Making Space Public in Early Modern Europe

Making Space Public in Early Modern Europe

Author: Angela Vanhaelen

Publisher: Routledge

Published: 2013-04-26

Total Pages: 356

ISBN-13: 1135104662

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Broadening the conversation begun in Making Publics in Early Modern Europe (2009), this book examines how the spatial dynamics of public making changed the shape of early modern society. The publics visited in this volume are voluntary groupings of diverse individuals that could coalesce through the performative uptake of shared cultural forms and practices. The contributors argue that such forms of association were social productions of space as well as collective identities. Chapters explore a range of cultural activities such as theatre performances; travel and migration; practices of persuasion; the embodied experiences of lived space; and the central importance of media and material things in the creation of publics and the production of spaces. They assess a multiplicity of publics that produced and occupied a multiplicity of social spaces where collective identity and voice could be created, discovered, asserted, and exercised. Cultural producers and consumers thus challenged dominant ideas about just who could enter the public arena, greatly expanding both the real and imaginary spaces of public life to include hitherto excluded groups of private people. The consequences of this historical reconfiguration of public space remain relevant, especially for contemporary efforts to meaningfully include the views of ordinary people in public life.


Treating the Public

Treating the Public

Author: Rachael Ball

Publisher: LSU Press

Published: 2017-04-10

Total Pages: 225

ISBN-13: 0807165093

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Treating the Public is a comparative history of commercial theater, charitable organizations of welfare and public health, and public opinion in important cities in the Spanish and Anglo Atlantic Worlds during the sixteenth and seventeenth centuries. It examines theater as a cultural, political, and social phenomenon, especially in Spain and its empire. This unique study highlights public drama’s rapid expansion into urban daily life in the Spanish Atlantic, where men and women provided and sought entertainment while engaging in Catholic piety and poor relief.


A New Anthology of Early Modern Spanish Theater

A New Anthology of Early Modern Spanish Theater

Author: Barbara Louise Mujica

Publisher: Yale University Press

Published: 2015-01-01

Total Pages: 708

ISBN-13: 0300109563

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An anthology of plays from the Spanish Golden Age contains the full text of 15 plays; an introduction to each play with information about the author, the work, performance issues and current criticism; and glossaries with definitions of difficult words and concepts.


Staging and Stage Décor: Perspectives on European Theater 1500-1950

Staging and Stage Décor: Perspectives on European Theater 1500-1950

Author: Bárbara Mujica

Publisher: Vernon Press

Published: 2023-05-09

Total Pages: 309

ISBN-13: 1648896669

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'Staging and Stage Décor: Perspectives on European Theater 1500-1950' is a compendium of essays by an international array of theater specialists. The Introduction provides an overview of theater décor and architecture from ancient Greece through the Renaissance and beyond, while the articles that follow explore a variety of topics such as the development of lighting techniques in early modern Italy, the staging of convent theater in Portugal, performance spaces at Versailles, the reconstruction of the Globe theater, and Shrovetide plays in Germany. This volume also offers insight into little-studied subjects such as the early productions of Brecht and the spread of Russian theater to Japan. The focus on performance and performance space across centuries and continents makes this a truly unique volume.


Women's Somatic Training in Early Modern Spanish Theater

Women's Somatic Training in Early Modern Spanish Theater

Author: Elizabeth Marie Cruz Petersen

Publisher: Taylor & Francis

Published: 2016-11-03

Total Pages: 177

ISBN-13: 1134780737

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Drawing from early modern plays and treatises on the precepts and practices of the acting process, this study shows how the early modern Spanish actress subscribed to various somatic practices in an effort to prepare for a role. It provides today's reader not only another perspective to the performance aspect of early modern plays, but also a better understanding of how the woman of the theater succeeded in a highly scrutinized profession. Elizabeth Marie Cruz Petersen examines examples of comedias from playwrights such as Lope de Vega, Luis Vélez de Guevara, Tirso de Molina, and Ana Caro, historical documents, and treatises to demonstrate that the women of the stage transformed their bodies and their social and cultural environment in order to succeed in early modern Spanish theater. Women's Somatic Training in Early Modern Spanish Theater is the first full-length, in-depth study of women actors in seventeenth-century Spain. Unique in the field of comedia studies, it approaches the topic from a performance perspective, using somaesthetics as a tool to explain how an artist's lived experiences and emotions unite in the interpretation of art, reconfiguring her "self" via the transformation of habit.


Subject Stages

Subject Stages

Author: María Mercedes Carrión

Publisher: University of Toronto Press

Published: 2010-01-01

Total Pages: 273

ISBN-13: 1442641088

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Subject Stages argues that the discourses and practices of marital legislation, litigation, and theatrics informed each other in early modern Spain in ways that still have a critical bearing on contemporary events in Spain, such as the legalization of divorce in 1978 and of same-sex marriage in 2005.


Playgrounds

Playgrounds

Author: David J. Amelang

Publisher: Taylor & Francis

Published: 2022-12-30

Total Pages: 172

ISBN-13: 1000822826

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This book compares the theatrical cultures of early modern England and Spain and explores the causes and consequences not just of the remarkable similarities but also of the visible differences between them. An exercise in multi-focal theatre history research, it deploys a wide range of perspectives and evidence with which to recreate the theatrical landscapes of these two countries and thus better understand how the specific conditions of performance actively contributed to the development of each country’s dramatic literature. This monograph develops an innovative comparative framework within which to explore the numerous similarities, as well as the notable differences, between early modern Europe’s two most prominent commercial theatre cultures. By highlighting the nuances and intricacies that make each theatrical culture unique while never losing sight of the fact that the two belong to the same broader cultural ecosystem, its dual focus should appeal to scholars and students of English and Spanish literature alike, as well as those interested in the broader history of European theatre. Learning from what one ‘playground’ – that is, the environment and circumstances out of which a dramatic tradition originates – reveals about the other will help solve not only the questions posed above but also others that still await examination. This investigation will be of great interest to students and scholars in theatre history, comparative drama, early modern drama, and performance culture.


Staging Favorites

Staging Favorites

Author: Francisco Gómez Martos

Publisher: Routledge

Published: 2020-09-20

Total Pages: 131

ISBN-13: 1000179281

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Staging Favorites explores theatrical representations of royal favorites in Spanish, French, and English dramatic production during the late sixteenth and seventeenth centuries. During this time, the courts of Spain, France, and England were dominated by all-powerful ministers who enjoyed royal favor. The politics of royal favoritism gave rise to a significant group of plays which constitutes the subject of this book. While scholars have studied this group partially and separately in national context, Staging Favorites approaches these "dramas about favorites" from a wider European point of view, and performs comparative analyses of a number of plays – including La paciencia en la fortuna; Le Favori, ou la Coquette; and Sejanus His Fall – and adds new detail and differentiation to the early modern perception and representation of the royal favorite. This book will appeal to scholars and students interested in early modern literature, history of theater, and cultural history.