this narrative within the context of the larger community. As a thorough analysis of relations between narrative and the construction of character and consciousness, Kraft's study is an important addition to our understanding of the theoretical formulations of eighteenth-century fiction.
Author: Steven Shankman
Publisher: Penn State Press
Published: 2010-11
Total Pages: 353
ISBN-13: 0271043199
DOWNLOAD EBOOKThe &"classical,&" Steven Shankman argues, should not be confused with a particular historical period of Western antiquity, although it may owe its original articulation to the literary and philosophical explorations of ancient Greek authors. Shankman's book searches for and attempts to formulate the shape of the continuing presence&—as embodied in particular literary works mainly from Western antiquity and the neoclassical and modern periods&—of what the author calls a &"classical&" understanding of literature. For Shankman, literature, defined from a classical perspective, is a coherent, compelling, and rationally defensible representation that resists being reduced either to the mere recording of material reality or to the bare exemplification of an abstract philosophical precept. He derives his definition largely from his reading of Greek literature from Homer through Plato, from the history of literary criticism, and from the Greco-Roman tradition in English, American, and French literature. Shankman reveals unsuspected yet convincing connections among authors of such widely disparate times and places. His idea of the &"classic&" that authorizes these connections is presented as normative, thus making possible the evaluation of literary works and, in turn, forthright discussion of what constitutes the &"literary&" as distinct from other kinds of discourse. Shankman's study runs counter to a strong tendency of contemporary criticism that argues precisely against any distinct category of the &"literary.&" He offers a series of interpretations that cumulatively advance theoretical discussion by challenging scholars to rethink the critical paradigms of postmodernism. At the center of the book is a discussion of the quintessentially classic Val&éry poem Le Cimeti&ère marin and the classic qualities it shares with Pindar's third Pythian ode, from which Val&éry derives the epigraph for his poem.
Author: Jonathan Swift
Publisher:
Published: 1939
Total Pages: 0
ISBN-13: 9780631003106
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