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This much-acclaimed work was first published in 1985 in an extremely limited edition of something under 200 copies. The first edition nonetheless sold out rapidly, and the reviewers were virtually universal in their recommendations that a new edition be published at a more accessible price, and thereby satisfy the additional demands on the marketplace. This new edition meets that need. This second edition is a substantially new work. It has been completely revised throughout, in the light both of the author's subsequent research and discoveries and of the reviewers' observations. It contains much additional new matter. The new illustrations reproduce setting copy, in the autograph of Marcus Musurus, of the Address to the Reader in the 1498 Aristophanes
The fifteenth century, one of the most curious and confused periods in recorded history, witnessed amazing developments in the printing industry and in the production of books. The present volume surveys the history of the manufacture of books throughout the fifteenth century, whether written by hand or produced by the press, and points out that both methods faced very similar problems and found almost identical solutions for them. Actually, the fifteenth century itself saw no material difference between manuscripts and incunabula (fifteenth-century printings), and regarded the latter simply as codices produced by "a new method of artificial writing." Curt F. Bühler discusses the impact of the epoch-making invention on the scribes as well as the attitudes that the contemporary book-lovers adopted toward the products of the press. The author also studies the types of men who were attracted to the new industry and the nature of the books that they believed to be readily vendible. In addition, certain familiar beliefs regarding the history of the early presses are challenged, and possible solutions are presented for the problems are still imperfectly understood. To illustrate the text, beautiful reproductions of illuminated manuscript pages, printed pages, colophons, woodcut illustration, and early typefaces have been included. The author's discussion of the decoration in books is not so much a study in the fine arts but, rather, an analysis of the types of volumes which lent themselves to decoration, and the various forms of such work.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Although the immense importance for the Renaissance of Greek émigrés to fifteenth-century Italy has long been recognized, much basic research on the phenomenon remains to be done. This new volume by John Monfasani gathers together fourteen studies filling in some of the gaps in our knowledge. The philosophers George Gemistus Pletho and George Amiroutzes, the great churchman Cardinal Bessarion, and the famous humanists George of Trebizond and Theodore Gaza are the subjects of some of the articles. Other articles treat the émigrés as a group within the wider frame of contemporary issues, such as humanism, the theological debate between the Orthodox and Roman Catholics, and the process of translating Greek texts into Latin. Furthermore, some notable Latin figures also enter into several of the articles in a detailed way, specifically, Nicholas of Cusa, Niccolò Perotti, and Pietro Balbi.
Nearly all the Spanish and Portuguese books in the Department were collected and given to the Library by the late Philip Hofer, founding Curator of the Department. They reflect his personal taste and his awareness of the historical importance of such a collection - foreword.
Antiquæ Libri - The Archaeology of the Book - ATB-1305In this volume Peddie gives a brief account of sources of information on many aspects of fifteenth century books. For such a brief book Peddie provides sources on topics ranging from block prints, woodcuts, engravings, book illustration, maps, initials, printers' marks, colophons, title pages, signatures, water marks, facsimiles, Greek printing, Hebrew printing and music printing. He also outlines bibliographies of national catalogues and general works.
