The Reception of Byzantium in European Culture since 1500

The Reception of Byzantium in European Culture since 1500

Author: Przemyslaw Marciniak

Publisher: Taylor & Francis

Published: 2017-05-15

Total Pages: 270

ISBN-13: 1134808313

DOWNLOAD EBOOK

Studies on the reception of the classical tradition are an indispensable part of classical studies. Understanding the importance of ancient civilization means also studying how it was used subsequently. This kind of approach is still relatively rare in the field of Byzantine Studies. This volume, which is the result of the range of interests in (mostly) non-English-speaking research communities, takes an important step to filling this gap by investigating the place and dimensions of ’Byzantium after Byzantium’. This collection of essays uses the idea of ’reception-theory’ and expands it to show how European societies after Byzantium have responded to both the reality, and the idea of Byzantine Civilisation. The authors discuss various forms of Byzantine influence in the post-Byzantine world from architecture to literature to music to the place of Byzantium in modern political debates (e.g. in Russia). The intentional focus of the present volume is on those aspects of Byzantine reception less well-known to English-reading audiences, which accounts for the inclusion of Bulgarian, Czech, Polish and Russian perspectives. As a result this book shows that although so-called 'Byzantinism' is a pan-European phenomenon, it is made manifest in local/national versions. The volume brings together specialists from various countries, mainly Byzantinists, whose works focus not only on Byzantine Studies (that is history, literature and culture of the Byzantine Empire), but also on the influence of Byzantine culture on the world after the Fall of Constantinople.


Lillian Russell

Lillian Russell

Author: Armond Fields

Publisher: McFarland

Published: 2008-08-27

Total Pages: 247

ISBN-13: 0786438681

DOWNLOAD EBOOK

Colorful and boisterous first nights were the rule in New York theaters of the 1880s. Everyone, it seemed, attended, from the rich and powerful to young people who scraped together just enough to buy a ticket. And no star was more popular than Lillian Russell. At a time when serious plays dominated the stages, Lillian Russell was one of the first to popularize musical theater. With her beauty, voice, and grace, she was the symbol of the new American woman. She used those attributes to attain power, social status and wealth, and then to become one of the earliest champions of women's equality. Her life and career are covered here in detail, with particular emphasis on the way she influenced theater history and popular culture.


The Oxford Companion to American Theatre

The Oxford Companion to American Theatre

Author: Gerald Bordman

Publisher: Oxford University Press

Published: 2004-05-06

Total Pages: 694

ISBN-13: 0199771154

DOWNLOAD EBOOK

First published in 1984, Gerald Bordman's Oxford Companion to American Theatre is the standard one-volume source on our national theatre. Critics have hailed its "wealth of authoritative information" (Back Stage), its "fascinating picture of the volatile American stage" (The Guardian), and its "well-chosen, illuminating facts" (Newsday). Now thoroughly revised, this distinguished volume once again provides an up-to-date guide to the American stage from its beginnings to the present. Completely updated by theater professor Thomas Hischak, the volume includes playwrights, plays, actors, directors, producers, songwriters, famous playhouses, dramatic movements, and much more. The book covers not only classic works (such as Death of a Salesman) but also many commercially successful plays (such as Getting Gertie's Garter), plus entries on foreign figures that have influenced our dramatic development (from Shakespeare to Beckett and Pinter). New entries include recent plays such as Angels in America and Six Degrees of Separation, performers such as Eric Bogosian and Bill Irwin, playwrights like David Henry Hwang and Wendy Wasserstein, and relevant developments and issues including AIDS in American theatre, theatrical producing by Disney, and the rise in solo performance. Accessible and authoritative, this valuable A-Z reference is ideal not only for students and scholars of theater, but everyone with a passion for the stage.