This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Excerpt from The Post Office of India and Its Story The chapter upon Indian stamps is based largely upon The Portage and Telegraph Stamps of British I na'ia, by Hausburg, stewart-wilson and Crofton, published by Messrs. Stanley Gibbons, and I am greatly indebted to Messrs. Stanley Gibbons for the loan of their blocks and for permission to use them in this book. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Born in 1861, Rabindranath Tagore came on the Indian scene at a time when the Indian national movement for freedom was beginning to take shape. Brought up in the environment of the Bengal renaissance and modernizing influence of the English education in India. Tagore absorbed the new learning and made it his own. Tagore always appreciated the culture and civilization of the west, but he never failed to condemn the colonial hunger of England and other European countries. The third- world literatures and critical theory of Post - colonialism, are deeply rooted in the history of imperialism. The postcolonial discourse, pervading both creative and critical third - world writings, embraces the domains of race and ethnicity, sex and class.
This volume places Dickens at the centre of a dynamic and expanding Victorian print world and tells the story of his career against a background of options available to him. The collection describes a world animated by outpourings of print materials: books, serials, newspapers, periodicals, libraries, paintings and prints, parodies and plagiarisms, censorship, advertising, as well as theatre and other entertainment, and celebrity. It also shows this period as driven by a growing and more literate population, and undergirded by a general conviction that writing was a crucial component of governance and civic culture. The extensive introduction and selected articles anchor Dickens's attempts to establish better conditions for writers regarding copyright protection, pay, status, recognition, and effectiveness in altering public policy. They speak about Dickens's life as playwright, journalist, novelist, editor, magazine publisher, theatrical producer, actor, lecturer, reader of his own works, supporter of charities for impoverished authors and fallen women, exponent of a morality of Christian compassion and domestic affections sometimes put into question by his own actions, proponent and critic of British nationalism, and champion of education for all. This selection of essays and articles from previously published accounts by internationally renowned scholars is of interest to all students and professionals who are fascinated by the composition, manufacture, finance, formats, pictorializations, sales, advertising and influence of Dickens's writing.
