The President's House is Empty: Losing and Gaining Public Goods explores the question of what we—the public—owe each other as free and equal members of a democratic society. With essays by writers and thinkers like Bonnie Honig, this collection attempts to make sense of the current administration's disdain for public things like the White House, public education, and clean water.
American diplomacy is in shambles, but beneath the daily chaos is an erosion of the postwar order that is even more dangerous. America emerged from the catastrophe of World War II convinced that global engagement and leadership were essential to prevent another global conflict and further economic devastation. That choice was not inevitable, but its success proved monumental. It brought decades of great power peace, underpinned the rise in global prosperity, and defined what it meant to be an American in the eyes of the rest of the world for generations. It was an historic achievement. Now, America has abdicated this vital leadership role. The Empty Throne is an inside portrait of the greatest lurch in US foreign policy since the decision to retreat back into Fortress America after World War I. The whipsawing of US policy has upended all that America's postwar leadership created-strong security alliances, free and open markets, an unquestioned commitment to democracy and human rights. Impulsive, theatrical, ill-informed, backward-looking, bullying, and reckless are the qualities that the American president brings to the table, when he shows up at all. The world has had to absorb the spectacle of an America unmaking the world it made, and the consequences will be with us for years to come.
Renowned city planner and housing advocate Alan Mallach presents effective strategies for community leaders, local officials, and nonprofits contending with vacant properties in the United States. Examples illustrate creative ways to reduce the harm caused by vacant properties, jump-start housing markets in struggling neighborhoods, create the potential for future revival, and transform vacant properties into community assets.
As Margaret Truman knows from firsthand experience, living in the White House can be exhilarating and maddening, alarming and exhausting–but it is certainly never dull. Part private residence, part goldfish bowl, and part national shrine, the White House is both the most important address in America and the most intensely scrutinized. In this splendid blend of the personal and historic, Margaret Truman offers an unforgettable tour of “the president’s house” across the span of two centuries. Opened (though not finished) in 1800 and originally dubbed a “palace,” the White House has been fascinating from day one. In Thomas Jefferson’s day, it was a reeking construction site where congressmen complained of the hazards of open rubbish pits. Andrew Jackson’s supporters, descending twenty thousand strong from the backwoods of Kentucky and Tennessee, nearly destroyed the place during his first inaugural. Teddy Roosevelt expanded it, Jackie Kennedy and Pat Nixon redecorated it. Through all the vicissitudes of its history, the White House has transformed the characters, and often the fates, of its powerful occupants. In The President’s House, Margaret Truman takes us behind the scenes, into the deepest recesses and onto the airiest balconies, as she reveals what it feels like to live in the White House. Here are hilarious stories of Teddy Roosevelt’s rambunctious children tossing spitballs at presidential portraits–as well as a heartbreaking account of the tragedy that befell President Coolidge’s young son, Calvin, Jr. Here, too, is the real story of the Lincoln Bedroom and the thrilling narrative of how first lady Dolley Madison rescued a priceless portrait of George Washington and a copy of the Declaration of Independence before British soldiers torched the White House in 1814. Today the 132-room White House operates as an exotic combination of first-class hotel and fortress, with 1,600 dedicated workers, an annual budget over $1 billion, and a kitchen that can handle anything from an intimate dinner for four to a reception for 2,400. But ghosts of the past still walk its august corridors–including a phantom whose visit President Harry S Truman described to his daughter in eerie detail. From the basement swarming with reporters to the Situation Room crammed with sophisticated technology to the Oval Office where the president receives the world’s leaders, the White House is a beehive of relentless activity, deal-making, intrigue, gossip, and of course history in the making. In this evocative and insightful book, Margaret Truman combines high-stakes drama with the unique perspective of an insider. The ultimate guided tour of the nation’s most famous dwelling, The President’s House is truly a national treasure.
A biting, funny, up-to-the-minute collection of essays by a major political thinker that gets to the heart of what feminist criticism can do in the face of everyday politics. Stormy Daniels offered a #metoo moment, and Anderson Cooper missed it. Conservatives don’t believe that gender is fluid, except when they’re feminizing James Comey. “Gaslighting” is our word for male domination but a gaslight also lights the way for a woman’s survival. Across two dozen trenchant, witty reflections, Bonnie Honig offers a biting feminist account of politics since Trump. In today’s shock politics, Honig traces the continuing work of patriarchy, as powerful, mediocre men gaslight their way across the landscape of democratic institutions. But amid the plundering and patriarchy, feminist criticism finds ways to demand justice. Shell-Shocked shows how women have talked back, acted out, and built anew, exposing the practices and policies of feminization that have historically been aimed not just at women but also at racial and ethnic minorities. The task of feminist criticism—and this is what makes it particularly well-suited to this moment—is to respond to shock politics by resensitizing us to its injustices and honing the empathy needed for living with others in the world as equals. Feminist criticism’s penchant for the particular and the idiosyncratic is part of its power. It is drawn to the loose threads of psychological and collective life, not to the well-worn fabrics with which communities and nations hide their shortcomings and deflect critical scrutiny of their injustices. Taking literary models such as Homer’s Penelope and Toni Morrison’s Cee, Honig draws out the loose threads from the fabric of shock politics’ domination and begins unraveling them. Honig’s damning, funny, and razor sharp essays take on popular culture, national politics, and political theory alike as texts for resensitizing through a feminist lens. Here are insightful readings of film and television, from Gaslight to Bombshell, Unbelievable to Stranger Things, Rambo to the Kavanaugh hearings. In seeking out the details that might break the spell of shock, this groundbreaking book illustrates alternative ways of living and writing in a time of public violence, plunder, and—hopefully—democratic renewal.
#1 NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • St. Louis Post-Dispatch When Pulitzer Prize–winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic. Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms. Praise for Empty Mansions “An amazing story of profligate wealth . . . an outsized tale of rags-to-riches prosperity.”—The New York Times “An evocative and rollicking read, part social history, part hothouse mystery, part grand guignol.”—The Daily Beast “Fascinating . . . [a] haunting true-life tale.”—People “One of those incredible stories that you didn’t even know existed. It filled a void.”—Jon Stewart, The Daily Show “Thrilling . . . deliciously scandalous.”—Publishers Weekly (starred review)
On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
