The Prestige

The Prestige

Author: Christopher Priest

Publisher: Macmillan

Published: 1997-09-15

Total Pages: 418

ISBN-13: 9780312858865

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In 1878, two young stage magicians clash in a darkened salon during the course of a fraudulent séance, and from this moment they try to expose and outwit each other at every turn.


Continuum Encyclopedia of Popular Music of the World, Volume 1

Continuum Encyclopedia of Popular Music of the World, Volume 1

Author: John Shepherd

Publisher: A&C Black

Published: 2003-03-06

Total Pages: 833

ISBN-13: 184714473X

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The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.


Blue Note

Blue Note

Author: Graham Marsh

Publisher: Chronicle Books

Published: 2002

Total Pages: 304

ISBN-13: 9780811836883

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Smaller in trim size, greatly expanded in content, this compendium of Chronicle's classic Blue Note books is now an appealingly chunky paperback. Featuring 400 of the legendary covers, spanning the '40s to the '70s, features the greatest work of legendary Blue Note art director Reid Miles.


The Price of Prestige

The Price of Prestige

Author: Lilach Gilady

Publisher: University of Chicago Press

Published: 2018-03-06

Total Pages: 235

ISBN-13: 022643334X

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If wars are costly and risky to both sides, why do they occur? Why engage in an arms race when it’s clear that increasing one’s own defense expenditures will only trigger a similar reaction by the other side, leaving both countries just as insecure—and considerably poorer? Just as people buy expensive things precisely because they are more expensive, because they offer the possibility of improved social status or prestige, so too do countries, argues Lilach Gilady. In The Price of Prestige, Gilady shows how many seemingly wasteful government expenditures that appear to contradict the laws of demand actually follow the pattern for what are known as Veblen goods, or positional goods for which demand increases alongside price, even when cheaper substitutes are readily available. From flashy space programs to costly weapons systems a country does not need and cannot maintain to foreign aid programs that offer little benefit to recipients, these conspicuous and strategically timed expenditures are intended to instill awe in the observer through their wasteful might. And underestimating the important social role of excess has serious policy implications. Increasing the cost of war, for example, may not always be an effective tool for preventing it, Gilady argues, nor does decreasing the cost of weapons and other technologies of war necessarily increase the potential for conflict, as shown by the case of a cheap fighter plane whose price tag drove consumers away. In today’s changing world, where there are high levels of uncertainty about the distribution of power, Gilady also offers a valuable way to predict which countries are most likely to be concerned about their position and therefore adopt costly, excessive policies.


The Prestige Label

The Prestige Label

Author: Bob Porter

Publisher: Greenwood

Published: 1980-03-19

Total Pages: 408

ISBN-13:

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Although somewhat more specialized than the Atlantic set because of Prestige's emphasis on jazz, this work is valuable for record collectors and researchers. American Reference Books Annual


Batman: Damned (2018-) #1

Batman: Damned (2018-) #1

Author: Brian Azzarello

Publisher: DC Comics

Published: 2018-09-19

Total Pages: 54

ISBN-13:

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DC BLACK LABEL, the highly anticipated new imprint from DC Comics, starts here! The Joker is dead. There is no doubt about that. But whether Batman finally snapped his scrawny neck or some other sinister force in Gotham City did the deed is still a mystery. Problem is, Batman can’t remember…and the more he digs into this labyrinthian case, the more his mind starts to doubt everything he’s uncovering. So who better to set him straight than…John Constantine? Problem with that is as much as John loves a good mystery, he loves messing with people’s heads even more. So with John’s “help,” the pair will delve into the sordid underbelly of Gotham as they race toward the mind-blowing truth of who murdered The Joker. BATMAN: DAMNED is a bimonthly super-natural horror story told by two of comics’ greatest modern creators-a visceral thrill-ride that proudly puts the “black” in BLACK LABEL.


The House That Trane Built: The Story of Impulse Records

The House That Trane Built: The Story of Impulse Records

Author: Ashley Kahn

Publisher: W. W. Norton & Company

Published: 2007-11-17

Total Pages: 349

ISBN-13: 0393330710

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Following the path of its star musician John Coltrane, Impulse Records cut a creative swath through the 1960s and 1970s. This volume tells the story of the label, balancing tales of individual passion, artistic vision, and commercial motivation--with nearly one hundred interviews with executives, journalists, producers, and musicians. 120 illustrations.


Miles

Miles

Author: Marc Antomattei

Publisher: Lulu.com

Published: 2011-03-19

Total Pages: 70

ISBN-13: 0984639101

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You can't be a Miles Davis completist without owning this book; it is a collector's item in and of itself! Miles: The Companion Guide to the Autobiography is an annotated guide to Miles' own book previously released over twenty years ago in 1989. In his autobiography, Miles talks in great detail about all of his recording sessions with all his various labels. He usually mentions things in detail such as when they were done, who was playing with him at that session, whose arrangements the tunes were from and so forth. Use this annotated sequencing companion guide to help you find and listen to those particular tunes within your collection or to help you track down those missing tracks so you can compile your own soundtrack to his life. This guide will give you a perfectly good reason to reread the autobiography, and trust me; it is better the second time around with this.Core content includes:*A listing of 388 jazz tunes and albums as mentioned by Miles Davis himself in his autobiography; Use as a guide to help you find and listen to those particular tunes within your collection or to help you track down those missing tracks so you can compile your own soundtrack to his life.Supplemental features of this book include: *An eleven page summary of the autobiography*An exclusive never before seen article "Miles Davis vs. Wynton Marsalis"*A listing of all Miles Davis Video & Audio Interviews*A listing of all Miles Davis DVDs*A listing of all Miles Davis Concert CDs*A Miles Davis buyers guide for both completists with no spending budget and for conscience spending people. *An appraisal guide of all Miles Davis special edition CDs including: Special edition box sets, special anniversary editions, remastered editions, Japanese editions, rare & out-of-print CDs, 24k gold CDs, Blu-Spec CDs, SACDs, Hyrbrid SACDs, SHM-CDs, and HQCDs.*A listing of Miles Davis jazz standards and author's favorites.


More Important Than the Music

More Important Than the Music

Author: Bruce D. Epperson

Publisher: University of Chicago Press

Published: 2013-10-01

Total Pages: 301

ISBN-13: 022606767X

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Today, jazz is considered high art, America’s national music, and the catalog of its recordings—its discography—is often taken for granted. But behind jazz discography is a fraught and highly colorful history of research, fanaticism, and the intense desire to know who played what, where, and when. This history gets its first full-length treatment in Bruce D. Epperson’s More Important Than the Music. Following the dedicated few who sought to keep jazz’s legacy organized, Epperson tells a fascinating story of archival pursuit in the face of negligence and deception, a tale that saw curses and threats regularly employed, with fisticuffs and lawsuits only slightly rarer. Epperson examines the documentation of recorded jazz from its casual origins as a novelty in the 1920s and ’30s, through the overwhelming deluge of 12-inch vinyl records in the middle of the twentieth century, to the use of computers by today’s discographers. Though he focuses much of his attention on comprehensive discographies, he also examines the development of a variety of related listings, such as buyer’s guides and library catalogs, and he closes with a look toward discography’s future. From the little black book to the full-featured online database, More Important Than the Music offers a history not just of jazz discography but of the profoundly human desire to preserve history itself.