The Politics of Recorded Sound
The Politics of Recorded Sound

Author: Gustavus Stadler

Publisher: Social Text

Published: 2010

Total Pages: 0

ISBN-13: 9780822367307

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This issue of Social Text offers fresh perspectives on the study of sound, music, and politics by centering its attention on recording. The contributors to "The Politics of Recorded Sound" seek to tell a broader story, both politically and historically, about the role of recording in modernity, moving beyond the usual focus on music alone, and portraying it as dialectically engaged with historical formations of race, gender, labor, disability, and nation. One essay uncovers the lost history of studio recordings of lynching reenactments in the 1890s and analyzes the place of these reenactments among representations of blackness in early phonography. Another essay provides a detailed account of the piano roll's centrality in technological and cultural conceptions of sound reproduction, while yet another essay exposes the role of experiments with the deaf in the development of sound recording technology. The final essay addresses the utopian impulse in contemporary global pop.

The Cambridge Companion to Recorded Music
The Cambridge Companion to Recorded Music

Author: Nicholas Cook

Publisher: Cambridge University Press

Published: 2009-11-26

Total Pages: 381

ISBN-13: 0521865824

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Featuring fascinating accounts from practitioners, this Companion examines how developments in recording have transformed musical culture.

Capturing Sound
Capturing Sound

Author: Mark Katz

Publisher: Univ of California Press

Published: 2010-10-07

Total Pages: 336

ISBN-13: 0520261054

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Fully revised and updated, this text adds coverage of mashups and auto-tune, explores recent developments in file sharing, and includes an expanded conclusion and bibliography.

Perfecting Sound Forever
Perfecting Sound Forever

Author: Greg Milner

Publisher: Farrar, Straus and Giroux

Published: 2009-06-09

Total Pages: 566

ISBN-13: 1429957158

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In 1915, Thomas Edison proclaimed that he could record a live performance and reproduce it perfectly, shocking audiences who found themselves unable to tell whether what they were hearing was an Edison Diamond Disc or a flesh-and-blood musician. Today, the equation is reversed. Whereas Edison proposed that a real performance could be rebuilt with absolute perfection, Pro Tools and digital samplers now allow musicians and engineers to create the illusion of performances that never were. In between lies a century of sonic exploration into the balance between the real and the represented. Tracing the contours of this history, Greg Milner takes us through the major breakthroughs and glorious failures in the art and science of recording. An American soldier monitoring Nazi radio transmissions stumbles onto the open yet revolutionary secret of magnetic tape. Japanese and Dutch researchers build a first-generation digital audio format and watch as their "compact disc" is marketed by the music industry as the second coming of Edison yet derided as heretical by analog loyalists. The music world becomes addicted to volume in the nineties and fights a self-defeating "loudness war" to get its fix. From Les Paul to Phil Spector to King Tubby, from vinyl to pirated CDs to iPods, Milner's Perfecting Sound Forever pulls apart musical history to answer a crucial question: Should a recording document reality as faithfully as possible, or should it improve upon or somehow transcend the music it records? The answers he uncovers will change the very way we think about music.

The Audible Past
The Audible Past

Author: Jonathan Sterne

Publisher: Duke University Press

Published: 2003-03-13

Total Pages: 478

ISBN-13: 9780822330134

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Discographies
Discographies

Author: Jeremy Gilbert

Publisher: Routledge

Published: 2002-03-11

Total Pages: 208

ISBN-13: 1134698925

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Experiencing disco, hip hop, house, techno, drum 'n' bass and garage, Discographies plots a course through the transatlantic dance scene of the last last twenty-five years. It discusses the problems posed by contemporary dance culture of both academic and cultural study and finds these origins in the history of opposition to music as a source of sensory pleasure. Discussing such issues as technology, club space. drugs, the musical body, gender, sexuality and pleasure, Discographies explores the ecstatic experiences at the heart of contemporary dance culture. It suggests why politicians and agencies as diverse as the independent music press and public broadcasting should be so hostile to this cultural phenomenon.

Music and Politics
Music and Politics

Author: John Street

Publisher: John Wiley & Sons

Published: 2013-04-17

Total Pages: 207

ISBN-13: 0745636551

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It is common to hear talk of how music can inspire crowds, move individuals and mobilise movements. We know too of how governments can live in fear of its effects, censor its sounds and imprison its creators. At the same time, there are other governments that use music for propaganda or for torture. All of these examples speak to the idea of music's political importance. But while we may share these assumptions about music's power, we rarely stop to analyse what it is about organised sound - about notes and rhythms - that has the effects attributed to it. This is the first book to examine systematically music's political power. It shows how music has been at the heart of accounts of political order, at how musicians from Bono to Lily Allen have claimed to speak for peoples and political causes. It looks too at the emergence of music as an object of public policy, whether in the classroom or in the copyright courts, whether as focus of national pride or employment opportunities. The book brings together a vast array of ideas about music's political significance (from Aristotle to Rousseau, from Adorno to Deleuze) and new empirical data to tell a story of the extraordinary potency of music across time and space. At the heart of the book lies the argument that music and politics are inseparably linked, and that each animates the other.

Writing the Field Recording
Writing the Field Recording

Author: Stephen Benson

Publisher: Edinburgh University Press

Published: 2018-03-14

Total Pages: 279

ISBN-13: 147440670X

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The 11 essays collected here take the recent explosion of interest in field recordings as the point of departure for an investigation of the sound field in music and its relationship to literature and writing.

Politics as Sound
Politics as Sound

Author: Shayna L. Maskell

Publisher: University of Illinois Press

Published: 2021-09-28

Total Pages: 164

ISBN-13: 0252053125

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Uncompromising and innovative, hardcore punk in Washington, DC, birthed a new sound and nurtured a vibrant subculture aimed at a specific segment of the city's youth. Shayna L. Maskell explores DC's hardcore scene during its short but storied peak. Led by bands like Bad Brains and Minor Threat, hardcore in the nation's capital unleashed music as angry and loud as it was fast and minimalistic. Maskell examines the music's aesthetics and the unique impact of DC's sociopolitical realities on the sound and the scene that emerged. As she shows, aspects of the music's structure merged with how bands performed it to put across distinctive representations of race, class, and gender. But those representations could be as complicated and contradictory as they were explicit. A fascinating analysis of a punk rock hotbed, Politics as Sound tells the story of how a generation created music that produced--and resisted--politics and power.