Cubans today are at home in diasporas that stretch from Miami to Mexico City to Moscow. Back on the island, watching as fellow Cubans leave, the impact of departure upon departure can be wrenching. How do Cubans confront their condition as an uprooted people? The Portable Island: Cubans at Home in the World offers a stunning chorus of responses, gathering some of the most daring Cuban writers, artists, and thinkers to address the haunting effect of globalization on their own lives.
Classroom design is a crucial component of an effective learning environment. Through a Child's Eyes will help teachers develope learning areas that leverage childhood learning. Learn how to use the child's perspective to make the classroom a place of joy and possibility with the use of inviting materials, natural colors, intriguing loose parts, and unique sensory explorations.
From bestselling author, HGTV star, and Canadian design queen Sarah Richardson comes the interior design book of the decade. Ever wondered how to transform your laundry room from drab to fab? Your kitchen from prison to paradise? Your bedroom from boring to beautiful? Now you can, in this comprehensive interior design tome by design maven extraordinaire Sarah Richardson. Within these beautiful, full-colour pages and photographs, Sarah walks you through each room in your home, from the master bedroom to the kids’ rooms, to the kitchen, the bathroom, and everywhere in between, showing you how to turn a house into a home—Sarah style. Featuring full-page design spreads with stunning attention to detail, Sarah Style is a cache of creative, unique ideas for transforming your living spaces. You can make your dream home a reality, and the inspiration—and complete know-how—is right here in this premier source for all things interior design!
Following the bestselling success of Sarah Style, HGTV star and design queen Sarah Richardson invites readers into the homes she’s most proud of designing—her own! Renowned designer Sarah Richardson guides readers through a variety of houses—from urban spaces, to secluded farmland getaways, to the islands of cottage country—that all showcase her signature style of casual elegance and nature-inspired design. In addition to the hundreds of design tips and never-before-seen photos—including many from Sarah’s personal collection—there are forty-five beloved recipes that reflect Sarah’s design style: comforting, fun, and meant for sharing. This is a behind-the-scenes tour that will inspire readers to achieve winning style on any budget. At Home: Sarah Style is the ultimate guide to living in style, loving your home, and entertaining with ease.
SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR In Island Dreams, Gavin Francis combines stories of his own travels with psychology, philosophy and myth, shedding new light on the importance of islands and isolation in our collective consciousness. Francis draws on thirty years of island adventures from the Faroe Islands to the Aegean, from the Galapagos to the Andaman Islands. He contrasts these quests for freedom with the demands for commitment required as a doctor, community member and parent. Island Dreams riffs on the twin poles of rest and motion, independence and attachment, never more relevant than in today’s ever-connected world.
In this one-of-a-kind volume, Iraida López explores various narratives of return by those who left Cuba as children or adolescents. Including memoirs, semi-autobiographical fiction, and visual arts, many of these accounts feature a physical arrival on the island while others depict a metaphorical or vicarious experience by means of fictional characters or childhood reminiscences. As two-way migration increases in the post-Cold War period, many of these narratives put to the test the boundaries of national identity. Through a critical reading of works by Cuban American artists and writers like María Brito, Ruth Behar, Carlos Eire, Cristina García, Ana Mendieta, Gustavo Pérez Firmat, Ernesto Pujol, Achy Obejas, and Ana Menéndez, López highlights the affective ties as well as the tensions underlying the relationship between returning subjects and their native country. Impossible Returns also looks at how Cubans still living on the island depict returning émigrés in their own narratives, addressing works by Jesús Díaz, Humberto Solás, Carlos Acosta, Nancy Alonso, Leonardo Padura, and others. Blurring the lines between disciplines and geographic borders, this book underscores the centrality of Cuba for its diaspora and bears implications for other countries with widespread populations in exile.
“Nersesian’s extravagantly imagined dystopia relies—as did those in Philip Roth’s Plot Against America and Michael Chabon’s Yiddish Policemen’s Union—on an alternate, counterfactual history.”—The New York Times Book Review “Combining sci-fi space/time-warping, Unabomber-style political ranting and an overall air of goose-bump paranoia, this is one turbo-charged trip. . . . A sharp, strange read: Imagine William Burroughs and Philip K. Dick sharing a needle.”—Kirkus Reviews “Brilliant.”—Time Out New York Arthur Nersesian’s six previous novels (including The Fuck-Up, MTV/Pocket Books, which has sold over 100,000 copies) have focused on the tragicomedy of fin de siècle New York City. Here, in his boldest novel to date, Nersesian has broken through into a new landscape that at once fuses the real with the surreal, the psychological with the psychedelic. He lives in New York City.
Migrant and Tourist Encounters: The Ethics of Im/mobility in 21st Century Dominican and Cuban Cultures analyzes the effects of clashing flows of voluntary and involuntary travelers to and from these countries due to an increase in migration and tourism during the last three decades. I compare the ways in which literary works and films reflect on and critique the power relations and ethics of im/mobility and encounter, both on the islands and in destinations abroad. The works draw attention to the interconnectedness of migration, tourism, and other forms of travel as well as immobility, and portray growing local and global inequalities through characters’ disparate access to free, voluntary movement. I consider how the works respond to the question of the moral potential of encounters produced by im/mobilities and the possibility of connection across differences. I argue that Dominican and Cuban artists not only critique neo-colonial paradigms of power and im/mobility, but envision and enact strategies for belonging and, in some cases, suggest a path toward de-colonial cosmopolitanism.
